November 18, 2024

Category: NAMM

Acoustic Guitars / NAMM

Taylor Guitars at Winter NAMM

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Optimistic Travel Guitars from Taylor for 2021

Two new Taylor models made in their recently-invented Grand Theater size

Taylor’s Grand Theater size sounds gigantic and yet it designed to create a more compact instrument with a 24.5” string scale and a 1-23/32” nut width, and body shape similar to their largest models, only smaller. These “travel guitars” come with a lightweight but protective Aerocase, and their asymmetrical C Class bracing, which is designed to increase bass response in guitar designs that need it.

Both instruments are larger than ukulele size guitars out there, while still satisfying those who want a petite instrument that is easily portable and and easy to play.

The GT K21e features all-koa construction, while the GT 811e features solid Indian rosewood back and sides and solid Sitka spruce top. Each model has the C Class bracing, ES2 pickup system, and an ebony fretboard and bridge, with wood from environmentally-friendly sustainable forests in Africa.

Taylor-GTK21e-frl-2020 onemanz

Taylor-GTK21e-bkl-2020 onemanz

The rosewood 811e has 800 Series appointments that include an abalone rosette, and the GT811e has burst edge finish to the koa top, a maple rosette and decorative vine fretboard art.Taylor-GT811e-frl-2020 onemanz

Taylor-GT811e-bkl-2020 onemanz

Visit Taylor Guitars

Other 2021 Acoustic Guitar News to Come…

Acoustic Guitars / NAMM

Gibson Artist Signature Models for 2021

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Gibson Artist Signature Models Anticipated after NAMM 2021

Electric Guitars Dominate Gibson’s Winter NAMM

Gibson USA  focused on electric instruments for Winter NAMM 2021, including a gold top Les Paul Slash signature model and a Pelham Blue Thunderbird bass. They confined their acoustic guitar releases to vague references to upcoming artist signature models, including a signature model for Noel Gallagher of Oaisis, based on his favorite J-150, a less-decorated version of the SJ-200, made 2019-2005. “I sent it there to be photographed, the grain and the whole thing,” Gallagher told Guitar Magazine. “It’s not even a J-200, you know. It’s a J-150 that I just took off the shelf in London, played it, and I was like, ‘Yeah, I’ll take it.’ I never thought anything of it. But I’ve written some great fucking songs on that guitar.”

There will also be two SJ-200s with various cosmetic differences: a yet to be seen posthumous Tom Petty “Wildflower” edition and a red signature model with a lotus flower pickguard and a for Australian star Orianthi, which includes a customized L.R. Baggs pickup system and a neck derived from an ES-345.

Gibson-Orianthi-SJ-200-Photo-Jim-Iouveau onemanz

“Having an electric guitar neck on the acoustic body is like just a perfect scenario.”

That’s what she said. And it is right in line with the times. From Martin’s converting their line to their High Performance Neck in 2018 and the hybrid SC-13E acoustic-electric released this time last year, the trend toward making acoustic guitars to please electric guitarists first and foremost does march onward.

There is some irony involved here, since Bob Taylor first was the first person to make a success out of putting what was essentially an electric guitar neck on an acoustic guitar, way back when, only to have Taylor Guitars evolve their neck joint and neck shapes over the years toward a more acoustic guitar-esque feel and construction. And we will take a look at the 2021 Taylor models next.

 

Visit Gibson USA

Acoustic Guitars / NAMM

Guitars of Winter NAMM 2021

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New Acoustics in Short Supply at NAMM 2021

The 2021 Winter NAMM Show was a virtual event, understandably enough, with virtually no acoustic guitars

Still, there were hundreds of events, including performances by musicians, famous and not so famous, as well as interviews and discussions. But while there were also actual products being released, few acoustic guitars were among them, compared to normal years. Even lil’ ol’ Huss & Dalton of Lynchberg, VA has recently gotten into making electric guitars!

Huss & Dalton Statesboro SC Classic Winter NAMM onemanz

C.F. Martin & Co. made a valiant effort for 2021, by offering four new acoustic guitar models across their pricing tiers, and four ukuleles. While it was reduced from what was originally planned for this NAMM show, it was considerably more of an offering than anyone else could muster, among the major players in the acoustic guitar industry.

Martin 00L Earth full One Man's Guitar onemanz

There is still some news of interest, from companies like…

Click on Links

Gibson,

Taylor,

Breedlove,

Collings,

Santa Cruz,

Bourgeois,

Eastman,

D’Angelico

Acoustic Guitars / NAMM

Martin Guitars 2021 Offerings for Winter NAMM

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Martin Offers New Models at Most Pricing Tiers for Winter NAMM 2021

UPDATED Monday 10:00 AM after a talk with Fred Greene at Martin and with guitarist Craig Thatcher providing some demo playing.

From the modest OXK Concert Uke to the Magnificent D-35 David Gilmour signature models,  there is much to admire

In a scaled-down offering for a scaled-down NAMM Show, the 2021 Martin guitars still offer plenty of excitement. And none are more thrilling for me than the long-awaited David Gilmour signature models.

Designed by Martin’s Fred Greene and David Gilmour in a close collaboration, the D-35 David Gilmour its companion D-35 David Gilmour 12 String are inspired by some iconic Martins that the guitarist has played and loved since he first skyrocketed to superstardom with Pink Floyd. These include a pre-war Martin D-18, and the two instruments he used to record the immortal classic, Wish You Were Here – a 1969 D-35 and 1971 D12-28. And I wish both where here with me right this very minute! But you can click below to read about why I feel that way, in my twin reviews.

Click on Photos to Enlarge

Martin D-35 David GilmourMartin D-35 David Gilmour onemanz clear back

Martin D-35 David Gilmour 12 String

Martin D-35 David Gilmour 12 String Guitar onemanz clear

For the forward-thinking 16 Series, Martin has released the new Grand J-16E 12 String made with all solid tonewoods including East Indian back and sides and a Sitka spruce top with scalloped bracing, It is unusual for Martin to put scalloped bracing on a twelve-string guitar, not to mention giving it a long-scale neck. And these are not typical Martin braces.  Having Martin’s largest soundboard, they are progressively scalloped, so they taper shallower as they expand toward the sides, and it has an additional tone bar below the bridge. But then this guitar is unique even for a Grand J, as it is the first one made with 000 depth to side, considerably shallower than other Grand J guitars  like the Pete Seeger baritone models and the CEO-8. Despite having less depth, which makes it more comfortable for the player, it still has a full and complex voice that reminded me of a harpsichord, and brought to mind Leo Kottke’s early albums.

Martin had great success with using the 000 depth on their Dreadnought and Grand Performance sizes in the 16 Series of acoustic electric performance instruments and the more affordable Road Series as well. So I am looking forward to giving this one a test drive as soon as possible. The Grand J-16E 12 string comes standard with Fishman’s Matrix VT Enhance NT2, fine-tuned for guitars with shallow sound chambers.

Grand J-16E 12 StringMartin Grand J-16E 12 String onemanz

Martin Grand J-16E 12 String back onemanz

As for the Road Series, two gorgeous debutantes are the D-13E Ziricote and the GPC-13E Ziricote. Both have the 000 depth and Fishman MX-T electronics that offer a volume and tone wheel inside the sound hole on the bass side, as well as an on-board tuner hidden on the treble side.

D-13E ZiricoteMartin D-13E Ziricote front onemanz

Martin D-13E Ziricote back onemanz

Ziricote is a dense hard wood from tropical America, and when used as a solid tonewood it has great thickness to the tone and pronounced bass response. But here, it is being used as a cosmetic veneer, laid down over top a core of solid khaya, also called African mahogany, which does most of the heavy lifting when it comes to enhancing the tone of the spruce soundboard. But there is also a layer of ziricote on the inside, which does add its influence. Having now heard one of these guitars, they do sound darker and fuller in the low mids than the Style 13 Martins with koa veneer, which also use a kyaya core. And they offer a very different look, as ziricote has dramatic grain patterns often resembling Rorschach drawings, and rich, dark colors that rival the wildest rosewoods. As with the SC-13E (see my article in the new issue of Martin – The Journal of American Guitars) these new ziricote Martins have the kind of hypnotic beauty that can lead a guitarist to sit for long periods of time just admiring the amazing back and sides.

GPC-13E ZiricoteMartin GPC-13E Ziricote front onemanz

Martin GPC-13E Ziricote back onemanz

The Journal of American Guitars issue for 2021 is dedicated primarily to environmental sustainability of precious natural resources like wood. And Martin has released a model dedicated to exactly that proposition. The 00L Earth is a short-scale, slope shoulder Grand Concert guitar made entirely from wood certified by the Forestry Stewardship Council, including quartersawn sapele with perfect copper banding, and Sitka spruce from a sustainable timber forest. And it contains no plastic. But it also contains a stunning piece of artwork of Mother Earth printed on the top, created by artist Robert F. Goetzl. There is also a high-end FSC Ukulele, a Concert size instrument with all FSC Certified woods, including Big Leaf mahogany for the back, sides, and top, just like the professional level ukes from the 1920s, and ebony for the fingerboard and bridge. It has a lovely and surprisingly warm tone for the size, but also has the comfortable Concert size string scale with plenty of room for the fretting hand.

00L EarthMartin 00L Earth full One Man's Guitar onemanz

Concert Uke FSC Martin concer uke fsc_front onemanz

Rounding out this winter’s Martin lineup is a new Junior Series guitar with a dreadnought shape and the fabulous Streetmaster styling from the 15 Series, and a matching T1 Uke Streetmaster, made from mahogany (sapele) with the same sort of styling. The mahogany top imparts a terrific bottom end on the DJr. that makes it sound like a much larger guitar. And it has a USB port, to go direct from the Fishman pickup to your PC recording software! The Tenor size uke has a pretty, woody tone.

DJR-10EMartin djr-10e-streetmaster front onemanz

T1 Uke StreetmasterMartin T1 uke-streetmaster_front onemanzThere is an even more-affordable ukulele in the X Series, the OXK Concert Uke with a glorious koa pattern. But being made from Martin’s High Pressure Laminate, it looks way more expensive than it is while being the ideal travel instrument, virtually impervious to weather, spills, or the heat from a campfire.

OXK Concert UkeMartin 0XK uke_front onemanz

A pretty great showing for an officially scaled-down release!

I am not allowed to comment on what didn’t come out. But I will say I must now look forward to 2022 with even greater anticipation. And I am hoping we might see something from the postponed releases in July for Summer NAMM.

Visit Martin Guitars and check out their redesigned website!

Acoustic Guitars / NAMM / Review

Review: Martin SC-13E – Innovative New Design

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Martin Wows NAMM with Ultramodern SC-13E

Ergonomic versatility in a beautiful, cutting edge acoustic-electric guitar

January 15, 2020

 

At three o’clock today, Pacific Standard Time, C. F. Martin & Co. unveiled to the public the SC-13E. With its innovative S size, deep angular Cutaway, and the attractive updated Style 13 appointments, this acoustic-Electric guitar introduces to the world the first new Martin-invented body design since 1934.

 

SC-13E specs include: New S body size with deep scoop cutaway; fine koa veneer back and sides over solid Khaya core; solid Sitka spruce top; unique asymmetrical bracing with partial scalloping; new heel-less Sure Align neck with new asymmetrical ergonomic Velocity profile; FSC Certified Richlite fingerboard with High Performance Taper; FSC Certified Richlite bridge with 2-5/32” string spacing; newly revised Road Series Style 13 appointments; faux tortoise teardrop pickguard; chrome open back tuners; Fishman XT electronics with onboard tuner.

 

Note: Specs based on final prototypes, subject to change between now and actual production models.

 

“Not your granddad’s Martin, the SC-13E is an ultramodern acoustic-electric guitar of tremendous versatility. Its ergonomic design is ideal for long term playing sessions and its innovative shape and bracing provide satisfying tonal balance, good for countless musical styles.”

 

READ THE FULL REVIEW

 

Martin SC-13E onemanz NAMM

Acoustic Guitars / NAMM

Bourgeois Guitars Joint Venture with Eastman Guitars

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Bourgeois / Eastman Collaboration Update

A Letter from Luthier Dana Bourgeois

“Dear friends,

2019 was an exciting year at Bourgeois Guitars.

The big news, of course, is our recent partnership with Eastman Music. Many are already aware of the particulars. For those who aren’t, following are a few highlights.

I am still an owner of Bourgeois Guitars. I will continue as CEO into the foreseeable future. For the foreseeable future, Bourgeois Guitars will continue making guitars in Lewiston, Maine, and continue distributing our guitars throughout the US. Eastman has already begun distributing Bourgeois guitars internationally, and will eventually handle most overseas sales.

We are pleased that most folks in the acoustic guitar community are already familiar with the details and ramifications of our recent news. We are also aware that misconceptions still exist. The most common misconception is a rumor that association with Eastman will cause American jobs to be exported to China. This couldn’t be further from the truth.

On the contrary, over the next two years we plan to steadily increase our local workforce. Though Eastman’s distribution efforts have just gotten started, overseas sales have quickly risen to the highest level we’ve seen in years. As a result, we are already hiring—not to keep abreast of workforce turnover, but to keep abreast of current and anticipated demand.

In addition, our two-year development plan calls for acquisition of new light and heavy equipment, all to be purchased exclusively from American suppliers. Plans are also underway to expand our Lewiston facility. I can assure you that such developments unambiguously benefit both the local and US economies. I can also assure you that this level of growth would not be possible without Eastman’s collaboration.

The second most common misconception we’ve heard is that the Bourgeois brand will somehow be cheapened or diluted by association with a maker of less expensive instruments. While it is true that brand degradation would likely occur if we tried to fool customers into thinking that guitars manufactured by Eastman were somehow made by Bourgeois, I can aggressively assure you that we won’t. Allow me to explain how we plan to proceed.

The average Bourgeois guitar retails for about $6,000. The cheapest retails for a little under $4,000. While we have always aspired to build quality guitars at lower price points, the economics of micro-scale US manufacturing dictate that we would lose our shirts if we tried.

As previously announced, Bourgeois and Eastman will address this conundrum by collaborating on a new series of guitars that will be partly produced by each company. Bourgeois will be responsible for design, materials selection, production of voiced tops, final setup and quality control; Eastman will assemble and finish guitars to our specifications. Not only will this collaboration further increase job creation in Lewiston, it will also allow us to crack the $4,000 price barrier, and by a significant margin. US introduction, by the way, is scheduled for the latter part of 2020.

While co-produced guitars will carry a Bourgeois headstock logo, they will also be distinguished by an unambiguous Series designation. Most significantly, the label inside each co-produced guitar will clearly credit Eastman’s role in it’s manufacture.

The slogan, “Made in Lewiston, Maine”, heretofore proudly displayed on all Bourgeois labels, will in the future be reserved only for guitars made entirely in Lewiston, Maine. Guitars made entirely in Lewiston will continue to be built by the same process, to the same designs, and by the same highly skilled craftsman who made them prior to our association with Eastman. The only difference is that we now have access to better equipment, facility and materials, and are already able to provide employees with better benefits. We sincerely believe that under such conditions, the quality of a guitar made in Lewiston should only continue to rise.

Finally, we’ve heard variations on an unfounded rumor that Bourgeois guitars will soon be carried by every US Eastman dealer. Again, not so. While Eastman’s dealership network will undoubtedly help introduce Bourgeois guitars to previously untapped foreign markets, only a few qualified Eastman dealers will be allowed to represent Bourgeois Guitars in the US. Moreover, new dealers will only be opened in markets that do not already support existing Bourgeois dealerships. In short, the Market should expect, as we do, that expansion of our dealership network will continue to be gradual and organic.

Each day I wake up feeling that my best guitars haven’t yet been built. Partnership with Eastman only reinforces that belief. I judge the quality of a guitar primarily by the music it makes in the hands of its player, and by the joy it brings to player and listener like. While alliance with Eastman may put Bourgeois guitars in the hands of more players, the rest is still up to me and my Lewiston, Maine, team. We continue to take that responsibility as seriously as ever.

Please help spread these messages to anyone who has not heard them. Thank you in advance for your continued support.”

Sincerely,

Dana Bourgeois

CEO, Bourgeois Guitars

Dana Bourgeois Voicing Top Eastman onemanz

Acoustic Guitars / NAMM

Winter NAMM Martins Revealed

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New Martins for a New Decade

Limited Edition D-18E 2020 and the latest, greatest Aura Blend electronics highlight Martin’s Winter NAMM 2020 Offerings

Winter Martins

A year ago Martin debuted their Modern Deluxe Series with four new models that employ cutting-edge technologies to create light-weight acoustic guitars that feel and play a lot like vintage Martins, with unique and impressive tone all their own. Today they unveiled the acoustic-electric versions of those same models, the D-28E Modern Deluxe, D-18E Modern Deluxe, OM-28E Modern Deluxe, and 000-28E Modern Deluxe.

 

I’ve had to keep my trap shut for half a year about the new Hi-Def generation of Fishman’s Aura electronics, ever since the power that is C. F. Martin IV decided to not to release the acoustic-electric versions of the Martin’s Modern Deluxe Series until Winter NAMM 2020.

 

But now they are out of the bag and I can tell you this is one of the most exciting upgrades in a long while when it comes to live acoustic tone via a plugged-in guitar.

 

At the heart of the new Aura VT Blend system is the amazing and highly-complex algorithm that is the adjusts in real time to whatever  and however a guitarist is playing the instrument, and the proprietary tone-sculpting effects that work together to make the plugged-in tone sound much more like the actual acoustic instrument as heard through a world-class microphone.

 

Their are two parts to why this new version of the Aura technology is an improvement over the one that is currently in use on other Martin models. First, there is the greater detail and definition to the overall amplified voice. But perhaps best of all, the new Aura Blend system includes the ability to control how much of the Aura filters are applied to the direct signal from the Fishman undersaddle pickup. So, in addition to the VT volume and general tone control, the player blends in the amount of the onboard Aura microphone image they like best, depending upon the sound system, room, or purpose.

 

It has been a while, so I went looking for my notes from last year and can’t find them. So, I returned to the source, and asked Tim Teel, Instrument Design Manager at C. F. Martin & Co., what is his current take on the new Modern Deluxe models with the latest, greatest Fishman Aura VT Blend system.

 

“I thought it was very important to marry this new incredible sounding Aura VT Blend system to what I consider is our best sounding series; Modern Deluxe.

 

The new Aura VT Blend starting in 2020 on the Modern Deluxe series is the next evolution regrading pro-level sound reinforcement for the acoustic guitar. Full blend control between under-saddle piezo pickup and Aura microphone image has been given back to the player!

 

In a live setting, 40-60% Aura Image is more than enough, and when plugged directly into a computer for recording, up to 100% of Aura image can be utilized. Also, new for this release is Aura HD Imaging, giving stunning realism to the sound of the guitar when played through an amplifier or direct recording. A volume and multi-effect EQ scoop round out the user controls located conveniently in the sound hole of the guitar.

 

 I encourage folks to give it a test play at their local dealer.

 

And I shall be testing them out in the now public version next Thursday, on the very day they are released at Winter NAMM.

 

Here is a quick overview of many of the new Martins debuting next week.

 

​​C. F. Martin & Co.® (Martin®) will introduce a suite of upgraded X Series guitars, a new 12-fret nylon string guitar, a new acoustic bass guitar, new 16 Series models, new Modern Deluxe Series models with electronics, a limited edition D-18E 2020, and the fourth in a series of exquisite Purple Martin models at Winter NAMM in Anaheim, California, January 16-19, 2020.

 

​​​​LIMITED EDITIONS

​​D-18E 2020

Winter Martins D-18E Modern DeluxeThe D-18E 2020 is a limited edition version of the historic 14-fret D-18, which officially joined Martin’s lineup in 1934. Like its namesake, the D-18E 2020 is constructed with a Sitka spruce top and genuine mahogany back and sides plus all of the Standard Series elements that, combined, offer supreme playability and legendary Martin tone. What sets it apart is the use of exquisite East Indian rosewood for the headplate, fingerboard, binding, bridge, and heelcap. The D-18E 2020 comes stage-ready with LR Baggs Anthem electronics. The guitar is strung with Martin Authentic Acoustic Lifespan® 2.0 strings, and it is limited to 2,020 instruments.

​​List price $3,649

​​

D-42 Purple Martin Flamed Myrtle

Winter Martins NAMM Purple Martin​​The D-42 Purple Martin Flamed Myrtle is the fourth instrument in the Purple Martin Series. The “Purple Martin” theme is inspired by a native bird of Pennsylvania, where Martin Guitar’s headquarters and factory are located. Limited to 100 instruments, this head-turning model includes 42-style pearl inlay throughout and highly decorative inlay on the fingerboard and pickguard of the purple martin bird and mountain laurel flowers, the state flower of Pennsylvania. It is a full-gloss guitar with a heavy bearclaw Engelmann spruce top with a deep purple burst and stunning flamed myrtle back and sides. Each model includes a label signed by C. F. Martin & Company Chairman and CEO Chris Martin. The D-42 Purple Martin is strung with Martin Authentic Acoustic Lifespan® 2.0 strings.

​​List price $14,999

 

​​MODERN DELUXE WITH ELECTRONICS

Winter NAMM Martins Modern Deluxe Aura D-28 D-18 000-28 OM-28

​​The award-winning Modern Deluxe Series was introduced at Winter NAMM 2019, and Martin has received universal praise for marrying vintage appointments, like a VTS top, and modern upgrades, like a titanium truss rod. This year, Martin has added all-new Fishman® Aura® VT Blend electronics to offer players more control over the voice of the guitar than ever before. It utilizes Aura HD Imaging to provide stunning realism and delivers a new level of performance for direct recording in live situations. The stage-ready Modern Deluxe Series with electronics is offered in four models—the D-28E, 000-28E, OM-28E, and D-18E—and all are strung with Martin Authentic Acoustic Lifespan® 2.0 strings.

 

​​List prices range from $4,999 – $5,799

 

​​16 SERIES

​​Winter NAMM Martins 16 Series

D-16E Mahogany

​​The Martin D-16E Dreadnought is crafted with satin-finished mahogany back and sides for a big sound, punchy midrange, and bright treble response. It include a Sitka spruce gloss top for balanced tone and projection and a 000 body depth and high-performance neck taper for comfort and ease of playability. It comes equipped with Fishman® Matrix VT Enhance™ electronics and Martin Authentic Acoustic Lifespan® 2.0 strings.

​​

List price $2,049

​​

GPC-16E

 

​​The Martin GPC-16E Grand Performance Cutaway is crafted with satin-finished mahogany back and sides for a big sound, punchy midrange, and bright treble response. It includes a Sitka spruce gloss top for balanced tone and projection and a 000 body depth and high-performance neck taper for comfort and ease of playability. It comes equipped with Fishman® Matrix VT Enhance™ electronics and Martin Authentic Acoustic Lifespan® 2.0 strings.

​​

List price $2,049

​​000C12-16E NYLON

​​

The Martin 000C12-16E Nylon 12-fret guitar is ideal for any classical guitarist looking to take their playing to the next level. This Auditorium-style, six-string guitar features a Sitka spruce gloss top and satin-finished mahogany back and sides for bright treble response and plenty of volume. It comes equipped with Fishman® Matrix VT Enhance™ electronics and is strung with Martin Magnifico® premium classical strings.

​​

List price $2,499

BC-16E

​​

The Martin BC-16E is the ideal tool for the modern bassist’s acoustic or electric needs. The BC-16E includes a solid Sitka spruce top, East Indian rosewood back and sides, and forward-shifted scalloped bracing to deliver deep, thumping Martin tone, whether you’re unplugged or using the built-in Fishman® electronics. It also includes a fast, comfortable neck so you can keep the rhythm section tight. The BC-16E is strung with Martin Authentic Acoustic SP® Bass strings.

​​

List price $2,399

​​ ​​

X SERIES

Winter NAMM Martins X Series

​​

​​Two decades ago, Martin broke into the world of alternative, sustainable materials and created a whole new class of high-quality guitars called the X Series. Today, with new HPL patterns, scalloped bracing, and a solid wood neck, fingerboard, and bridge, the new X Series guitars look and sound better than ever. Plus, every X Series guitar now comes with a padded, water-resistant gig bag. The new and improved Martin X Series guitars are built to go anywhere, offering beginners and active musicians a carefree playing experience.

 

Learn more about the MANY new X Series instruments via the links below.

​​

X2 Series 

​​

Made with Solid Wood Tops with High Pressure Laminate Backs and Sides

 

​​List prices from $799 – $899.

​​X1 Series

 

Made with High Pressure Laminate Top, Back, and Sides.

 

 

Acoustic Guitars / NAMM

Summer NAMM Martins 2019

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Nashville Gets a Guitar Shop’s Worth of Summer NAMM Martins

A New 16 Series Makeover, American Chopper Limited Edition Among the Summer Crop

Martin Guitar 16 Series strip Summer NAMM

Sweet Sixteen

Following the successful redesign of Martin’s Standard Series instruments, the more-affordable 16 Series has received seven new acoustic-electric models with similar updated specifications and Fishman Matrix VT Enhance electronics, a duel-source system with discrete volume and tone controls inside the sound hole to adjust the signal from the undersaddle pickup, and a third discrete control to blend in the signal from Fishman’s Enhance bridge plate sensor.

The new core models are the long-scale D-16E, GPC-16E, (both with 000 side depth) and the short-scale 000-16E, and 00-16E. Each has a solid Sitka spruce top with a high gloss finish, fronting a satin finished back and sides of either solid East Indian Rosewood, in the case of the large bodies, or solid Granadillo in the case of the 000 and 00.

While these new models retain the bold herringbone sound hole rosette and top trim of the previous 16RGT models, they differ in several significant ways, including having the scalloped bracing on the dreadnought and grand performance models forward-shifted, as well as having no binding on the necks. The Dreadnought is also made with the side depth of a 000.

These new 16s have been further modernized with the addition of the High Performance neck, which matches a Modified Low Oval profile with the High Performance Taper to the fingerboard that measures 1-3/4” at the nut and 2-1/8” at the 12th fret. They also have solid ebony fingerboards and bridges, a welcome replacement for the non-wood Richlite material that has been used on previous 16 Series instruments.

The fretboard position markers retain the mother-of-pearl dot pattern of the Standard D-28, while the plain white binding from the 16RGT models has been replaced by the Antique White binding used in the today’s Standard Series, with a tint similar to the binding on vintage Martins from the 1950s and ‘60s.

Also for Summer NAMM are the D-16E Burst and OMC-16E Burst, made with ovangkol used for the back, sides, and top. And that top also gets the Mahogany Burst shading similar to the Style 15 Streetmaster models, but with attractive faux tortoise binding that gives these new ovangkol Martins a distinctive look.

All the new 16s join the long-lived mahogany 16s, and the surviving members of the “Americana Series” 16s released over the past two years with similar construction specifications, but made with silver binding, orange and black purfling, and American tonewoods that include an OMC made with cherry back and sides, and a dreadnought made with sycamore back and sides and the same body depth of the OM.

List Prices Between $2,199 and 2,399

Martin Guitar Limited Editions Summer NAMM

The seventh 16 is the special edition D-16E Brexit model, a 14-fret dreadnought “art guitar” made with satin-finished sycamore back and sides, silvery binding, diamond fret markers, and a Sitka spruce gloss top printed with custom Brexit-themed artwork by Robert F. Goetzl, and likewise fitted with Fishman Matrix VT Enhance electronics.

List Price: $2,799

One-Hundred Twenty-Five Black Walnuts to Go

Another limited edition, 125 000E Black Walnut Ambertone acoustic-electric guitars will be made. The short-scale version of the High Performance neck, scalloped 5/16” top braces under the solid Sitka spruce top, and Black Walnut back and sides should all add up to a guitar with easy playability and voice of defined top notes, colorful undertone and ample overtones. The Fishman Matrix VT Enhance has discrete controls inside the sound hole.

List Price: $2,399

Seven of a Kind

A Guatemalan rosewood/Engelmann Spruce limited edition that will have a rich, complex tone to be sure, even under all that hardware, the American Chopper Custom came to be thanks to the American Chopper TV show, which collaborated with Martin to design this special guitar, connected to a two-episode program where Paul Jr. Designs created an unusual three-wheeler. It has motorcycle-themed inlays of copper and wood, and even actual aluminum rivets. Quite a collaboration indeed, between master designers and the master craftspeople capable of pulling it off.

Is there any wonder they are making only seven instruments for this very limited edition?

List Price: $39,999

An Angler’s Angle

A limited edition of 100 guitars, the 00L Fly Fishing model has glossy goncolo alves for the back and sides, an attractive wood from South America that often resembles Hawaiian koa. It was also a tonewood used at C. F. Martin & Co. as early as the 1840s.

The top is Sitka spruce, with a special sunburst finish decorated with custom imagery by artist William Mathews. The fly fishing theme continues in the pearl inlays gracing the ebony fingerboard and headstock face plate.

I expect this 00L sound to fall somewhere between the CEO-7, which introduced the 14-fret slope-shoulder 00 body size, and the 00L-17 models. But it certainly looks unique.

Dealers may order this with on-board electronics.

List Price: $4,399

Martin Guitar L and Jr strip1 Summer NAMM

Two New Juniors

The popular Junior Series has added the 000Jr-10 and 000CJr-10E. These are smaller than normal 000s, with an even shorter neck scale (24”) but with the same sort of feminine shape to the body that many people find more comfortable than the wider, square-ish dreadnought shape. Sapele and Sitka in both cases. But the 000CJr-10E has a cutaway and Fishman electronics.

List Prices: $699 and $799

A Couple of Little Martins, Last But Not Least

The first Little Martins to get pickguards, they also get a new herringbone rosette etched into the solid Sitka spruce soundboard. The High Pressure Laminate back and sides are printed to look like rosewood and E model has a plug and play Fishman pickup.

List Prices: $499 and $599

Many More Summer NAMM Martin Photos Coming SOON!

Martin 000E Black Walnut Ambertone Summer NAMM glam cut

Acoustic Guitars / NAMM / Review

Martin DSS-17 Review

one manby one man0

DSS-17 Whiskey Sunset / Black Smoke

First long-scale large body Martin in the affordable 17 Series impresses mightily

Specs include: Slope-Shoulder Dreadnought size; all-sold wood construction; mahogany back and sides; Sitka spruce top with scalloped-braces; mahogany neck with Modified Low Oval Profile, Simple Dovetail neck joint; rosewood fretboard with High Performance taper, 1-3/4″ at the bone nut, 2-18″ at 12th fret; straight rosewood bridge with compensated bone saddle and 2-5/32″ string spacing; Antique White binding; ebony headstock faceplate with Authentic 1933 script logo; satin finish throughout; open-back Golden Age relic tuners with cream buttons.

Available in Whiskey Sunset burst finish with tortoise pickguard or Black Smoke motif with Antique White pickguard.

“Light in the hand yet large in the ears, the DSS-17 Whiskey Sunset I played at the Martin factory was very impressive indeed, with distinctly defined fundamental notes that have an expansive depth behind them, reflecting the dry, woody mahogany tone, and amplifying the well-rounded bass notes that are weighty enough to reach down into the generous body cavity and inject some richness beneath the entire voice.”

Full Review with Video Here

Martin DSS-17 Whiskey Sunset review with video pic