Martin Guitar Mother Lode of Models for NAMM 2024

 

Martin Guitar New X Series Models for 2024

New for NAMM 2024! Many Martin Models in the X Series

Revamped Martin X Series models include a thinner, beveled fingerboard

(click photos to enlarge)

onemanz.com

With just over a week to go to the NAMM Show, Martin Guitar announces their least pricey models, even if they all come with world class aesthetic charm. While some of these acoustic-electric models exit already, they have been revamped with a redesigned bridge, a thinner fingerboard with a “gently beveled comfort edge,” “refined string spacing” and fantastic-looking XPL back and sides featuring glorious visual reproductions of choicest tonewoods including figured Brazilian rosewood,  ziricote, mahogany, koa, and the cocobolo pictured above in size 0, 00, and GPC.

The full lineup of the new X Series models includes the 0-X2E Cocobolo, 00-X2E Cocobolo, GPC-X2E Cocobolo; GPC-X2E Ziricote, D-X2E Ziricote Burst; 000-X2E Brazilian, D-X2E Brazilian, D-X2E Brazilian 12-String; D-X2E Mahogany; D -X1E Koa; GPC-X1E Black.

These affordable (by Martin standards) acoustic-electric guitars are made at their plant in Navojoa, Mexico from rugged high-pressure laminate back and sides. The 1 models have an HPL top with a either a koa, mahogany, or black pattern and a birch laminate neck. The 2 models have actual solid spruce or sapele soundboards and select hardwood necks and bridges.

The X Series bridges have been reshaped with a soft slope rather than the defined edge on either side of the bridge pins seen on traditional Martins. The electronics have been upgraded to the Martin E1 system that has a built-in turner and phase control in addition to the volume and tone controls.

 

While the cosmetic HPL patterns will not change the sound of the X Series instruments, they do offer excellent choices in terms of stunning visual appeal.

D-X2E Ziricote Burst (Do you see the lama sticking its tongue out at you? Or the viper’s fangs??)

 

GPC-X2E Ziricote (with solid ribbon sapele soundboard)

 

D-X2E Brazilian 12-String

 

000-X2E Brazilian

 

00-X2E Cocobolo (available in 0 and GPC sizes)

 

The popular D-X1E Koa with the upgraded fingerboard and electronics

 

Colorful and affordable, the new additions to the C. F. Martin & Co. X Series are a bevy of beauties to be sure.

Martin GPCE Inception Maple Debuts

The innovative Martin GPCE Inception Maple breaks new ground

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Environmentally friendly woods and enhanced bracing marry with hopes for a future of sustainable, beautiful music

SEE THE FULL REVIEW WITH VIDEO HERE!

Incept Date: 01092024

Place of origin: Nazareth, PA, USA, Earth

Launched toward the future with appropriate celebration at C.F. Martin & Co., established in 1833 and boldly venturing into new territory in 2024, the Martin GPCE Inception Maple is an acoustic-electric guitar made in Martin’s Grand Performance body size with a Cutaway treble bout, representing the inception of a new Inception Series of Martin guitars that will feature domestic American tonewoods including Maple, in combination with environmentally sustainable tonewood from abroad, and the latest tone-enhancing technology inside the sold wood sound chamber.

In this case, the top is made from FSC certified European spruce. FSC standing for the Forest Stewardship Council, the world-wide entity assuring consumers that these certified natural resources were obtained from forests that are manged in an environmentally-friendly way with an eye on sustainability and with the greatest respect for the residents living within the forest.

The back and sides are made from maple grown in the USA, with a center plate of black walnut on the back that likely adds some tonal coloring to the voice of the instrument. Walnut is often described as a cross between mahogany and rosewood, but deserves its own place in the pantheon of true tonewoods that generate a pleasing sound capable of creating beautiful music. The fingerboard and bridge are also made from black walnut, as is the body binding and the decorative face plate at the front of the headstock.

This back does not have the usual alternating three-wedge shape of a Style 35 Martin. Instead, the center plate has a gentle curve to it. This is but one new aesthetic change from typical Martins.

While the back, sides, and top feature a new “amber fade” sunburst under a satin finish, the final production model retains important features of the Standard Series, like solid tonewoods throughout and the traditional, full-size dovetail neck joint. It also has the full complement of scalloped braces on the inside of the soundboard, except for a most unusual top plate that is only on the bass side of the upper bout.

However, this version of the traditional Martin-invented X-bracing is enhanced with a honeycomb of empty space, where mass was removed from the struts of the otherwise solid spruce X brace and the large traverse brace on the opposite side of the sound hole.

(click to enlarge photos)

The purpose of this laser-cut spacing is twofold. It increases the flexibility of the bracing around the sound hole while maintaining a structural integrity that keeps the top from collapsing from the pounds of tension brought to bear on the soundboard by the taught steel strings. It is an achievement of engineering both elegant and practical, invented centuries ago for weighty yet airy stone structures like the cloisters of medieval abbeys and cathedrals. But here it is brilliantly applied in miniature for a light, solid-wood soundboard of a world-class musical instrument.

Another significant enhancement is implementation of “sonic channels” cut into the solid spruce soundboard, around each brace and tone bar, and along most of the circumference of the soundboard. This allows the sold top to respond more-easily to the vibrations passing through it.

Soundboard channeling is an idea that has been explored by other guitar makers, but not nearly to this extent or in the same patterns. This feature also appears around the back braces that have been redesigned to allow the back to contribute to sonic resonance, not just passively reflect the sound waves generated by the spruce top.

onemanz.com

While I could go on about the development of this project based on insider tidbits, I felt it best to prevail upon the man inside Martin Guitars who knows more about it than anyone, Vice President of Product Management Fred Greene. Fred was happy to share some exclusive insight with One Man’s Guitar about the evolution of the GPCE Inception Maple in his own words, and how this exciting new Martin guitar is but the vanguard of the bold future ahead for America’s most venerable musical instrument maker.

OMG: How long has this project been in the works?

FG: The project has been in the works for about 18 months.

OMG: What were the origins of this new model?

FG:   It started with a desire to highlight the possibilities of sustainable domestic hardwoods in guitar construction. 

OMG: Martin has made some very successful models with sustainable domestic tonewoods, like maple and walnut, yet not many, and nothing with this combination of body size and tonewoods. What was behind the inception of the Inception?

FG: I knew we couldn’t simply make another maple Dreadnaught and leave it at that.  It’s been done by us and others in the past. Too often big manufacturers get lazy and stop innovating. When that happens, new models can be met with a collective yawn from guitar players. I felt we needed to make changes in how we designed this musical instrument on a deeper level.

OMG: Well, nothing is boring about this new maple model! Who was the primary designer of the GPCE Inception Maple?

Like most projects at Martin, it was a team effort. But as the leader of the product team, I instigated a change in our approach stemming from my desire to show off the potential of these woods by combining the technology we have developed over the past 190 years with innovations we developed in the twenty-first century. That was the mission I tasked the team to embark upon.  

Nate Hoffman, our R&D leader, took up the challenge and his team really dug deep and presented us with some cool concepts.  Those concepts were discussed, massaged, prototyped, and eventually agreed upon by myself, designers Tim Teel and Rameen Shayegan, and the production team.  We felt it was very important that we showed the world that Martin continues to innovate and explore the possibilities presented by a changing world of materials and technology.

OMG: How are the gorgeous, skeletonized braces created?

FG: The new braces are created using lasers.  We realize we are not the first company to put holes in braces.  Small one-off builders have done this in the past.  However, I believe Martin is the first “major” builder to do it in a true product guitar.  It was fun developing a weight-relieving pattern that was both visually appealing and strong.

OMG: How do they affect things like energy transference and tone production?

The general concept is simple.  By lightening the weight of the braces, and consequently the top, less energy is required of the strings to move the top.  Thus making the instrument more responsive and increasing sustain. 

onemanz.com
photo: C.F. Martin & Co.

 

Maple tends to compress sound in acoustic guitars with traditional builds so that all you hear is the fundamental notes without any pleasant overtones.  We wanted to allow the guitar to move a little more and offset some of that compression.  We wanted to open it up. This bracing in combination with the new sonic channels set into the underside of the soundboard more than accomplished that goal.

OMG:  Why the Grand Performance body size?

We saw this guitar as a stage guitar for a singer/songwriter and the GPC seemed like a natural canvas for something new.  We thought if we started with a Dreadnaught or 000 it would simply draw too many comparisons to existing models that already have a very established sound signature.  We didn’t think these traditional shapes would be the right formula or recipe for the player we were targeting. 

OMG:  Might we assume the new Marting GPCE Inception Maple is so named because this is the beginning of a new trend at Martin Guitar?  Should we expect to see other models featuring domestic American tonewoods and the new bracing and sonic channels under the top?

You are correct that the Inception is the first of several new guitars that will be coming in the future using more sustainable woods.  It’s exciting because these new guitars will allow us to offer new designs and hopefully give guitar players more options and sounds to explore.

Well, it’s been worth the wait to see the end results of this long-anticipated project. Now I have to wait a little longer to play and hear the finished product officially being released at the NAMM show on January 24, 2024.

Many More Photos Here

Check out the Martins and More podcast where Spoon Phillips and Maury Rutch share even more information about the minds and muscles that created this super cool new Martin GPCE Inception Maple, below.

Martin 000CJr-10E StreetMaster New for NAMM 2023

The Junior Series StreetMaster Cutaway 000

Solid sapele back, sides, and top with the Martin StreetMaster styling, the 000C-Jr StreetMaster is a fully-realized acoustic-electric guitar in a travel-friendly size that has a warm, mellow tone.

000CJR-10E StreetMaster list price $749

List price: $749.

Full Review Coming Soon




Martin CEO-10 Reivew

Martin Guitar’s CEO Thomas Ripsam presents his CEO-10 model

NAMM 2023 has a Best in Show candidate in this short-scale 000 CEO-10

CEO-10 specs include: Solid tonewoods throughout, 14-fret 000 body size; figured Guatemalan rosewood back and sides, FSC certified European spruce top with 1933 Ambertone shading and Style 42 abalone purling and rosette; 1/4″ scalloped FSC certified European spruce bracing with Golden Era scalloping, composite carbon fiber/torrefied Adirondack spruce bridge plate; solid South American mahogany short-scale neck with Vintage Deluxe profile and two-way adjustable titanium alloy support rod; ebony fingerboard with Higher Performance taper, 1-3/4″ width at the bone nut, 2-/8″ width at the 12th fret, abalone fret position markers in circa 1917 William Foden pattern; ebony belly bridge with bone drop-in saddle and 2-5/32″ string spacing, and Style 42 snowflake inlays; wood fiber accents and back strip; flamed European maple binding on the body, neck, and headstock; Guatemalan rosewood headstock face plate with abalone 1932 C. F. Martin & Co. script logo over 1930 Style 45 Deluxe abalone torch inlay; Waverly open-back butter bean tuning machines; Guatemalan rosewood pickguard with abalone Style 45 Deluxe floral inlay. Limited to 100 instruments.

“The Martin CEO-10 has a full-bodied voice with impressive bass response and an expansive, ethereal projection that sounds much more like a long-scale OM to my ear, than the typical gathered and punchy sound of a short-scale 000. Yet it offers the playability of the shorter string scale, made all the more comfortable thanks to the asymmetrical Vintage Deluxe neck profile.”

Martin_CEO-10 onemanz.com

Full Review with Video Here




Martin D-45 Modern Deluxe Review

The long awaited Martin D-45 Modern Deluxe arrives in splendor

Regal and refined, extravagant and divine

Specs for D-45 Modern Deluxe include: All solid wood construction; Indian rosewood back and sides; Vintage Tone System torrefied Sitka spruce top with Golden Era scalloped, forward-shifted, VTS torrefied Adirondack spruce bracing attached with natural protein glue; composite bridge plate of carbon fiber/torrefied Adirondack spruce; Genuine mahogany neck with Vintage Deluxe profile, two-way adjustable titanium alloy support rod, hand-fitted dovetail neck joint and solid mahogany neck block; ebony fretboard with High Performance Taper, 1-3/4” width at nut, 2-1/8” at 12th fret, abalone fret position markers, EVO Gold frets, solid bone nut; ebony bridge with Liquidmetal bridge pins, compensated solid bone saddle and 2-5/32” string spacing; European flamed maple binding; high gloss nitrocellulose lacquer finish on the body, satin neck finish; ebony headstock faceplate with polished gloss finish, 1920s-style torch inlay; golden Waverly open back tuners with butter bean knobs.

“The piano-like report of the fundamental notes is solid and immediate, igniting astonishing natural resonance. The voice is huge and rich but never muddy or harsh. Every inch of this guitar earns the right to be called the Martin D-45 Modern Deluxe.”

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Full Review with Video Here

Martin CS-SC-22 Acoustic-Electric Hybrid

New from NAMM, the CS-SC-22 is deluxe indeed

Martin’s first S model made with solid tonewoods in Nazareth, PA


The in-depth review will be published soon, so stay tune.

Martin D-45 Modern Deluxe and Others Debut for 2022

Seven New Martin Guitars in the Modern Deluxe Series




 

Martin Modern Deluxe 2022 New Models OneManz.com

Two 12-fret models, a mahogany 000, and a new Style 42 among the additions

At long last, I may now share with you the first glimpses of the SEVEN new Modern Deluxe Series Martin guitars, released in lieu of the canceled Winter NAMM show. These guitars blend classic Martin guitar specifications with ultramodern technological enhancements to realize twenty-first century musical instruments that are both modern and deluxe.

Martin D-45MD and 0012-28MD Onemanz.comThe new Modern Deluxe Martins include a 12-fret 0-size rosewood model in rosewood Style 28, the 012-28 Modern Deluxe. A 12-fret 00 and 14-fret 00 join it, the 0012-28 Modern Deluxe and 00-28 Modern Deluxe.

Yes, that is a new naming convention for 12-fret Martin guitars, with the 12 on the LEFT side of the dash, replacing the archaic S for a “Standard” body size on the right side of the dash. And about time too, I say! The 12-fret configuration hasn’t actually been the standard design since 1934.

Moving to the next larger size, the mahogany 000-18 Modern Deluxe is also included, and super-fancy rosewood 000-42 Modern Deluxe have arrived. Larger still are the full-size Dreadnoughts, the D-42 Modern Deluxe and, at the top of the Series, the D-45 Modern Deluxe.

The D-45 Modern Deluxe heralds the return of the classic torch inlay that graced the headstock face plates of Martin’s Style 45 guitars up through 1930. It also brings back the snowflake fingerboard pattern to a D-45, like those made pre-1939. But this time, the exquisite diamonds, snowflakes, and cat’s eye fret position markers are not just inlaid with high-color abalone shell; each marker is outlined in even more pearl.

Around the East Indian Rosewood back and sides are the glittering abalone pearl trim that sets Style 45 Martins apart from their other handmade, professional-level acoustic guitars. But unlike other D-45s out there, the D-45 Modern Deluxe has flamed European maple binding on the body and the neck.

All guitars in the Modern Deluxe Series include a unique set of advanced features engineered to increase tonal depth (a Vintage Tone System aged Sitka spruce soundboard supported by VTS Adirondack spruce braces with Golden Era scalloping and set in place with natural protein glue,) increased volume and sustain (Liquid Metal bridge pins and a VTS Adirondack spruce bridge plate protected by thin outer layers of carbon fiber,) extended fret life thanks to the copper-infused EVO Gold frets with matching gold tuners, and a wonderfully comfortable neck shape based on the 1930 OM-45 Deluxe owned by the Martin museum.

The MD neck is asymmetrical with an apex that gradually drifts off center, to effortlessly fit into the palm of the hand at every position along the fingerboard, just like a marvelous pre-war Martin neck, except that it is a lower profile, made without the tubby vintage heel where the neck fits into that all-all important solid mahogany neck block with the traditional, hand-fitted dovetail neck joint.

Martin Modern Deluxe 2022 42 details OneManz.com

The D-42 Modern Deluxe and 000-42 Modern Deluxe also have the pre-war Style 45 torch and same fretboard inlays, plus the addition of two large abalone snowflakes on the bridge extensions. But they do not have the extra pearl inlay around the back and sides, greatly reducing the price compared to the D-45 Modern Deluxe.

The mahogany 000-18 now joins the D-18 Modern Deluxe, combining these advanced tone enhancements with the clear, woody tone of a mahogany Martin. The 14-fret 00-28 Modern Deluxe brings an even smaller body to the MD Series, as do the two 12-fret models, each with a traditional slotted headstock.

I look forward to sharing more details about these exiting new Martin guitars soon, including full reviews of as many of them as I can get into my hands and ears.

Martin 000-18 Modern Deluxe price OneManz.com

0012-28 Modern Deluxe price One Manz.com

Martin D-45MD demo One Manz.com

Martin Modern Deluxe Lineup Onemanz.com

Breedlove New and Different for 2021

Breedlove 2021Guitars Debut

A breed apart, Breelove continues to impress

Saddened they could not do this in person, I am sure, Breedlove releases their 30th Anniversary model, the

30th Anniversary Northwest Classic Concert CE.

Breelove 30th Myrtle onemanz

Handcrafted and hand voiced from clear-cut free, sustainable master grade Sitka spruce and highly figured Oregon myrtle, this versatile new Breedlove has figured walnut binding and myrtle appointments, this “Sound Optimized® Masterclass limited edition” is an acoustic-electric guitar has a maple neck, and a fingerboard and winged bridge made of ebony. LR Baggs Anthem electronics and a custom Ameritage case come standard with this anything but standard guitar.

New Breelove Premiere Series Instruments for Winter NAMM 2021

Made from East Indian rosewood and Sitka spruce, these high-end Breelove acoustic guitars are available in their three standardized sizes, the Concertina, Concert, and Concerto.

Breelove Premiere Series Rosewood onemanz

Jeff Bridges Charity Signature

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Breedlove is now offering the new Jeff Bridges Oregon Concerto Bourbon CE signature model, made with Oregon myrtle and an LR Baggs Anthem TRU-Mic pickup system.

“Powerful and responsive like a dreadnought, tonally the acoustic electric Breedlove Jeff Bridges’ Signature Model emphasizes the unique qualities of myrtle, with a deep rosewood-like bass, the fundamental clarity of mahogany and the enchanting shimmer of koa… co-designed by Breedlove, Bridges and Jeff Bridges & The Abiders’ lead guitarist Chris Pelonis, is fitted with a signature gigbag and furnished with an inside label and certificate of authenticity signed by Jeff Bridges, who reminds us we are “All in this Together.”

The Breedlove Jeff Bridges signature “All in this Together” project benefits Amazon Conservation Team, which works in partnership with indigenous colleagues to protect rain forests and traditional culture.

JEFF_Bridges Breedlove Bridges myrtle onemanz

Visit Breedlove Guitars

Taylor Guitars at Winter NAMM

Optimistic Travel Guitars from Taylor for 2021

Two new Taylor models made in their recently-invented Grand Theater size

Taylor’s Grand Theater size sounds gigantic and yet it designed to create a more compact instrument with a 24.5” string scale and a 1-23/32” nut width, and body shape similar to their largest models, only smaller. These “travel guitars” come with a lightweight but protective Aerocase, and their asymmetrical C Class bracing, which is designed to increase bass response in guitar designs that need it.

Both instruments are larger than ukulele size guitars out there, while still satisfying those who want a petite instrument that is easily portable and and easy to play.

The GT K21e features all-koa construction, while the GT 811e features solid Indian rosewood back and sides and solid Sitka spruce top. Each model has the C Class bracing, ES2 pickup system, and an ebony fretboard and bridge, with wood from environmentally-friendly sustainable forests in Africa.

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The rosewood 811e has 800 Series appointments that include an abalone rosette, and the GT811e has burst edge finish to the koa top, a maple rosette and decorative vine fretboard art.Taylor-GT811e-frl-2020 onemanz

Taylor-GT811e-bkl-2020 onemanz

Visit Taylor Guitars

Other 2021 Acoustic Guitar News to Come…