Review: Martin SC-13E – Innovative New Design




Martin Wows NAMM with Ultramodern SC-13E

Ergonomic versatility in a beautiful, cutting edge acoustic-electric guitar

January 15, 2020

 

At three o’clock today, Pacific Standard Time, C. F. Martin & Co. unveiled to the public the SC-13E. With its innovative S size, deep angular Cutaway, and the attractive updated Style 13 appointments, this acoustic-Electric guitar introduces to the world the first new Martin-invented body design since 1934.

 

SC-13E specs include: New S body size with deep scoop cutaway; fine koa veneer back and sides over solid Khaya core; solid Sitka spruce top; unique asymmetrical bracing with partial scalloping; new heel-less Sure Align neck with new asymmetrical ergonomic Velocity profile; FSC Certified Richlite fingerboard with High Performance Taper; FSC Certified Richlite bridge with 2-5/32” string spacing; newly revised Road Series Style 13 appointments; faux tortoise teardrop pickguard; chrome open back tuners; Fishman XT electronics with onboard tuner.

 

Note: Specs based on final prototypes, subject to change between now and actual production models.

 

“Not your granddad’s Martin, the SC-13E is an ultramodern acoustic-electric guitar of tremendous versatility. Its ergonomic design is ideal for long term playing sessions and its innovative shape and bracing provide satisfying tonal balance, good for countless musical styles.”

 

READ THE FULL REVIEW

 

Martin SC-13E onemanz NAMM

Winter NAMM Martins Revealed

New Martins for a New Decade

Limited Edition D-18E 2020 and the latest, greatest Aura Blend electronics highlight Martin’s Winter NAMM 2020 Offerings

Winter Martins

A year ago Martin debuted their Modern Deluxe Series with four new models that employ cutting-edge technologies to create light-weight acoustic guitars that feel and play a lot like vintage Martins, with unique and impressive tone all their own. Today they unveiled the acoustic-electric versions of those same models, the D-28E Modern Deluxe, D-18E Modern Deluxe, OM-28E Modern Deluxe, and 000-28E Modern Deluxe.

 

I’ve had to keep my trap shut for half a year about the new Hi-Def generation of Fishman’s Aura electronics, ever since the power that is C. F. Martin IV decided to not to release the acoustic-electric versions of the Martin’s Modern Deluxe Series until Winter NAMM 2020.

 

But now they are out of the bag and I can tell you this is one of the most exciting upgrades in a long while when it comes to live acoustic tone via a plugged-in guitar.

 

At the heart of the new Aura VT Blend system is the amazing and highly-complex algorithm that is the adjusts in real time to whatever  and however a guitarist is playing the instrument, and the proprietary tone-sculpting effects that work together to make the plugged-in tone sound much more like the actual acoustic instrument as heard through a world-class microphone.

 

Their are two parts to why this new version of the Aura technology is an improvement over the one that is currently in use on other Martin models. First, there is the greater detail and definition to the overall amplified voice. But perhaps best of all, the new Aura Blend system includes the ability to control how much of the Aura filters are applied to the direct signal from the Fishman undersaddle pickup. So, in addition to the VT volume and general tone control, the player blends in the amount of the onboard Aura microphone image they like best, depending upon the sound system, room, or purpose.

 

It has been a while, so I went looking for my notes from last year and can’t find them. So, I returned to the source, and asked Tim Teel, Instrument Design Manager at C. F. Martin & Co., what is his current take on the new Modern Deluxe models with the latest, greatest Fishman Aura VT Blend system.

 

“I thought it was very important to marry this new incredible sounding Aura VT Blend system to what I consider is our best sounding series; Modern Deluxe.

 

The new Aura VT Blend starting in 2020 on the Modern Deluxe series is the next evolution regrading pro-level sound reinforcement for the acoustic guitar. Full blend control between under-saddle piezo pickup and Aura microphone image has been given back to the player!

 

In a live setting, 40-60% Aura Image is more than enough, and when plugged directly into a computer for recording, up to 100% of Aura image can be utilized. Also, new for this release is Aura HD Imaging, giving stunning realism to the sound of the guitar when played through an amplifier or direct recording. A volume and multi-effect EQ scoop round out the user controls located conveniently in the sound hole of the guitar.

 

 I encourage folks to give it a test play at their local dealer.

 

And I shall be testing them out in the now public version next Thursday, on the very day they are released at Winter NAMM.

 

Here is a quick overview of many of the new Martins debuting next week.

 

​​C. F. Martin & Co.® (Martin®) will introduce a suite of upgraded X Series guitars, a new 12-fret nylon string guitar, a new acoustic bass guitar, new 16 Series models, new Modern Deluxe Series models with electronics, a limited edition D-18E 2020, and the fourth in a series of exquisite Purple Martin models at Winter NAMM in Anaheim, California, January 16-19, 2020.

 

​​​​LIMITED EDITIONS

​​D-18E 2020

Winter Martins D-18E Modern DeluxeThe D-18E 2020 is a limited edition version of the historic 14-fret D-18, which officially joined Martin’s lineup in 1934. Like its namesake, the D-18E 2020 is constructed with a Sitka spruce top and genuine mahogany back and sides plus all of the Standard Series elements that, combined, offer supreme playability and legendary Martin tone. What sets it apart is the use of exquisite East Indian rosewood for the headplate, fingerboard, binding, bridge, and heelcap. The D-18E 2020 comes stage-ready with LR Baggs Anthem electronics. The guitar is strung with Martin Authentic Acoustic Lifespan® 2.0 strings, and it is limited to 2,020 instruments.

​​List price $3,649

​​

D-42 Purple Martin Flamed Myrtle

Winter Martins NAMM Purple Martin​​The D-42 Purple Martin Flamed Myrtle is the fourth instrument in the Purple Martin Series. The “Purple Martin” theme is inspired by a native bird of Pennsylvania, where Martin Guitar’s headquarters and factory are located. Limited to 100 instruments, this head-turning model includes 42-style pearl inlay throughout and highly decorative inlay on the fingerboard and pickguard of the purple martin bird and mountain laurel flowers, the state flower of Pennsylvania. It is a full-gloss guitar with a heavy bearclaw Engelmann spruce top with a deep purple burst and stunning flamed myrtle back and sides. Each model includes a label signed by C. F. Martin & Company Chairman and CEO Chris Martin. The D-42 Purple Martin is strung with Martin Authentic Acoustic Lifespan® 2.0 strings.

​​List price $14,999

 

​​MODERN DELUXE WITH ELECTRONICS

Winter NAMM Martins Modern Deluxe Aura D-28 D-18 000-28 OM-28

​​The award-winning Modern Deluxe Series was introduced at Winter NAMM 2019, and Martin has received universal praise for marrying vintage appointments, like a VTS top, and modern upgrades, like a titanium truss rod. This year, Martin has added all-new Fishman® Aura® VT Blend electronics to offer players more control over the voice of the guitar than ever before. It utilizes Aura HD Imaging to provide stunning realism and delivers a new level of performance for direct recording in live situations. The stage-ready Modern Deluxe Series with electronics is offered in four models—the D-28E, 000-28E, OM-28E, and D-18E—and all are strung with Martin Authentic Acoustic Lifespan® 2.0 strings.

 

​​List prices range from $4,999 – $5,799

 

​​16 SERIES

​​Winter NAMM Martins 16 Series

D-16E Mahogany

​​The Martin D-16E Dreadnought is crafted with satin-finished mahogany back and sides for a big sound, punchy midrange, and bright treble response. It include a Sitka spruce gloss top for balanced tone and projection and a 000 body depth and high-performance neck taper for comfort and ease of playability. It comes equipped with Fishman® Matrix VT Enhance™ electronics and Martin Authentic Acoustic Lifespan® 2.0 strings.

​​

List price $2,049

​​

GPC-16E

 

​​The Martin GPC-16E Grand Performance Cutaway is crafted with satin-finished mahogany back and sides for a big sound, punchy midrange, and bright treble response. It includes a Sitka spruce gloss top for balanced tone and projection and a 000 body depth and high-performance neck taper for comfort and ease of playability. It comes equipped with Fishman® Matrix VT Enhance™ electronics and Martin Authentic Acoustic Lifespan® 2.0 strings.

​​

List price $2,049

​​000C12-16E NYLON

​​

The Martin 000C12-16E Nylon 12-fret guitar is ideal for any classical guitarist looking to take their playing to the next level. This Auditorium-style, six-string guitar features a Sitka spruce gloss top and satin-finished mahogany back and sides for bright treble response and plenty of volume. It comes equipped with Fishman® Matrix VT Enhance™ electronics and is strung with Martin Magnifico® premium classical strings.

​​

List price $2,499

BC-16E

​​

The Martin BC-16E is the ideal tool for the modern bassist’s acoustic or electric needs. The BC-16E includes a solid Sitka spruce top, East Indian rosewood back and sides, and forward-shifted scalloped bracing to deliver deep, thumping Martin tone, whether you’re unplugged or using the built-in Fishman® electronics. It also includes a fast, comfortable neck so you can keep the rhythm section tight. The BC-16E is strung with Martin Authentic Acoustic SP® Bass strings.

​​

List price $2,399

​​ ​​

X SERIES

Winter NAMM Martins X Series

​​

​​Two decades ago, Martin broke into the world of alternative, sustainable materials and created a whole new class of high-quality guitars called the X Series. Today, with new HPL patterns, scalloped bracing, and a solid wood neck, fingerboard, and bridge, the new X Series guitars look and sound better than ever. Plus, every X Series guitar now comes with a padded, water-resistant gig bag. The new and improved Martin X Series guitars are built to go anywhere, offering beginners and active musicians a carefree playing experience.

 

Learn more about the MANY new X Series instruments via the links below.

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X2 Series 

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Made with Solid Wood Tops with High Pressure Laminate Backs and Sides

 

​​List prices from $799 – $899.

​​X1 Series

 

Made with High Pressure Laminate Top, Back, and Sides.

 

 

What’s the Scéal Iomlán on the Martin D-45 Celtic Knot?

A Reader Requests Info on the Celtic Knot

What a gift of a website you have created. Thank you. I recently purchased a D-45 Celtic Knot. Whatever background information regarding the concept, design and construction of it would be really helpful.

– Robert in Texas

Spoon Replies:

Thank you Robert, for your kind and encouraging words.

Allow me to say meal do naidheachd on the purchase of your Martin D-45 Celtic Knot! It is my personal favorite among all the “45 +” guitars that Martin has come up with over the years.

That’s Scottish Gaelic, by the way. The oldest existing designs known as Celtic knots are found in illuminated Christian manuscripts from the eighth century, associated with the Abbey of Hii on the Isle of Iona, while others dated to 800 A.D. are believed to come from the Abbey of Kells, in County Meath, Ireland. It is assumed that earlier Celtic knot patterns evolved in Eire and Britain, in decorative textiles and other art forms, after similar “continuous cord” designs were introduced from Roman Europe sometime during the fourth century.

Your wonderful twenty-first century Martin guitar is essentially a D-45 Golden Era, in terms of bracing, neck shape, and string spacing. But of course the Brazilian rosewood and Adirondack spruce came from Chris Martin’s personal reserve. As a musical instrument, every one of them I have played sounded spectacular.

As an example of exquisite artistry in world-class luthiery, they are visually astounding as well. The inlay was done at Pearl Works in Charlotte Hall, Maryland, founded by the late Larry Sifel. The inspiration for the overall design came from Martin’s 600,000th guitar, completed in 1997. Known as “the Celtic” Martin, it was designed and embellished by Larry Robinson, who has created stunning inlays for electric and acoustic guitars for half a century.

Although this earlier instrument has even greater complexity to its various “knots” and, if I recall, abalone herringbone purfling around the edge of the top and sound hole, I have always preferred the aesthetic of the D-45 Celtic Knot. It strikes me as elegant and stately, compared to the rather over-the-top pizazz of the Celtic guitar. But I also very much like the special Gotoh tuners with Celtic designs, and the pearl inlay of Chris Martin’s signature on the rosewood back!

The limited edition of fifty D-45 Celtic Knot guitars was announced at Winter NAMM 2004, along with Martin’s One Millionth Guitar and the D-100 model based on it. The Celtic Knot guitars have sequential serial numbers leading up to #1,000,000. The fifty D-100s have sequential serial numbers starting with #1,000,001.

However, Martin did not build all fifty Celtic Knot guitars. There has been some contention as to the actual production number. Although all official printed references claim that thirty D-45 Celtic Knot guitars were built, the actual quantity is in fact thirty-six.

No one knows why the discrepancy exists. I suspect all accounts were based on one original reporting that contained a typo. Knowing how things happen at Martin, it might even be due to a typist incorrectly reading someone’s handwriting, where the 6 looked like a 0.

In any case, you have a very special Martin. If I could have any of the beyond-Style-45-Deluxe instruments Martin has built, it would be a D-45 Celtic Knot. But you actually get to own one.

I therefore, and with great pomp and solemnity, hereby induct you into the Order of the Lucky Dog, with all rights and privileges afforded said title.

Congratulations!

Pearl Works Website:

https://pearlworks.com/

Larry Robinson Website:

https://www.robinsoninlays.com/

Martin D-45 Celtic Knot frets

(photo: Pearl Works)

Martin D-45 Celtic Knot pearl

(photo: Pearl Works)

Martin D-45 Celtic Knot signature

(photo: Dream Guitars)

 

Martin D-45 Celtic Knot full

(photo: Dave’s Guitars)

 

Summer NAMM 2018 Recap

Acoustic guitars of note among the booths and pavilions of Nashville NAMM

Something for every budget and taste

Summer NAMM banner

The summer installment of the biannual trade show of the National Association of Music Merchants took place on July 28-30, at the Music City Center in Nashville, Tennessee. While never having quite the impact and inventory of Winter NAMM, the 2018 summer show provided some interesting additions to this year’s lineup of new guitars. Most of those being electric guitars, the acoustics required some sleuthing to track down. But they still cover most price ranges and a great deal of the familiar brand names.

Here are some of the most interesting acoustic guitars seen at Summer NAMM

Alvarez

Alvarez Artist Series was attracting attention with the updated AGW77AR showing up on Twitter videos throughout the weekend.

This long-scale Grand Auditorium model has walnut top with forward-shifted scalloped bracing and walnut back and sides, and their new, sleeker body bevel. Priced to sell at $499.

See all the 2018 Alvarez guitars here.

Bourgeois

Luthier Dana Bourgeois clearly enjoys his trips to NAMM, and always comes up with some some seriously amazing one-of-a-kind guitars, like this OMS wood deluxe,  with a redwood top and figured English walnut for the back and sides!

Bourgois OMS wood deluxe Summer NAMM 2018

Check out Bourgeois Guitars’ Facebook page for an eye-popping array of this NAMM’s belles of the ball.

Or go to their main website to what’s new and interesting, and which dealers landed these very special instruments.

Epiphone

AJ-220S

“The AJ-220S has a unique bell-like shape, a larger lower bout, and a small round upperbout which gives this new addition to our Advanced Jumbo family of guitars a unique voice.” These guitars feature a glued-in dovetail neck joint, mahogany back and sides, and solid Sitka Spruce tops, or an optional solid mahogany top that has its own mahogany burst toner option.

Typical price $269. And there is also the cutaway acoustic-electric AJ-220SCE for $369.

Epiphone J-200CE Summer NAMM 2018

EJ-200SCE  

Offered in a variety of colored and burst finishes, these cutaway Super Jumbos feature the Shadow eSonic-II™ Stereo Pickup System and Grover machine heads, pricing starts at $459.

“The EJ-200SCE reimagines the historic ‘J-200 Jumbo’ acoustic guitar now featuring a Solid Spruce top, Grover Rotomatic™ machine heads, and the revolutionary new Shadow eSonic-II™ Stereo Pickup System that maintains your true acoustic tone when plugged in to an amp or PA system.”

Guild

Guild_jumbo_junior_mahogany_Summer NAMM 2018

The new Jumbo Junior is a smaller jumbo model made with a solid Sitka top and Guild’s arched back of either mahogany or maple. These should prove comfortable couch or travel guitars for a MSRP of $555

Martin

C. F. Martin & Co. had a smallish offering compared to the January show, but it is spread across board. These include, but are not limited to a new affordable Road Series model, the 000RSG, with solid Siris back and sides and a solid Sitka spruce top (MAP $1,499,) two limited edition models made from black walnut, GPCE Black Walnut Ambertone, and the DE Black Walnut Ambertone which come with Fishman electronics(MAP $2,649 each,) a black, slope shoulder Jimmy Buffet Custom edition to go along with the Broadway musical Margaritaville (MAP $5,999,) the had-to-happen D-16EPD with soundboard featuring the iconic poker playing dogs painting (MAP $2,799,) and the stunning OM Arts and Crafts 2018 featuring ornate pearl inlay evoking the aesthetic of the Arts and Crafts movement in design, as well as German white oak back and sides, a torrefied Adirondack spruce top, Guatemalan rosewood trim with a MAP of $13,999.00.

Martin Summer NAMM models

See all the new Martin models here.

Taylor

After introducing their new “V Class” bracing at Winter NAMM, Taylor Guitars released a new Builder’s Series model at Summer NAMM, the maple Builder’s Edition 614ce, as well as new Grand Auditorium models in their affordable 300 Series, the 314ce (Saple/Sitka) and the 324ce (Tasmanian Blackwood/mahogany) and 400 Series, 414ce (Ovankok/Sitka) and the 414ce-R (Indian rosewood/Stika) that feature V Class bracing, and individual cosmetic appointments.

Taylor Summer NAMM 2018

This debut was accompanied by the announcement that Taylor expects to convert all their series to the new bracing. It is intended to deliver a “more dynamic voice.” And from my experience with their Winter NAMM offering it does do exactly that, at least when compared to similar Taylors made the previous year.

The Builder’s Edition 14ce has solid figured Big Leaf maple back and sides with a torrefied solid Sitka spruce top, beveled armrest, new Silent Satin finish with a Wild Honey burst on the back and sides (optional for the top,) and Scepter faceplate and fretboard inlays are among the impressive features.

The 300 and 400 Series instruments will begin shipping in July and include the 314, 314ce, 324, 324e, 324ce, 414e-R,414ce, 414ce-R

More at taylorguitars.com

About NAMM

NAMM, the National Association of Music Merchants (NAMM), established in 1901, is the not-for-profit association that strengthens the $17 billion global music, sound and event technology products industry. Our association and our trade shows serve as the crossroads for professionals wanting to seek out the newest innovations in music, recording technology, sound, stage and lighting products. Membership also includes access to the latest industry news and education, opportunities for music advocacy and cost-saving programs that will help your business thrive. All of these activities and programs are designed to promote music making for people of all ages and to help create a more musical world.



Some Clarification from Martin on the New Models

I have gotten some confirmation from within Martin on the following:

Typos on the spec sheets – All instances of 2-3/16″ string spacing are incorrect.

All models with the High Performance taper have string spacing of 2-5/32″. The change was universal when they first made it. If you see 2-3/16″ on the spec sheet of a current model it is a typo. I saw at least three models listed that way in the past couple of days.

 

The new D-28 (2017) – it is NOT a typo that it has forward-shifted non-scalloped braces.

I had expected this makeover to go with scalloped bracing, as the D-18 had.

But after the sonic success of the GPC-28E, they decided to add forward-shifted bracing to the D-28, but keep the braces non-scalloped. I can’t wait to hear the results in person. I liked the sound of the GPC-28 a lot.

The GPC-28E, OMC-28E, 00-28, and soon to be released GP-28E and OM-28E are all moving to this new styling, with the aging toner and tortoise guard, antique white binding and mother of pearl dots of the new D-28. This decision came pretty late, so the latter two were not ready for the show.

The 00-28, and all OMs are retaining their scalloped 1/4″ bracing. But we can expect to see all large guitars made in Standard Style 28 to have non-scalloped bracing from now on.

I got a “probably soon” as to if the current OM-28 was going to lose the herringbone, short pattern diamond fret markers and grained ivoroid binding.

I got silence regarding the 000-28. But may learn something soon.

Likewise nothing on the HD-28, but I assume it is safe for now since the D-28 did not get scalloped bracing or herringbone.

 

The Jason Isbell model – spec clarification

Tim Teel confirmed this guitar has Golden Era style bracing and bridge plate – except it is rear-shifted. That is a first that I know of, unless someone has ordered customs like that. I bet it is a monster. Can’t wait to see and hear for myself.

It has High Gloss thin finish, not the Vintage Gloss of the Authentics. The spec sheet currently says “Gloss.”

That’s all for now.

Martin D-18 Sycamore Review

The torrefied Sitka spruce top and American Sycamore back and sides of the Martin D-18 Sycamore marks 50 years Martin guitars made on Sycamore Street.

With all the features of the popular D-18 and very special additions.

A D-18 with a difference, the D-18 Sycamore comes in somewhere between maple and mahogany in looks and in tone.

“It sounds like a more complex maple, with thicker top notes, more overtones and complexity over all, like mahogany, but with a maple-like bass that shifts the focus into the mid-range, which has the same kind of defined top notes and high overtone ring as the trebles.

I realize this description might make it seem more like a Jazz archtop than a dreadnought. It is not. It still has plenty of the complexity, resonance and sustain one looks for in a dreadnought. In fact, it excels at traditional flatpicking, with the kind of punch and “cut” that would leap out of a Bluegrass jam when it is time to switch from playing rhythm to a solo break.”

Read the Full Review

Martin D-18 Sycamore side review at onemanz.com

Martin Guitar Prototypes – Video NAMM Models

New Martin Guitar Prototypes Revealed In Exclusive Video

In Depth Reviews To Follow

2014 Martin Guitars Winter NAMM Sampler Martin guitar prototypes

At the same moment the doors opened at the NAMM trade show out in sunny Southern California, we were in frozen Nazareth, Pennsylvania having lunch with Tim Teel, Head of Instrument Design at C.F. Martin, discussing the 2014 Martin guitars. Dessert consisted of a sampling of seven Martin prototypes, recorded in 1080p hi-def video, which was later synched to hi-def audio recorded in stereo with one large diaphragm microphone and one small diaphragm microphone.

Vote Now for Which 2014 Martin Guitars You Want Reviewed First!

 

Taylor Guitars at NAMM 2014 – 40 Year Anniversary

Taylor Guitars celebrates their 40th Anniversary in business with a series of special performances, and a whole new bunch of Taylor guitars at NAMM 2014, January 23 -26, in Anaheim, California.

After 40 years making guitars, Taylor has risen to become one of the most popular brands of acoustic guitars in the country. Their fast, sleek necks and on-board electronics are favored by many electric guitarists when the time comes for playing an acoustic guitar on stage. They are also seen in the hands of acoustic-oriented artists like Jewel, Taylor Swift, and Leo Kottke.

For those not able to attend the show, which is not open to the public, Taylor will be streaming live from their showcase area.

The schedule of performances is currently as follows

3:00 p.m.
Alana Springsteen
www.alanaspringsteen.com

4:00 p.m.
Vicci Martinez
http://www.facebook.com/OfficialVicciMartinez

5:00 p.m.
Johnny Swim
www.johnnyswim.com

Friday, January 24

3:00 p.m.
Andy Powers and Jack Tempchin
www.tempchin.com

4:00 p.m.
Tori Kelly
www.torikellymusic.com

5:00 p.m.
Good Old War
www.goodoldwar.com

Saturday, January 25

3:00 p.m.
Ben Rector
www.benrectormusic.com

4:00 p.m.
Cody Lovaas
www.codylovaas.com

5:00 p.m.
Jason Mraz with Raining Jane
www.jasonmraz.com

Read More about Taylor Guitars at NAMM  HERE





 

CS-00S-14 and Martin Guitars ready for NAMM 2014 Debut

[UPDATED PREVIEW of the CS-00S-14 HERE]

[UPDATED PREVIEW of the OM-ECHF Navy Blues HERE

Among the new and very cool NAMM items, I am most looking forward to the latest edition the CS Series, the Martin CS-00S-14, which will be unveiled at the NAMM show, January 23, in Anaheim, California.

Martin CS 2014 NAMM

Just as I was about to post a news item with some details of this and other new and exciting guitars, I received a gag order from one of my sources on my revealing any details. Sigh.

This latest model continues the new tradition of luthiery offered within this series of unique guitars, each made by the Martin Custom Shop, combining vintage vibe with cutting edge features as designed by Fred Greene, Vice President of Manufacturing at C.F. Martin & Co.

The new model has features that appear on previous CS models, like the CS-OM-13, and the CS-D18-12, among others, but also significant features never seen on a Martin before now. Chairman of the Board C.F. Martin IV has been quoted publicly mentioning the fact his company was on the verge of introducing one such feature, so it will not be too big a surprise for some people.

An anonymous source within Martin’s highest executives went on record to say “…it is very different from anything we have done before.” And since those with a keen eye for detail may already have some knowledge of this model, I am prepared to come clean with more details, should other media sources or Martin Guitars publish such details first.

But for now, I shall simply remind people that some CS models were limited to specific build totals the moment they were announced, while others were not. So someone interested may not want to wait too long before deciding upon a purchase in the near future.

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