Martin Guitar Hosts First Sustainability Summit

Martin Guitar Hosts First-Ever Sustainability Summit, Setting the Tone for a Greener Music Industry

Industry leaders and artists gathered at Martin’s solar-powered Commerce Lane facility to explore sustainability in music and manufacturing

NAZARETH, PA – October 10, 2025 – C. F. Martin & Co. hosted its first-ever Sustainability Summit on October 9, 2025, at the company’s solar-powered Commerce Lane facility in Tatamy, Pennsylvania—just a short drive from its historic Nazareth headquarters. The daylong event, themed “Setting the Tone: Sustainability in Music & Manufacturing,” brought together more than one hundred artists, industry leaders, educators, and sustainability advocates to explore real-world solutions at the intersection of music and environmental responsibility.

Driving Change Through Collaboration

The summit featured keynote presentations, panel discussions, artist-led demonstrations, and live performances, highlighting the importance of sustainable practices across the music and manufacturing industries. Representatives from REVERB, the Forest Stewardship Council®, Sustain Music & Nature, Columbia University’s Climate School, Hearne Hardwoods, Unified Wood Economy, and more shared case studies and actionable strategies for creating lasting environmental impact.

“Martin’s been such a clear leader in sustainability, and that’s what my nonprofit is all about,” said Adam Gardner, co-founder of REVERB and member of the band Guster. “Our approach has always been to meet people where they’re at—whether they’re a fan, manufacturer, artist, or venue—and help them move down the path toward sustainability. It’s a process, not a destination.”

Dylan Siegler, SVP and Head of Sustainability for Universal Music Group, added, “Being here has really opened my eyes to how musical instruments themselves are a mechanism for change. We all form the supply chain of the artist—record labels, manufacturers like Martin, and everyone in between—creating the possibilities that help artists be more sustainable in all of their practices.”

Artists Leading the Way

Throughout the day, attendees experienced firsthand how creativity and sustainability intersect. Gardner and Jacob Tilley of Young the Giant performed live, reinforcing the summit’s mission to inspire sustainable change through music.

Tilley reflected on the urgency of action after years of touring: “As a band, we felt it was our duty to look under the microscope at what we can do better to keep live music available for the next generation. The summit brought together like-minded people to forge relationships and create a path forward for a more sustainable future.”

Kate Micucci, musician, comedian, and actress, led a reclaimed-art and sustainable ukulele demonstration, transforming discarded materials into new creative expression. “I started painting on discarded guitar tops that would’ve been thrown away otherwise,” Micucci shared. “Today reminded me that sustainability is about what we can do daily—and also about making something bigger and more impactful together. The ukulele I played today [a Martin T1 Tenor Uke] was totally sustainable.”

The day also included a special video message from Wilco frontman and Martin signature artist Jeff Tweedy, whose new FSC®-certified signature guitars launched the same day. “Keep making sustainable guitars,” Tweedy said. “It’s great for everybody, and it’s great for business—because what’s better than sustainable? I’m proud to see more of these guitars being made and proud to be part of it.”

Key Insights and Next Steps

Sessions throughout the day explored topics such as responsible tonewood sourcing, carbon-neutral touring, circular economies, and the use of reclaimed and alternative materials. From wood composites made of biodegradable matter to reimagined supply chain partnerships, attendees left inspired by what collaboration can achieve.

“The big takeaway for me,” said Siegler, “is that any network trying to achieve real change needs a strong root system—just like the trees that inspire us. And that’s exactly what we’re building here today.”

Looking Ahead

The Martin Sustainability Summit marks the beginning of a broader, long-term initiative to connect and empower leaders across music, manufacturing, and environmental sectors. “I think today was a reminder that we all know what needs to be done—it’s just about putting it into practice,” Micucci said. “Martin has been doing this for years, and it’s pretty cool to see that commitment inspiring others.”

Martin Guitar extends its sincere thanks to all speakers, artists, and attendees who made the inaugural Sustainability Summit possible—and to the partners and organizations working every day to set the tone for a greener future. For more information on Martin’s sustainability efforts, visit martinguitar.com/sustainability.

Martin Martin SC-18E and SC-28E Review with Video

Martin SC-28E and SC-18E Arrive at NAMM 2024

Standard Series rosewood and mahogany axes of the future with classic styling

SC-28E and SC-18E specs include: 13-fret asymmetrical S body size with deep scoop cutaway; high gloss nitrocellulose finish; solid spruce top with patented internal soundboard recurve; spruce Tone Tension X-bracing with proprietary shaping; heel-less solid hardwood neck with satin finish, Sure Align neck joint system and ergonomic Low Profile Velocity shaping, solid ebony fingerboard with High Performance Taper; solid ebony belly bridge with 1930 profile but smooth contour surface; 2-5/32” string spacing; faux tortoise asymmetrical teardrop pickguard; nickel open-back tuning machines; revised Fishman Aura VT Blend electronics with Aura HD imaging or L.R. Baggs Anthem electronics. Comes with a molded hard-shell case with plush lining.

“I was surprised by these acoustic-electric hybrids, in how a chord strummed on the SC-28E sounds more like a 000-28 or OM-28 than it didn’t, only with that slightly more-pronounced bottom E string. But I was most pleasantly surprised by the classic Martin undertone presence in the low-mids of the SC-18E and the acoustic tone during fingerstyle picking patterns and playing lead accompaniment to another person’s strumming and singing, both when acoustic and amplified.”

Read the full review HERE

Juber’s Juber – the Martin OMC-44K LJ

Our latest guitar review, the Martin OMC-44K LJ

No ordinary guitar…this OMC-44K LJ has an Orchestra Model body size, with a Cutaway and it is made in a modern version of Martin’s Style 44, with back and sides of Hawaiian Koa wood, known for its unique combination of clear trebles, warm harmonics, but with a more open mid-range compared to other rich tonewoods like rosewood. Just the way Laurence Juber likes it.

Read the Full Review of the OMC-44K LJ

OMC-44K LJ
(photos: Wildwood Guitars)

CD Revew – Laurence Juber’s Under an Indigo Sky

A “late-night” record of fingerstyle artistry, Juber’s Under and Indigo Sky is …

Languid, lovely, evocative… a melt into a sumptuous sofa, and the sonic equivalent of isolated pools of low light playing off facets of cut crystal and opulent aperitif, close sensuous voices, soft laughter bittersweet with memory at the end of an evening. A warm, layered and very human scene painted entirely with one acoustic guitar drenched with resonant chords, clear and unhurried melody lines, and shadowy blue bass notes that rise or fall in pitch or pace like a melancholy pulse. An exquisite piece of music played on an exquisite guitar, exquisitely.

And that is just the first track on Juber’s Under an Indigo Sky, the latest CD from the two-time Grammy winner.

It was mixed by Al Schmitt, who has won 19 Grammy Awards, including the Lifetime Achievement Award in 2006.

On the CD, the slightest string vibration, creak of the guitar’s hide glue joints, or wave of Juber’s “virtual whammy bar” technique used to coax out every drop of resonance is heard clearly and in three dimensions. The vinyl version must be breathtaking.

As impressive as the vibrant playing is, it is the more languid performances, such as Cry Me A River with its sustained chords and un-struck string glides that truly show off the mastery of the engineer and the exceptional qualities of the guitar. While both the mellow and the vigorous selections reveal the mastery and exceptional qualities of the guitarist.

Read the Full Review of Juber’s Under an Indigo Sky

Laurence Juber's Under an Indigo Sky

New Martin CS-OM-13

April Feature Review – Martin CS-OM-13

The CS Series of Martin guitars has entered its third year with the introduction of a new model for 2013. And for the first time, the master craftspeople at Martin’s Custom Shop have added an Orchestra Model to the line, the CS-OM-13.

Custom Shop OM-13
Custom Shop OM-13

Features include: Madagascar rosewood back & sides, High Altitude Swiss Spruce top, scalloped Golden Era style 5/16” top braces, exclusive mix of Adirondack and Sitka spruce bracing, quilted bubinga body and fingerboard binding, exclusive pearl-bound, scalloped red diamond fret markers, Madagascar rosewood bridge plate.

With its combination of contemporary design and historical features, the CS-OM-13 offers new dimensions in tone and aesthetics, while emulating some of the best, traditional Orchestra Models ever created.

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