Martin D-45 Modern Deluxe Review

The long awaited Martin D-45 Modern Deluxe arrives in splendor

Regal and refined, extravagant and divine

Specs for D-45 Modern Deluxe include: All solid wood construction; Indian rosewood back and sides; Vintage Tone System torrefied Sitka spruce top with Golden Era scalloped, forward-shifted, VTS torrefied Adirondack spruce bracing attached with natural protein glue; composite bridge plate of carbon fiber/torrefied Adirondack spruce; Genuine mahogany neck with Vintage Deluxe profile, two-way adjustable titanium alloy support rod, hand-fitted dovetail neck joint and solid mahogany neck block; ebony fretboard with High Performance Taper, 1-3/4” width at nut, 2-1/8” at 12th fret, abalone fret position markers, EVO Gold frets, solid bone nut; ebony bridge with Liquidmetal bridge pins, compensated solid bone saddle and 2-5/32” string spacing; European flamed maple binding; high gloss nitrocellulose lacquer finish on the body, satin neck finish; ebony headstock faceplate with polished gloss finish, 1920s-style torch inlay; golden Waverly open back tuners with butter bean knobs.

“The piano-like report of the fundamental notes is solid and immediate, igniting astonishing natural resonance. The voice is huge and rich but never muddy or harsh. Every inch of this guitar earns the right to be called the Martin D-45 Modern Deluxe.”

<artin_D-45_Modern_Deluxe_Review

Full Review with Video Here

Martin D-45 Modern Deluxe and Others Debut for 2022

Seven New Martin Guitars in the Modern Deluxe Series




 

Martin Modern Deluxe 2022 New Models OneManz.com

Two 12-fret models, a mahogany 000, and a new Style 42 among the additions

At long last, I may now share with you the first glimpses of the SEVEN new Modern Deluxe Series Martin guitars, released in lieu of the canceled Winter NAMM show. These guitars blend classic Martin guitar specifications with ultramodern technological enhancements to realize twenty-first century musical instruments that are both modern and deluxe.

Martin D-45MD and 0012-28MD Onemanz.comThe new Modern Deluxe Martins include a 12-fret 0-size rosewood model in rosewood Style 28, the 012-28 Modern Deluxe. A 12-fret 00 and 14-fret 00 join it, the 0012-28 Modern Deluxe and 00-28 Modern Deluxe.

Yes, that is a new naming convention for 12-fret Martin guitars, with the 12 on the LEFT side of the dash, replacing the archaic S for a “Standard” body size on the right side of the dash. And about time too, I say! The 12-fret configuration hasn’t actually been the standard design since 1934.

Moving to the next larger size, the mahogany 000-18 Modern Deluxe is also included, and super-fancy rosewood 000-42 Modern Deluxe have arrived. Larger still are the full-size Dreadnoughts, the D-42 Modern Deluxe and, at the top of the Series, the D-45 Modern Deluxe.

The D-45 Modern Deluxe heralds the return of the classic torch inlay that graced the headstock face plates of Martin’s Style 45 guitars up through 1930. It also brings back the snowflake fingerboard pattern to a D-45, like those made pre-1939. But this time, the exquisite diamonds, snowflakes, and cat’s eye fret position markers are not just inlaid with high-color abalone shell; each marker is outlined in even more pearl.

Around the East Indian Rosewood back and sides are the glittering abalone pearl trim that sets Style 45 Martins apart from their other handmade, professional-level acoustic guitars. But unlike other D-45s out there, the D-45 Modern Deluxe has flamed European maple binding on the body and the neck.

All guitars in the Modern Deluxe Series include a unique set of advanced features engineered to increase tonal depth (a Vintage Tone System aged Sitka spruce soundboard supported by VTS Adirondack spruce braces with Golden Era scalloping and set in place with natural protein glue,) increased volume and sustain (Liquid Metal bridge pins and a VTS Adirondack spruce bridge plate protected by thin outer layers of carbon fiber,) extended fret life thanks to the copper-infused EVO Gold frets with matching gold tuners, and a wonderfully comfortable neck shape based on the 1930 OM-45 Deluxe owned by the Martin museum.

The MD neck is asymmetrical with an apex that gradually drifts off center, to effortlessly fit into the palm of the hand at every position along the fingerboard, just like a marvelous pre-war Martin neck, except that it is a lower profile, made without the tubby vintage heel where the neck fits into that all-all important solid mahogany neck block with the traditional, hand-fitted dovetail neck joint.

Martin Modern Deluxe 2022 42 details OneManz.com

The D-42 Modern Deluxe and 000-42 Modern Deluxe also have the pre-war Style 45 torch and same fretboard inlays, plus the addition of two large abalone snowflakes on the bridge extensions. But they do not have the extra pearl inlay around the back and sides, greatly reducing the price compared to the D-45 Modern Deluxe.

The mahogany 000-18 now joins the D-18 Modern Deluxe, combining these advanced tone enhancements with the clear, woody tone of a mahogany Martin. The 14-fret 00-28 Modern Deluxe brings an even smaller body to the MD Series, as do the two 12-fret models, each with a traditional slotted headstock.

I look forward to sharing more details about these exiting new Martin guitars soon, including full reviews of as many of them as I can get into my hands and ears.

Martin 000-18 Modern Deluxe price OneManz.com

0012-28 Modern Deluxe price One Manz.com

Martin D-45MD demo One Manz.com

Martin Modern Deluxe Lineup Onemanz.com

Martin D-28 vs. HD-28

Symposium Compares and Contrasts the Iconic Martin Dreadnoughts

To scallop or not to scallop, that is the bracing question

Aaron Short Music, February 8, 2021, featuring Aaron Short, NYC, Maury Rutch of Maury’s Music, in Coaldale, PA and T Spoon Phillips of Brooklyn, NY

Here are better examples of the difference physical differences between scalloped bracing used on the HD-28 and most other modern Martins, and non-scalloped bracing used on the D-28 and D-35.

Scalloped vs Non Scalloped Braces onemanz.com

Martin scalloped bracing diagram onemanz.com

Exaggerated relief showing the “suspension bridge shaping of scalloped braces and tone bars used on a 14-fret Martin Dreadnought

John Mayer NAMM Set 2021

John Mayer plays Martin guitars with Engelmann spruce tops

Winter NAMM Mini Set for Martin’s Jam in Place Series

Here’s a decent opportunity to hear what Engelmann spruce sounds like after it has some time to mature and get played in. It is paired with East Indian rosewood on the OM-28JM, the original John Mayer signature model from 2002 (released January 2003,) and it can be heard matched with Guatemalan rosewood on his 2016 D-45JM later in the set. In between the two can be heard Sitka spruce, backed by cocobolo rosewood on the 12-fret 00-42SC Stagecoach model released on 2013.

 

What’s the Scéal Iomlán on the Martin D-45 Celtic Knot?

A Reader Requests Info on the Celtic Knot

What a gift of a website you have created. Thank you. I recently purchased a D-45 Celtic Knot. Whatever background information regarding the concept, design and construction of it would be really helpful.

– Robert in Texas

Spoon Replies:

Thank you Robert, for your kind and encouraging words.

Allow me to say meal do naidheachd on the purchase of your Martin D-45 Celtic Knot! It is my personal favorite among all the “45 +” guitars that Martin has come up with over the years.

That’s Scottish Gaelic, by the way. The oldest existing designs known as Celtic knots are found in illuminated Christian manuscripts from the eighth century, associated with the Abbey of Hii on the Isle of Iona, while others dated to 800 A.D. are believed to come from the Abbey of Kells, in County Meath, Ireland. It is assumed that earlier Celtic knot patterns evolved in Eire and Britain, in decorative textiles and other art forms, after similar “continuous cord” designs were introduced from Roman Europe sometime during the fourth century.

Your wonderful twenty-first century Martin guitar is essentially a D-45 Golden Era, in terms of bracing, neck shape, and string spacing. But of course the Brazilian rosewood and Adirondack spruce came from Chris Martin’s personal reserve. As a musical instrument, every one of them I have played sounded spectacular.

As an example of exquisite artistry in world-class luthiery, they are visually astounding as well. The inlay was done at Pearl Works in Charlotte Hall, Maryland, founded by the late Larry Sifel. The inspiration for the overall design came from Martin’s 600,000th guitar, completed in 1997. Known as “the Celtic” Martin, it was designed and embellished by Larry Robinson, who has created stunning inlays for electric and acoustic guitars for half a century.

Although this earlier instrument has even greater complexity to its various “knots” and, if I recall, abalone herringbone purfling around the edge of the top and sound hole, I have always preferred the aesthetic of the D-45 Celtic Knot. It strikes me as elegant and stately, compared to the rather over-the-top pizazz of the Celtic guitar. But I also very much like the special Gotoh tuners with Celtic designs, and the pearl inlay of Chris Martin’s signature on the rosewood back!

The limited edition of fifty D-45 Celtic Knot guitars was announced at Winter NAMM 2004, along with Martin’s One Millionth Guitar and the D-100 model based on it. The Celtic Knot guitars have sequential serial numbers leading up to #1,000,000. The fifty D-100s have sequential serial numbers starting with #1,000,001.

However, Martin did not build all fifty Celtic Knot guitars. There has been some contention as to the actual production number. Although all official printed references claim that thirty D-45 Celtic Knot guitars were built, the actual quantity is in fact thirty-six.

No one knows why the discrepancy exists. I suspect all accounts were based on one original reporting that contained a typo. Knowing how things happen at Martin, it might even be due to a typist incorrectly reading someone’s handwriting, where the 6 looked like a 0.

In any case, you have a very special Martin. If I could have any of the beyond-Style-45-Deluxe instruments Martin has built, it would be a D-45 Celtic Knot. But you actually get to own one.

I therefore, and with great pomp and solemnity, hereby induct you into the Order of the Lucky Dog, with all rights and privileges afforded said title.

Congratulations!

Pearl Works Website:

https://pearlworks.com/

Larry Robinson Website:

https://www.robinsoninlays.com/

Martin D-45 Celtic Knot frets

(photo: Pearl Works)

Martin D-45 Celtic Knot pearl

(photo: Pearl Works)

Martin D-45 Celtic Knot signature

(photo: Dream Guitars)

 

Martin D-45 Celtic Knot full

(photo: Dave’s Guitars)

 

Fall Martin Models Announced – Woodstock D-45




D-45 Woodstock 50th Anniversary Model Among New Martin Line Up

Hawaiian Koa Showcased in Road Series and X Series

Whatever the reason, C. F. Martin & Co. decided to announce their autumn additions early this year, to coincide with the release of the third and final Woodstock 50th Anniversary guitar.

click on photos to enlarge

Extra Fancy D-45

The Martin D-45 Woodstock 50th model is built from top-grade Indian rosewood and Sitka spruce, European flamed maple binding on the body, the Genuine Mahogany neck with its High Performance ebony fretboard, and around the front of the headstock. It also has the forward-shifted scalloped braces and Modified Low Oval neck profile of the  Standard Series D-45.

The headstock features an inlay of the iconic Woodstock dove, sitting atop Martin’s ornate Alternate Torch inlay, made of high color abalone pearl, as are the 1930s style Snowflake fretboard markers, and of course the purfling inlaid around the sound hole, and every edge of the top, sides, and back, including the edge where the neck meets the body.

This completes a set of Woodstock 50th models that includes a DX and D-35 released at Winter NAMM 2019.

Koa, Koa, Koa

Martin’s affordable Road Series has gained two new models, the short-scale 000-12E Koa and the full-size dreadnought D-12E Koa. Each is made from African Mahogany ( Khaya ivoresnsis) for the back and sides, which has a fine veneer of great-looking koa bonded to the outside. Although these  guitars are designated as Style 12, they have the mother-of-pearl pattern rosette used on all the modernized Road Series guitars, except for the normal D-12, which has a rosette that looks more like a traditional Martin from the Standard Series. Go figure.

And speaking of figure, the koa does look very nice indeed. The use of veneer over less visually attractive wood is as old as the C. F. Martin business itself. But today it is a new technique, designed to make these acoustic-electric models more environmentally friendly, just like use of Forest Stewardship Council certified Richlite for their fretboards and bridges.

Martin-D-12E_GLAM 20 new Martin-000-12E_GLAM 20 new

In the X Series there are now two dreadnought models, the D-X1E and D-X2E that have been upgraded by the use of real wood for the neck, and truly gorgeous looking koa was used to create the photographic image that makes the High Pressure Laminate look like top-shelf tonewood.

The D-X1E has a fretboard and bridge made of Richlite, while the D-X2E gets a wooden board and bridge made from katalox to go along with its solid Sitka spruce top.

The X and Road Series guitars come with Fishman MX electronics, with the Road Series guitars also having an onboard tuner included, placed just inside the sound hole.

You can learn more about these new Martin models HERE.

And coming soon! The new X Series Johnny Cash model!!

Martin D-45 John Mayer

A very special D-45 made for and with John Mayer

Seven Grammy Awards and now five Martin Artist Signature Editions





Specs include: 14-fret Dreadnought body size with all solid tonewoods throughout, Guatemalan rosewood back and sides; Engelmann spruce soundboard with Aging Toner; scalloped, forward-shifted 1/4″ Adirondack spruce braces with Golden Era shaping; one-piece mahogany neck with Full Thickness profile; ebony fretboard with 1-11/16” width at the bone nut; ebony bridge with 2-1/8” string spacing at the compensated bone saddle; high-color Style 45 abalone trim, back, sides, and top with full circumference soundhole rosette; large abalone hexagon position markers; grained ivoroid binding; gold open gear butterbean tuners; faux tortoise pickguard; numbered interior label signed by John Mayer

“…a clear and articulate top voice, with cavernous space behind it, good for reflecting reverberating sympathetics but also for allowing the main notes to stand up and out…But even brand new, the D-45 John Mayer already has considerable shimmer and glimmer to its it ring, and power in its bones.”

Read the Full Review Here

Read the Full Review Here

That Kind of Day




I am befouled!

It is years beyond count since I found myself in a smoky bar. And everyone but me was smoking a cigarette or was briefly between their previous cigarette and their next. I left reeking of ash like an orphan boy sweeping out a foundry furnace.

When I entered said tavern the barmaid looked almost guilty, as if I might rat them out for allowing smoking in a public establishment. But then I remembered I was not in New York City and perhaps this was all perfectly legal.

In fact, it was the drinking that was shameful, since this was a dry county until not that long ago and the very premises, but a block from the old Moravian church in Nazareth, PA, was singularly frowned upon by the town elders and ultimately closed, at least for a time. It might as well have slid down the hill to the state route, since it has sunken so from its former dive bar charm.

Their only beer choices on tap were Bud, Bud Light, and Old Town Light. Their only scotch was Dewar’s and Johnny Walker Red, which filled an Old Fashion glass for $7, not to be outdone by the $2.50 bottle of Yuengling.

‘Twas sufficient to ease the pains of this very long day, which had me playing and squawking my way through my eleventh guitar demonstration video at 1:30 AM at Maury’s Music, in Coaldale, followed by my fingertips oooing and ouching their way through my first video session with a new 2018 Martin guitar model at the Martin factory in Nazareth a few hours later.

The final session ended a little before 5 PM and after a wonderful sushi dinner with Maury, he went back to Coaldale and I found myself in the farthest corner of the nearest smoker.

But things are much improved, now that I have aired out a bit from the smoking lounge, and I walked back through the icy air to the Classic Victorian Estate Inn, where I had been upgraded to the best bedroom, the occupant of my original room having extended their stay.

After a very hot shower, I now sit in a comfortable chair in a wonderfully weighty terrycloth robe and silk pajamas, with a lusciously flavorful glass of complementary sherry. All that is missing is some Persian slippers.

After I make sure I do not need to re-shoot any video from today, I shall paint my hands in Penetrex, the best Arnica Montana delivery device I have yet found, and retire.

The newly redesigned Martin D-45 2018 is awaiting me at Martin, next to my microphones still set in place, the guitar’s case still wrapped in a clear plastic bag after its release from Final Inspection.

But I can still smell oily tobacco smoke sending its free radicals my way from the bag across the room. Alas that it is far too cold to open a window. First world problems indeed.

More New 2018 Martins Announced!

Martin D-45 models and a new Authentic make the cut among the 2018 Martins

Doesn’t look like anything from the lists I saw were put off til Summer. So there’s LOTS of new Martin videos soon!

Check back to see and hear these and all the new Martins starting next week!

In the meantime, there is a sneak preview of this soon to be released …

Martin 000C-21 TSP T Spoon Phillips Custom Artist-Dealer collaboration, which will be officially announced on January 25.

D SS-2018 NAMM Show Special

A 12-fret dreadnought with the High Performance neck! Ultralight build with Adirondack spruce over Big Leaf mahogany with hide glue construction, light-weight carbon fiber used for the pickguard, and in composite with torrefied Adirondack spruce for the bridge plate! As well as lightweight tuners and fabulous Liquidmetal® bridge pins that for the first time have lost their chrome appearance and look like bone. 

martin-d-42-purple-martin_f_new
click to enlarge

D-42 Purple Martin third edition:

OK the previous two were done in similar Style 41. This one has the Style 42 pearl around the fretboard extension. Gorgeous inlays grace this stunning guitar made from highly figured katalox from the American tropics, which is harder than ebony, and heavily-bear clawed Engelmann spruce for the top!

D-45 Fire and Ice:

Figured Engelmann spruce over Madagascar rosewood, with outrageous inlays by the one and only Harvey Leach that have an ice dragon on the headstock and a phoenix rising up the fretboard

D-45S Authentic 1936 Aged:

Martin’s new cosmetic aging process is applied to the second edition of a D-45 Authentic that appeared the first year of the Authentic Series, which has an wider-than normal body and a honking huge neck, now with aged Adirondack spruce thanks to Martin’s Vintage Tone System, which wasn’t yet developed the first time around.

D-18 Authentic 1939 Aged:

Like the 45 above, this D-18 Authentic with its classic mahogany and Adirondack build has the new cosmetic aging and will be “aged” one guitar at a time.

00-17 Authentic 1931:

My mouth has watered for this model since I saw it on a list at Martin some time ago. And now I understand the wait, as it introduces torrefied Vintage Tone System mahogany to the Authentic Series!

OME Cherry FSC Certified Woods

Made entirely from woods certified by the Forestry Stewardship Council promoting responsible management of our precious natural resources, this Orchestra Model with on-board Electronics combines American cherry back and sides with a Sitka spruce top and European spruce bracing.

These are in addition to the D-45 John Mayer model and the forest of newly revised Standard Series Martins, see the links below!