With aged Adirondack Over Mighty Mahogany, the D-18 Jason Isbell is more stallion than workhorse
As unpretentious and as powerful as the songs of its namesake.
Specs Include: Solid tonewoods with extra-thin high gloss nitrocellulose finish, including mahogany back and sides, torrefied Adirondack spruce top; 5/16” rear-shifted Adirondack spruce braces with Golden Era style scalloping; satin finished one-piece mahogany neck with 1939 profile, two-way adjustable truss rod, and ebony fingerboard with 1-11/16” width at the bone nut, 2-1/8” at the 12th fret; ebony pyramid bridge with 2-1/8” string spacing at the drop-in compensated bone saddle; custom tattoo fretboard inlay; Ditson style rosette; black binding; Schaller open-back tuners with “clover” buttons; Fishman Infinity Matrix electronics; signed interior label
“Simply put, this guitar sounds huge. Explosive chords burst into the room with near-concussive waves of power and punch, and relaxed, expressive picking lights up an expansive tonal chamber, as if by ballroom chandeliers.”
Full-bodied tone is at the heart of Martin’s new D-28
Vintage looks and a modern neck combine with forward-shifted bracing to create an even higher standard for the classic rosewood dreadnought
“It is an invigorated version of the classic D-28. When a player wants to dig in and drives the top, it can get quite throaty and even growly. And yet, light fingerpicking sounds buoyant and cheerfully expressive. On the whole, the D-28 (2017) is one particularly versatile Martin, with a new kind of dreadnought voice, even if it is made to look more like a vintage D-28 than its predecessor.”
The seldom made Martin 00-28 in a triumphant return
Marvelous rosewood tone from the grand concert powerhouse 00-28 is first rate
Specs include: Solid tonewoods with Indian rosewood back and sides, Sitka spruce top, ebony fingerboard and bridge, scalloped 1/4″ Sitka spruce bracing; high gloss nitrocellulose finish;short-scale, satin finished mahogany High Performance neck, with 1-3/4″ width at nut, 2-1/8″ at the 12th fret, 2-5/32″ string spacing; bone nut and saddle; open back nickle tuners with “clove” knobs; mother of pearl dot fret markers, black pickguard, white biding.
“Singing with silvery purity up high, commanding mids, and full-bodied lows, all riding atop the lush and lovely depths saturated with what I call that “smoky rosewood presence,” the new 00-28 provides classic, nay even legendary Martin guitar tone.”
Gibson’s 2017 Ebony Limited Edition adds jet black looks to the classic SJ-200
With L. R. Baggs Anthem dual-source electronics, it comes ready to rock.
Specs include: Super Jumbo body size; maple back, sides, and neck; radiused AAA-grade Sitka spruce top; hand-sprayed, high-gloss ebony nitrocellulose finish; rosewood fretboard and mustache bridge; bound fretboard and headstock; gold Grover Imperial tuning machines; round neck profile; bone nut with 1.725″ width; approx. 2-3/16″ string spacing; Tusq saddle to go with the Baggs Anthem undersaddle pickup.
“The bass is big but not boomy. The trebles are clear and ringing. The midrange notes are distinct but have a woody warmth to them… In other words, the SJ-200 is a classic. And this jet black version is pretty darn classy.”
A 1953 000-28 converted by the Martin factory to 1939 000-42 specs
Old Brazilian rosewood retopped with torrefied Adirondack spruce and solid abalone pearl
*This instrument is currently for sale. Inquire at firstname.lastname@example.org*
Specs include: All-solid wood with hide glue construction throughout; Brazilian rosewood back and sides originally constructed as a 1953 000-28; highest grade Adirondack spruce top, torrefied with level M1 of Martin’s proprietary Vintage Tone System; Vintage Style 42 appointments including period correct solid abalone pearl rosette ring, top purfling, and snowflake fret markers; grained ivoroid binding with ebony borders at end pin box; aggressively-scalloped 1/4″ Golden Era style bracing with period correct rear-shifted X brace; genuine Big Leaf mahogany neck with full vintage V profile supported by an internal steel T-bar, 1-11/16” width at nut and 2-1/8” at the 12th fret; ebony fingerboard and Golden Era style bridge; bone nut and glued in saddle with 2-1/8” string spacing; open-back Grover tuning machines; period-correct gold foil headstock logo on Brazilian rosewood face plate grained; ivoroid binding; thin high gloss nitrocellulose finish with faux tortoise shell pickguard under the finish.
“This converted 000-28 has my favorite kind of Brazilian/Adirondack tone, warm and richly colored, with a bass that is plump but not woofy, spawning a rich undertone that at times hugs but never smothers the higher registers, and trebles of fine purity that are precise but solid, yet radiating shimmery harmonic overtones.”
Classic pre-war Martin mojo lives again in the historic 000-30 A 1919
Colorful and responsive in looks, feel, and tone
Specs include: All-solid wood with hide glue construction throughout; Madagascar rosewood back and sides; Adirondack spruce top with Vintage Tone System torrefaction, high-color wooden marquetry top trim and back strip, torrefied period-correct scalloped 1/4” bracing and torrefied maple bridge plate; one-piece mahogany neck with shallow vintage V profile, slotted headstock with Martin brand at the back; ebony fingerboard with period correct snowflake fret markers, 1-7/8” width at nut, 2-5/16” at the 12th fret; ebony pyramid bridge with 2-3/8” string spacing; bone nut and saddle; StewMac Golden Age reproduction three-on-a side tuning machines with unique engraved plates and pearloid buttons, grained ivoroid binding, extra-thin Vintage Gloss nitrocellulose finish.
“The 000-30 A 1919 offers the kind of sound many luthiers and guitarists have sought to produce since the invention of steel strings.”
Specs include: Grand Performance body size with cutaway; solid wood construction; African mahogany back, sides, top; 5/16″ scalloped forward-shifted bracing; mahogany High Performance neck with Modified Low Oval profile, Indian rosewood bridge and fingerboard with High Performance taper, 1-3/4″ at nut, 2-1/8″ at 12th fret, 2-5/32″ string spacing; satin finish, open back tuners with butter bean knobs; Fishman Matrix VT Enhance N2 electronics
“I am pleased as punch at the punch from the GPC-15ME’s midrange, and how it is hugged by a cuddly bear of mahogany warmth in the bass. And my ear loves being tickled by the sweet, sweet laugh of the 15 Series treble notes that make me want to reach out and pluck them from the air.”