Schoenberg Quartet – Our Exclusive Review

The Schoenberg Quartet Stephen Bruton model combines the expanded tonal range of a large guitar with the response and dynamics of a small guitar, thanks to its 12-fret 0000 design.

“A mightily successful combination of traditional and contemporary design and construction, the Schoenberg Quartet wide-top, 12-fret cutaway guitar is light of weight but large in voice. With impressive projection and effortless volume, it has the woody, full-bodied lows of a cello, trebles that sustain like of a well-played violin and some of the most richly complex chords this side of a baby grand piano.”

Guitarist Eric Schoenberg designed the guitar based on the concept originally suggested by his friend, the late Austin session man and touring sideman, Stephen Bruton. The guitar is named the Stephen Bruton model in his honor. It is available exclusively through Schoenberg’s shop in Tiburon, California, north of San Francisco.

California luthier Randall Kramer was engaged to built the entire line of Quartets. This particular example is made with Brazilian rosewood back and sides and an Adirondack spruce top. It also includes several custom-ordered features. It is the result of pre-war guitar traditions, cutting edge luthiery technology, and the scientific method of Chladni plate resonant frequency tuning, which inspired Benjamin Franklin to invent the harmonium, and was used by nineteenth-century violin makers.

The Schoenberg Standard and Schoenberg Soloist now have a big brother for those seeking a bigger, fuller voice with all the comfort of a classic fingerstyle lap-piano.

“This guitar is so finely tuned in terms of dynamics and response that it is basically effortless to play, in any tuning. There is a gorgeous complexity to the harmonics, but an unperturbed clarity to the fundamentals, and an organic sensibility to the sustain and decay of each, which makes it a delight to play.”

Read the Full Review of the Schoenberg Quartet

The Schoenberg Quartet

Bone Saddles n Gloss Tops – from the Mail Bag

A Bone Saddle and a Gloss Top add a lot to the Martin D1GT.

Gary K. writes:

I recently bought a D-1GT and I really love it. Currently upgrading to bone from the factory plastic hardware. I have a question regarding Martin naming convention. I know that the “D” stands for dreadnought and “OM” orchestral model. What do the last part of the model name (the “GT”) stand for?

Spoon replies:

Hi Gary, thanks for your question and congratulations on the guitar.

“GT”

The GT stands for Gloss Top. The D-1 and some other models came with a satin finish on the top. The GT version includes the upgrade of a high-gloss finish on the top, which is resistant to dings and pick wear, and gives the guitar a look similar to more expensive models. Your D-1GT is among the best values Martin has ever offered.

Upgrading from plastic hardware

A bone saddle can provide greater definition, sustain and purer fundamental notes off the strings of an acoustic guitar, well worth the effort and expense.

When one upgrades to a new bone saddle they may find that things sound a bit shrill. But that only lasts a short while. After the guitar is played for several days that will burn off, leaving a clear, transparent ring.

The nut material at the top of the fingerboard matters as well, but not nearly as much as the saddle.

Other material used for saddles and nuts include tusks or jaw bones from various animals, as well as fossilized ivory – which is actually only partially mineralized.

Fossilized walrus ivory and fossilized mammoth ivory are most common. Of the two, I prefer the mammoth. Both add some warmth and roundness to the tone of a guitar, which can be a welcome addition to a guitar with a brand new Adirondack spruce top, since Adirondack is usually pretty tight and brittle sounding for the first year or two. But in exchange, the guitar will lose some high end sparkle. So it can be a tradeoff. FMI seems to take away less of that Adi chime than the Walrus variety.

Overall, I find plain old bone, usually from a cow shin, is virtually identical in tone to the elephant ivory commonly used on guitars in the eighteenth and early nineteenth century.

Many also change to bridge pins made of bone, or other natural materials. While bridge pins are not nearly as important as the saddle in terms of sound production and tone, they do make a difference. But Martins have shipped with pins made of one sort of plastic or another since the 1920s and many people are happy with their guitars, without the need to switch out the pins.

– TSP

bone saddle
Bone Saddle

We’d like to know YOUR opinion on bone saddles!

Please leave us a comment below

If you have your own question to ask Spoon, please drop us a line at

guitar@onemanz.com

Taylor Guitar Road Shows May-June in Europe and the US

Taylor Guitar Road Shows May-June

A complete schedule has been posted of the Taylor Guitar Road Shows May-June, where you can play the latest guitars, meet Taylor reps and learn about their Expression pickup systems. There are many dates in Europe, as well as the U.S.

Schedule of Taylor Guitar Road Shows May-June

On June 18th they will be at

Taylor Guitar Road Shows May-June

 

 

 

in Flemington, New Jersey

Juber’s Juber – the Martin OMC-44K LJ

Our latest guitar review, the Martin OMC-44K LJ

No ordinary guitar…this OMC-44K LJ has an Orchestra Model body size, with a Cutaway and it is made in a modern version of Martin’s Style 44, with back and sides of Hawaiian Koa wood, known for its unique combination of clear trebles, warm harmonics, but with a more open mid-range compared to other rich tonewoods like rosewood. Just the way Laurence Juber likes it.

Read the Full Review of the OMC-44K LJ

OMC-44K LJ
(photos: Wildwood Guitars)

Photos of theTD-M Sinker Mahogany model released

Photos of the TD-M Sinker Mahogany

To whet your appetite for our exclusive review (publishing Friday, May 10), here are some photos of the TD-M for your enjoyment and envy.

One Man’s Guitar photo galleries

Huss & Dalton TD-M Sinker Mahogany

Huss & Dalton TD-M Sinker Mahogany – our next review!

A Huss & Dalton TD-M Sinker Mahogany model will be the subject of a video and hi-def audio recording later today. We look very forward to visit from the owner, and to playing this guitar again.

It has been chosen as our next review, which we hope to have up early next week.

For those unfamiliar with sinker wood, it refers to timbers that were salvaged from bodies of water, where it has lain for years. In this case the mahogany came from Belize, where whole logs of old growth Big Leaf mahogany was submerged in a river for perhaps a century or more. Kiln dried in Belize, it has made its way to various luthiers, in this case it was made into a Huss & Dalton TD-M. Yum.

READ THE FULL REVIEW!

Related Content:

 http://www.hussanddalton.com/woods.html

Featured Review – Lowden O50C African Blackwood

We present our latest featured review, of an exquisite Lowden O50C, our first taste of African Blackwood.

“From the beautiful, master grade woods, the obvious expert craftsmanship, the sensual display of light and line, of arch and symmetry, of plane and undulation that make up the understated, woody aesthetic, everything suggests the best of the very best. And it has a voice every bit as good as its looks.”

Read Full Review (with video)

New Martin CS-OM-13

April Feature Review – Martin CS-OM-13

The CS Series of Martin guitars has entered its third year with the introduction of a new model for 2013. And for the first time, the master craftspeople at Martin’s Custom Shop have added an Orchestra Model to the line, the CS-OM-13.

Custom Shop OM-13
Custom Shop OM-13

Features include: Madagascar rosewood back & sides, High Altitude Swiss Spruce top, scalloped Golden Era style 5/16” top braces, exclusive mix of Adirondack and Sitka spruce bracing, quilted bubinga body and fingerboard binding, exclusive pearl-bound, scalloped red diamond fret markers, Madagascar rosewood bridge plate.

With its combination of contemporary design and historical features, the CS-OM-13 offers new dimensions in tone and aesthetics, while emulating some of the best, traditional Orchestra Models ever created.

Read Full Review

APB – anyone seen the new Santa Cruz body size, the Grand OM?

In December 2012, Santa Cruz Guitar Company announced their new body size, the Grand OM, which is currently featuring Indian rosewood and Sitka spruce. They should be showing up at dealers any day now, if they haven’t already.

Please drop us a line if you see one in the NYC area!

guitar@onemanz.com

 

 

Taylor Guitars Roadshow Northeast Events April 4 – 11

Taylor Guitar’s Roadshow visits the Northeast this week and next.

April 4 – Torrington, CT; Pittsburgh PA

April 8 – NYC

April 9 – North Bellmore, NY

April 10 – Hamden, CT

Aprill 11 – Kingston, MA

Follow this link for details!

http://www.taylorguitars.com/events/road-show

We hope to be there on April 8, at Rudy Pensa’s downtown shop, 461 Broome St, btwn Mercer and Greene. 7 PM