Tag Archive | Martin

Martin D-18 Jason Isbell Review

With aged Adirondack Over Mighty Mahogany, the D-18 Jason Isbell is more stallion than workhorse

As unpretentious and as powerful as the songs of its namesake.





Specs Include: Solid tonewoods with extra-thin high gloss nitrocellulose finish, including mahogany back and sides, torrefied Adirondack spruce top; 5/16” rear-shifted Adirondack spruce braces with Golden Era style scalloping; satin finished one-piece mahogany neck with 1939 profile, two-way adjustable truss rod, and ebony fingerboard with 1-11/16” width at the bone nut, 2-1/8” at the 12th fret; ebony pyramid bridge with 2-1/8” string spacing at the drop-in compensated bone saddle; custom tattoo fretboard inlay; Ditson style rosette; black binding; Schaller open-back tuners with “clover” buttons; Fishman Infinity Matrix electronics; signed interior label

“Simply put, this guitar sounds huge. Explosive chords burst into the room with near-concussive waves of power and punch, and relaxed, expressive picking lights up an expansive tonal chamber, as if by ballroom chandeliers.”

D-18 Jason Isbel Ditson tatoo inlay
Full Review with Video Here

Martin D-28 (2017) Review

Full-bodied tone is at the heart of Martin’s new D-28

Vintage looks and a modern neck combine with forward-shifted bracing to create an even higher standard for the classic rosewood dreadnought




“It is an invigorated version of the classic D-28. When a player wants to dig in and drives the top, it can get quite throaty and even growly. And yet, light fingerpicking sounds buoyant and cheerfully expressive. On the whole, the D-28 (2017) is one particularly versatile Martin, with a new kind of dreadnought voice, even if it is made to look more like a vintage D-28 than its predecessor.”

Martin D-28 2017 Style 28 trim

Full Review With Video

“With its retro styling and ultra-modern neck, the new 2017 model is a souped up enhancement of the straight-braced D-28, given a more powerful engine, with a roomier interior.”

Martin D-28 2017 vs. 2016

Sneak Preview of My Summer NAMM Martin Reviews

This supplemental video was shot just after I recorded the new D-28 for One Man’s Guitar’s exclusive review – which will be the first one published

The following audio was mixed quickly and synched to video on a tablet at the hotel last night, and the video was put together on the bus back to NYC this afternoon.

The mix and synch of the actual video will likely be somewhat different.

While at the Martin Guitar Factory, it was my hope to not just test drive the newly made-over D-28, but to do do a direct comparison with the previous version, which remained virtually unchanged for 30+ years. And that did come to pass.

The two guitars were recorded back and forth in one continuous session. I just picked up one and played the first thing that came off my fingertips and then tried to repeat it on the other one, after placing the first on the same guitar stand. That is why the guitars are sometimes shifted toward the large diaphragm mic, as I kept turning that way to switch the D-28s.

In addition to some cosmetic upgrades, the real game changer is the top bracing, which has been moved to the “Forward Shifted” position, while retaining its non-scalloped shaping. This is the first time forward-shifted non-scalloped bracing as appeared on a cataloged Martin guitar, let alone a D-28.

The full review should be out in two or three days.

The thumbnail for the video was supposed to be of the 2017 model. I expect Youtube will change it eventually.

 

Martin D-28 John Prine Review

An American Original Honored by America’s Premiere Guitarmaker with the D-28 John Prine

The composer of Angel from Montgomery has earned his wings from C. F. Martin & Co. along with an angelic signature model

Specs include: All solid tonewoods including Madagascar back and sides, Engelmann spruce top with Antique toner, ebony fingerboard and bridge, scalloped 5/16” Adirondack spruce braces; high gloss nitrocellulose finish; long-scale, satin finished genuine mahogany neck with Modified V profile, 1-11/16” width at nut, 2-1/8” string spacing; bone nut, compensated saddle, and bridge pins; Vintage Style 45 abalone snow flake fret markers; ‘50s style rounded headstock corners, enclosed chrome tuners with large buttons, pearl angel wings inlay; Antique White binding; custom cream tweed case with red interior; signed and numbered interior label

“With twinkling trebles, warm clear-cut mids, and a succulent bass, its distinctive fundamental notes front a subtly complex harmonic array, filled with delightfully sweet overtones and a roomy translucent undertone awash with whispery, ethereal hues. In other words, the John Prine signature model is an absolute charmer.”

Full Review with Video

Martin D-28 John Prine in concert

Martin 00-28 Review

The seldom made Martin 00-28 in a triumphant return

Marvelous rosewood tone from the grand concert powerhouse 00-28 is first rate

Specs include: Solid tonewoods with Indian rosewood back and sides, Sitka spruce top, ebony fingerboard and bridge, scalloped 1/4″ Sitka spruce bracing; high gloss nitrocellulose finish; short-scale, satin finished mahogany High Performance neck, with 1-3/4″ width at nut, 2-1/8″ at the 12th fret, 2-5/32″ string spacing; bone nut and saddle; open back nickle tuners with “clove” knobs; mother of pearl dot fret markers, black pickguard, white biding.

“Singing with silvery purity up high, commanding mids, and full-bodied lows, all riding atop the lush and lovely depths saturated with what I call that “smoky rosewood presence,” the new 00-28 provides classic, nay even legendary Martin guitar tone.”

Full Review with Video Here

Some Clarification from Martin on the New Models

I have gotten some confirmation from within Martin on the following:

Typos on the spec sheets – All instances of 2-3/16″ string spacing are incorrect.

All models with the High Performance taper have string spacing of 2-5/32″. The change was universal when they first made it. If you see 2-3/16″ on the spec sheet of a current model it is a typo. I saw at least three models listed that way in the past couple of days.

 

The new D-28 (2017) – it is NOT a typo that it has forward-shifted non-scalloped braces.

I had expected this makeover to go with scalloped bracing, as the D-18 had.

But after the sonic success of the GPC-28E, they decided to add forward-shifted bracing to the D-28, but keep the braces non-scalloped. I can’t wait to hear the results in person. I liked the sound of the GPC-28 a lot.

The GPC-28E, OMC-28E, 00-28, and soon to be released GP-28E and OM-28E are all moving to this new styling, with the aging toner and tortoise guard, antique white binding and mother of pearl dots of the new D-28. This decision came pretty late, so the latter two were not ready for the show.

The 00-28, and all OMs are retaining their scalloped 1/4″ bracing. But we can expect to see all large guitars made in Standard Style 28 to have non-scalloped bracing from now on.

I got a “probably soon” as to if the current OM-28 was going to lose the herringbone, short pattern diamond fret markers and grained ivoroid binding.

I got silence regarding the 000-28. But may learn something soon.

Likewise nothing on the HD-28, but I assume it is safe for now since the D-28 did not get scalloped bracing or herringbone.

 

The Jason Isbell model – spec clarification

Tim Teel confirmed this guitar has Golden Era style bracing and bridge plate – except it is rear-shifted. That is a first that I know of, unless someone has ordered customs like that. I bet it is a monster. Can’t wait to see and hear for myself.

It has High Gloss thin finish, not the Vintage Gloss of the Authentics. The spec sheet currently says “Gloss.”

That’s all for now.