C.F. Martin Archives | One Man's Guitar

Martin D-18 and 000-18 CFM 70th Birthday Guitars

by one manJuly 9, 2025July 9, 20250

Martin Guitars Like No Other for CFM IV’s 70th Birthday

The new D-18 and 000-18 feature reclaimed spruce tops from Alaska!

As per the company website, “1955 wasn’t just a milestone for the Martin family—it was also the year the folk boom began to sweep across the country. As artists embraced acoustic sounds and heartfelt storytelling, Martin guitars became essential companions, carrying the songs that shaped a generation. It’s fitting that these two guitars, each inspired by iconic 1955 models, mark Chris Martin IV’s own story in the year that changed everything for folk music—and for Martin Guitar. “

View of the D-18 1955 CFM IV 70th acoustic guitar top

Reclaimed Spruce

For the first time, Martin Guitar is offering commercial instruments with soundboards from repurposed wood. Various smaller guitar makers have been doing this for some years now. But it fits in perfectly with Chris Martin’s lifelong concern for the global environment. Fittingly enough, they are offer 70 guitars in each edition.

“This is the first time we’ve used this sustainably sourced spruce, and it’s more than just repurposing materials. It’s about celebrating the strength of nature and the craftsmanship that brings it to life. When you pick up one of these guitars, you’re not just playing music—you’re giving a voice to wood that’s weathered the elements, stood through history, and found its way into your hands.”

Chris Martin holding the 000-18 1955 CFM IV 70th acoustic guitar

Printed Tops Mimic Martins of Old

The new 000-18 featured a photo-realistic printing of top of an actual 1955 000-18 —serial number 145102. The new D-18 “draws inspiration from a standout piece of history—a 1955 D-18 from the Skip Maggiora collection. That guitar, serial number 144636, was part of a legendary trove of 150 vintage instruments Skip assembled over a lifetime in the music business.”

Martin introduced printed “distressed” tops on some Standard series models, with less-expensive satin finishes. But here it is used on a limited edition with more than the tops looking like a vintage Martin.

Vintage Vibes

The short-scale Auditorium size 000 has period correct non-scalloped braces. The new D-18 limited edition has non-scalloped, rear-shifted braces, with should provide ample bass, but with greater definition across all registers.

Chris Martin holding the D-18 1955 CFM IV 70th acoustic guitar

Both instruments have an FSC-certified rosewood fingerboard (Style 18 having rosewood boards and bridges from the late 1940s until the return to ebony in the 20-teens,) and the GE Modified Low Oval neck shaping that was recently added to the Standard Series. But in each case there is a 1-11/16″ width at the nut, rather than the modern 1-3/4″, along with appropriate 2-1/8″ string spacing.

The mother of pearl dot fingerboard markers, brownish tortoise bindings and pickguards, rounded headstocks with vintage-esque Kluson® Waffleback® tuners help make these guitars look very much like 1955 Martins.

Happy Birthday, Mr. Martin

Chris Martin never intended to join the family business, but stepped in during a vulnerable time in the history of the acoustic guitar, and the family-owned business founded by his great, great, great, great grandfather. He charted and then navigated the company through dangerous waters when the popularity of the acoustic guitar was at its all-time low, and then through his own Golden Era when Martin and Eric Clapton joined together to revitalize its their popularity. C. F. Martin IV ultimately achieved glorious success by embracing innovation and modernization, while nurturing and perpetuating his ancestral legacy and the vintage Martin mystique.

These two limited editions stand alongside the new Standard Series designs, and CEO Thomas Ripsam’s recent CEO-11 model as wonderful examples of Martin combining modern technologies, sustainable and in this case reclaimed tonewoods, with construction features that make these guitars more like vintage Martins than anything created during Chris’s years at the head of the company, save only those meticulous Authentic Series reproductions.

Wishing you many happy returns, that is one man’s word on…

Martin D-18 and 000-18 CFM 70th Birthday Guitars

Martin D-18 CFM 70 Photo Album Here

Martin 000-18 CFM 70 Photo Album Here

Martin Celebrates Eric Clapton’s 80th Birthday with the 000-42EC 30th Anniversary Model

by one manMarch 30, 2025April 3, 20252

The 000-EC 30th Anniversary also announced

C.F. Martin & Co. aka Martin Guitar has seen fit to release even more Eric Clapton signature models. But these new Claptons set themselves apart in their specifications and in debuting on Sunday, March 30 2025, Clapton’s 80th birthday, while also commemorating the 30th anniversary of the first EC model.

You can learn about the many previous Martin Eric Clapton Models, with exclusive insider info HERE.

000-42EC 30th Anniversary

The limited edition 000-42EC 30th Anniversary combines the aesthetic appointments of the Martin’s original Eric Clapton signature model with an “Authentic 1939” neck specifications, likely borrowed from the 000-42 Authentic 1939. With premium grade Adirondack spruce and Guatemalan rosewood, this 2025 signature model is truly a premium level guitar and an instant collector’s item, had at the premium price of $10,999 and limited to 300 guitars.

More photos HERE.

See the full specs of the 000-42EC 30th HERE.

000-EC 30th Anniversary

The more-affordable 000-EC 30th Anniversary is made with Indian rosewood and comes with a Sitka or Lutz spruce top. It does get the 1939 neck shape model like its pricier sibling. Both have a 1-11/16” nut and 2-/18 string spacing, but the 1939 heel and fuller barrel will make the hand feel less cramped than recent Martins with the 1-11/16” nut width, and a Low Profile shape, like the OMJM John Mayer model. The 000-EC retails for $4,999 and has no production limit for this special edition instrument. But Martin dealers may only order it through March 2026.

The 000-EC has no style indicator in the name, because it combines the herringbone top trim and sound hole rosette of the popular 000-28EC with colorful Golden Era Style 42 position markers at frets 5, 7, 9, 12 and 15, just like a 1939 000-42. This may cause some confusion since modern Style 42 models use a vintage Style 45 fingerboard pattern that has markers on frets 1 and 3, including the Standard Series 000-42 and the original 000-42EC model.

More photos HERE.

See the full specs of the 000-EC 30th HERE.

At various times over the decades, Eric Clapton has had enormous influence on popular music. But none more so than his 1992 appearance on the hugely popular program MTV Unplugged, where he performed with a rare 1939 000-42 (SS #72234,) and sideman Andy Fairweather Lowe played Clapton’s 1966 000-28 (serial #208511) converted to Style 45 Mike Longworth. That one evening’s performance, and its hugely popular soundtrack album, single-handedly set off a seismic shift in the popularity of the acoustic guitar.

Martin received so many requests for a guitar like the ones featured on MTV Unplugged that it led to the first of many Eric Clapton signature models, 1995’s 000-42EC, a limited edition that was followed the next year by the special edition 000-28EC. The latter remains one of the best-selling Martin models of all time.

Watch my pal Dick Boak tell his tale of designing the original Eric Clapton models

It may be hard for some people to remember just how highly-regarded Eric Clapton was during the first decades of his career, starting with the electric British Blues band the Yardbirds. He left that band to form the first “super group” with bassist Jack Bruce and drummer Ginger Baker, who boldly declared themselves to be “The Cream,” eventually shorted to just Cream. He left that band to return to the Blues in Delaney and Bonnie, before collaborating with Duane Allman on the album Layla by Derek and the Dominoes, and finding time to perform with George Harrison, and John Lennon a short time later. But in all of this, Clapton was playing electric guitars.

In 1995, at age 50, the venerable rock legend garnered countless new fans after he switched his electric guitar for acoustic guitars that resulted in the phenomenal success of his Unplugged performance. At a time when acoustic guitar sales were at an all time low, the most famous electric guitarist in the world reminded us just how awesome acoustic guitars can be, especially in the right hands.

Happy birthday, Eric. Or as they say in France, joyeux anniversaire!

Martin Standard Series Refresh for 2025

by one manJanuary 13, 2025January 13, 20252

C. F. Martin adds new upgrades and new models

The venerable Standard Series just got better

For NAMM 2025, the models of Martin’s Standard Series received upgrades to the neck and bracing. The results are a collection of classic Martin model that sound more open and resonant, and perform with enhanced playability. The new models were announced today: The 000-17 and D-17 make their debut in the Standard Series, with considerably improved specs from previous modern guitars designated as Style 17.

The OM-45 stands out on its own as a top-shelf Martin featuring similar appointments to the flagship D-45, but with an Auditorium Size body. It is a long-awaited addition that has the added benefits of waiting for the new Standard Series upgrades.

GE Bracing

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Golden Era bracing is now a standard feature of the Martin guitars that set the worldwide standard for a professional level acoustic guitar. The shaping of the scalloped braces and tone bars removes more mass from previous bracing, making them more flexible, leading to a soundboard with increased responsiveness. Each frequency-damping node at the peak of each scallop are narrower, making the targeted damping area more precise, honing the tone even further.

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The main X brace is tapered all the way up to wear the center of the X. The small tone bars on either side of the sound hole are carved to a peak, much more like prewar bracing. The main tone bars that run across the bottom bout also have a lengthier taper and different angle they they rise up to the peaks of the scalloping. The bridge plate appears to be narrower, again more like a pre-war Martin.

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The venerable D-28 is receiving scalloped bracing for the first time since the 1940s. This will mean it has the same bracing as the HD-28 and the difference will be the 1950s look on the D-28 vs. the 1930s look on the HD-28. In the last decades of the twentieth century, the HD tended to get higher grade tops, even though both models were designated as Grade 5/6. It is unclear if that will happen in this case.

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The D-35 remains 1/4″ non-scalloped bracing, but it is not exactly the same shaping as previous years.

GE Modified Low Oval Profile

The neck retains the Modified Low Oval profile and High Performance fingerboard shaping that advanced the Standard Series in the previous “reimagined” upgrade in 2018. This means the nut width remains 1-3/4″ while the width at the 12th fret remains 2-1/8″. But there is an elongated diamond valuate at the back of the neck where it meets the headstock, resembling vintage Martin volutes, and the heel where the neck meets the body has adopted the narrow shaping used on the Martin’s Modern Deluxe series, which resembles heels from the 1930s but with a narrower width. The combination adds subtle changes to the feel along the neck, enhanced further by the tweak to the string spacing at the nut and the alterations where the neck meets the fingerboard, which has been reduced in depth to the same specs used on Martins elite Authentic Series models.

This new Golden Era modified low oval neck profile and reduced fingerboard combination had a sneak preview when Martin released the O’ahu HG-28 near the end of 2024.

Style 17 Reborn

The new 17s receive full Standard Series construction, including (according to my insider sources) “Genuine Mahogany” back, sides, and top, even if that is not reflected on the spec sheet (so no guarantee on how long they will remain thus.) They also feature the full-size dovetail neck joint with solid mahogany neck block, and the (new to the Standard Series in 2025) Sitka spruce Golden Era bracing, which has reduced mass and more-precise damping nodes thanks to the narrower peaks on each brace and tone bar, as found on the Modern Deluxe models.

They retain the satin finish of a pre-war Style 17 instrument, and the modest appointments that are now seen on the 15 Series (short pattern diamond fret markers on an ebony fingerboard,) which originated on the original 00-17 from the 1930s.

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OM-45 Returns

The OM-45 looks like the OM-45 introduced in 1990, with the large hexagon fret position markers. But otherwise, it has the vintage Martin appointments seen on recent Standard Series Martins and the GE bracing and the GE Modified Low Oval Profile neck shape that is as of today, a NEW feature of all Standard Series Martins. This includes a more 1930s shaping to the volute to the back of the neck where it meets the headstock, along with the more vintage-esque heel shape that looks vintage but has less mass (e.g. as used on the Modern Deluxe Series) which result in a subtly different feel the entire neck compared to previous Standard Series models.

Intelligent Improvements

The Authentic Series fingerboard depth is also NEW to all Standard Series models, and was likewise adapted from the Modern Deluxe Series. This should allow more energy to make its way from the fretted strings down to the body where it will contribute to tone production. The change in fingerboard depth brought about other tweaks.

There is a “comfort bevel edge” where the fingerboard meets the mahogany neck that should be welcome by most players. The string spacing has received an (unannounced) tweak at the nut, and to the string angle as it crosses the nut between fingerboard and headstock has also changed. Known as “on-angle,” this is yet another spec from pre-war Martins that founds its way on the modern Authentic Series models, and now is being resurrected on the “standard” models that descended from those legendary Martins from the 1930s.

Oh, and the Standard Series models now all sport either bone or ebony pins on the slightly reshaped bridge, which is likewise titled GE and has wings with less mass, with the same goal of increased responsiveness.

Retro Plus Arrives

In other Martin news, there are also two very exciting new models added at the top of the Road Series, the DE Retro Plus and the 000E Retro Plus. These new Road Series instruments receive appointments that look a lot like the D-18 and 000-18. But while they retain the Road series Performing Artist neck profile (which I love) and Tusq saddle (which I am not crazy about) they have a full gloss body and a TORRIFIED top.

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A discussion of the newly “refreshed” Standard Series and Road Series models will appear later today on the Martins and More podcast, found on major pod platforms and YouTube, and of course full reviews of these new models will appear at One Man’s Guitar as soon as my busy life allows me to edit the video from the factory and write up the exclusive reviews.

Martin Martin SC-18E and SC-28E Review with Video

by one manJanuary 28, 2024March 8, 20240

Martin SC-28E and SC-18E Arrive at NAMM 2024

Standard Series rosewood and mahogany axes of the future with classic styling

SC-28E and SC-18E specs include: 13-fret asymmetrical S body size with deep scoop cutaway; high gloss nitrocellulose finish; solid spruce top with patented internal soundboard recurve; spruce Tone Tension X-bracing with proprietary shaping; heel-less solid hardwood neck with satin finish, Sure Align neck joint system and ergonomic Low Profile Velocity shaping, solid ebony fingerboard with High Performance Taper; solid ebony belly bridge with 1930 profile but smooth contour surface; 2-5/32” string spacing; faux tortoise asymmetrical teardrop pickguard; nickel open-back tuning machines; revised Fishman Aura VT Blend electronics with Aura HD imaging or L.R. Baggs Anthem electronics. Comes with a molded hard-shell case with plush lining.

“I was surprised by these acoustic-electric hybrids, in how a chord strummed on the SC-28E sounds more like a 000-28 or OM-28 than it didn’t, only with that slightly more-pronounced bottom E string. But I was most pleasantly surprised by the classic Martin undertone presence in the low-mids of the SC-18E and the acoustic tone during fingerstyle picking patterns and playing lead accompaniment to another person’s strumming and singing, both when acoustic and amplified.”

Read the full review HERE

Martin 190th Celebration – New Limited Edition Model

by one manNovember 8, 2023November 11, 20230

Martin Celebrates the 190th Anniversary with D-19 LE

Special Event in New York City

Martin Guitar Marks 190 Years with Limited-Edition D-19 Model

NAZARETH, PA, November 8, 2023… C. F. Martin & Co. is proud to mark its 190th anniversary in the industry. As part of the 190th anniversary celebrations, Martin Guitar hosted a special event at the location of C. F. Martin’s original workshop in New York City. This historic site is now memorialized with a bronze plaque at 196 Hudson Street on the corner of Hudson and Vestry Streets in the Lower West Side of Manhattan.

Chris Martin (C.F. Martin, IV) praised, “Six generations and 190 years is a milestone for any family business. If you look at the logo on the headstock of our guitars, it says “C.F. Martin & Company, Established 1833.” It’s the “& Company” that has been as important as family ownership. I want to thank, all of the generations of Martin co-workers, who have helped to keep my family’s business in business.”

At the event held on the 190th anniversary of the date C.F. Matin arrived in America from Germany, Martin Guitar executives and friends gathered on Hudson Street to honor the company’s rich history and vision for the future. It was followed by a celebratory dinner at Tribeca restaurant Locanda Verde.

As Martin Guitar celebrates 190 years of excellence, the company remains focused on sharing its passion for quality craftsmanship and the enduring power of music for many more years to come. Since its founding in 1833 by Christian Frederick Martin, Martin Guitar has been a trailblazer in the world of acoustic guitar craftsmanship. Over the course of nearly two centuries, the company has become synonymous with quality, innovation, and enduring musical heritage. The Martin name has graced countless stages and recordings around the world, earning a place of distinction among musicians and collectors alike.

THE D-19 190th ANNIVERSARY

In honor of this 190-year legacy, Martin Guitar is thrilled to introduce the limited edition D-19 190th Anniversary – a stunning guitar that pays tribute to tradition, while embracing innovative design and quality craftsmanship.

“One hundred and ninety years ago, on November 6th, my great, great, great grandfather and grandmother and their two children arrived in New York City from Germany. They came to America seeking opportunity and freedom. They initially settled at 196 Hudson Street and opened the first Martin Guitar workshop in the New World. I was looking for a way for us to celebrate this milestone.

In 1976 (the bicentennial anniversary of the founding of our nation) we introduced the D-19. It was designed as an upmarket D-18. We stained the top to utilize spruce that was cosmetically challenged. An early nod to sustainability. I thought it would be appropriate to dust off that model designation and make 190 contemporary D-19s to honor our 190th anniversary. This model also embraces sustainability by utilizing cosmetically challenged Adirondack spruce tops that we have had in inventory for a while. We sent them through our Mimaki printer to achieve a figured mahogany look for the top. Hope you like it.” – C. F. Martin IV, Executive Chairman

See more photos of the D-19 190th Anniversary model HERE.

For more on the D-19 190th Anniversary, visit martinguitar.com.

Martin Guitar New Junior Bass Models and Strings

by one manApril 10, 2023April 12, 20230

C. F. Martin & Co. adds to their award-winning Junior series

Bass models and exclusive Jr. Bass Strings

(click to enlarge)

Martin 000CJr-10E Bass Burst onemanz.com

Taken from Martin’s official press release:

Martin Junior Series instruments are slightly smaller than our full-sized instruments, but you won’t have to sacrifice tone or volume, and you’ll gain plenty of comfort and portability. Whether you love the Dreadnought shape or want the Auditorium-style body with a cutaway, these new Junior Series bass models are ideal if you love to write and practice on an unplugged bass but also need the option to plug it in to record or play live with your band.

They include a spruce top and sapele back and sides to deliver thumping Martin bass tones, whether you are unplugged or using the built-in Fishman® electronics. They also include a sleek, fast neck so you can keep the rhythm section tight.

Each model is strung with Martin short scale bass strings that are made specifically for the unique and comfortable 24″ string scale. List price: $749.

Thanks to Maury’s Music for the video!

DJR-10E Bass

Martin DJR-10E Bass onemanz.come

DJR-10E Bass Burst

Martin DJR-10E Bass Burst onemanz.come

000CJR-10E Bass

Martin 000CJR-10E Bass onemanz.come

000CJR-10E Bass Burst

Martin 000CJR-10E Bass Burst onemanz.come

M4750 Jr Bass Strings

Martin Junior Series Bass Strings onemanz.com

Martin® Short Scale Acoustic Bass Strings are designed specifically for the Junior Series.

Featuring phosphor bronze wrap on a nylon core for enhanced playability, full note projection,

and tuning stability. Our impeccable standards for instrument tone are embedded in our string

design and precision manufacturing process. We make our own strings to empower the artist in

you to sound your best. List price: $29.99.

Visit Martin Guitar

Martin 000CJr-10E StreetMaster New for NAMM 2023

by one manApril 10, 2023April 12, 20230

The Junior Series StreetMaster Cutaway 000

Solid sapele back, sides, and top with the Martin StreetMaster styling, the 000C-Jr StreetMaster is a fully-realized acoustic-electric guitar in a travel-friendly size that has a warm, mellow tone.

000CJR-10E StreetMaster list price $749

List price: $749.

Full Review Coming Soon

Martin CEO-10 Reivew

by one manApril 6, 2023April 6, 20231

Martin Guitar’s CEO Thomas Ripsam presents his CEO-10 model

NAMM 2023 has a Best in Show candidate in this short-scale 000 CEO-10

CEO-10 specs include: Solid tonewoods throughout, 14-fret 000 body size; figured Guatemalan rosewood back and sides, FSC certified European spruce top with 1933 Ambertone shading and Style 42 abalone purling and rosette; 1/4″ scalloped FSC certified European spruce bracing with Golden Era scalloping, composite carbon fiber/torrefied Adirondack spruce bridge plate; solid South American mahogany short-scale neck with Vintage Deluxe profile and two-way adjustable titanium alloy support rod; ebony fingerboard with Higher Performance taper, 1-3/4″ width at the bone nut, 2-/8″ width at the 12th fret, abalone fret position markers in circa 1917 William Foden pattern; ebony belly bridge with bone drop-in saddle and 2-5/32″ string spacing, and Style 42 snowflake inlays; wood fiber accents and back strip; flamed European maple binding on the body, neck, and headstock; Guatemalan rosewood headstock face plate with abalone 1932 C. F. Martin & Co. script logo over 1930 Style 45 Deluxe abalone torch inlay; Waverly open-back butter bean tuning machines; Guatemalan rosewood pickguard with abalone Style 45 Deluxe floral inlay. Limited to 100 instruments.

“The Martin CEO-10 has a full-bodied voice with impressive bass response and an expansive, ethereal projection that sounds much more like a long-scale OM to my ear, than the typical gathered and punchy sound of a short-scale 000. Yet it offers the playability of the shorter string scale, made all the more comfortable thanks to the asymmetrical Vintage Deluxe neck profile.”

Full Review with Video Here

Martin D-28 Authentic 1937

by one manJuly 26, 2022April 6, 20230

New Old Pre-War Body Shape for the New D-28 Authentic 1937

The first Martin Authentic to receive a make-over

D-28 Authentic 1937 specs include: All-solid tonewoods with hot hide glue construction; Guatemalan rosewood back and sides; Vintage Tone System torrefied Adirondack spruce top with scalloped, forward-shifted VTS Adirondack spruce bracing, pre-war style tucked tone bars and tucked maple bridge plate; one-piece mahogany neck with 1937 V shaping unique to this model, T-bar neck reinforcement; 1-3/4″ width at the bone nut and 2-5/16″ string spacing at the long, glued-in bone saddle; ebony fingerboard and 1930s-style belly bridge; ebony bridge pins; faux tortoise body binding and pickguard; open-back Waverly tuning machines; Martin’s Authentic Series thin finish in Vintage Gloss sheen; grained ivoroid body binding

~

Martin D-18 Authentic 1937

by one manJuly 25, 2022October 8, 20220

James Taylor’s 1937 D-18 recreated

New for 2022, with a true 1937 body shape

D-18 Authentic 1937 specs include: All-solid tonewoods with hot hide glue construction; tropical American mahogany back and sides; Vintage Tone System torrefied Adirondack spruce top with scalloped, forward-shifted VTS Adirondack spruce bracing, pre-war style tucked tone bars and tucked maple bridge plate; one-piece mahogany neck with 1937 V shaping unique to this model, T-bar neck reinforcement; 1-3/4″ width at the bone nut and 2-1/4″ string spacing at the long, glued-in bone saddle; ebony fingerboard and 1930s-style belly bridge; ebony bridge pins; faux tortoise body binding and pickguard; open-back Waverly tuning machines; Martin’s Authentic Series thin finish in Vintage Gloss sheen.

Read the Full Review HERE

Martin Guitars Like No Other for CFM IV’s 70th Birthday

The new D-18 and 000-18 feature reclaimed spruce tops from Alaska!

Reclaimed Spruce

Printed Tops Mimic Martins of Old

Vintage Vibes

Happy Birthday, Mr. Martin

Martin D-18 and 000-18 CFM 70th Birthday Guitars

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The 000-EC 30th Anniversary also announced

000-42EC 30th Anniversary

000-EC 30th Anniversary

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C. F. Martin adds new upgrades and new models

The venerable Standard Series just got better

GE Bracing

GE Modified Low Oval Profile

Style 17 Reborn

OM-45 Returns

Intelligent Improvements

Retro Plus Arrives

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Martin SC-28E and SC-18E Arrive at NAMM 2024

Standard Series rosewood and mahogany axes of the future with classic styling

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Martin Celebrates the 190th Anniversary with D-19 LE

Special Event in New York City

Martin Guitar Marks 190 Years with Limited-Edition D-19 Model

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C. F. Martin & Co. adds to their award-winning Junior series

Bass models and exclusive Jr. Bass Strings

DJR-10E Bass

DJR-10E Bass Burst

000CJR-10E Bass

000CJR-10E Bass Burst

M4750 Jr Bass Strings

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The Junior Series StreetMaster Cutaway 000

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Martin Guitar’s CEO Thomas Ripsam presents his CEO-10 model

NAMM 2023 has a Best in Show candidate in this short-scale 000 CEO-10

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New Old Pre-War Body Shape for the New D-28 Authentic 1937

The first Martin Authentic to receive a make-over

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James Taylor’s 1937 D-18 recreated

New for 2022, with a true 1937 body shape

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