Lloyd Loar Gibsons, Pre-War Martins

Million Dollar Babies
Lloyd Loar Gibsons to Bring a Tear to Your Eye

and Put a Song in Your Heart

About this same time each year a good friend of One Man’s Guitar visits this part of the country to see old pals and meet some new ones, while enjoying good food, good talk, and good music. Social calls are made, cases appear from behind doors, and coveted old instruments are cradled like newly arrived infants, inspiring the same sort of onlooker responses of delight and preciousness.

Gibson L5sFew vintage instruments inspire such devotion, and price tags, like Lloyd Loar Gibsons, the exquisite vintage guitars and mandolins made at the Gibson Musical Instrument Company during the tenure of Lloyd Loar. And on this particular day you couldn’t swing a dreadnought without hitting a priceless Loar – shutter the thought.

Mr. Loar began working at Gibson in 1919 and left in 1924, apparently after disagreements with new management. Among Loars many innovations, he is credited with developing the F-hole archtop design, similar to a violin or cello, and for the floating fingerboard, which, like violins, extends over the soundboard without touching it, and is now a standard feature of the modern archtop guitars used for Jazz music. But when they debuted, archtop guitars like the L5 were used for all sorts of music, and at times that holds today. For example, Maybelle Carter played her Old Time tunes on an L5 made in 1928, and fingerstyle acrobat Howard Emerson plays sliding bottleneck blues on his 1930 TGL-5, which had been converted from a tenor guitar to a 6-string 1935 (see comments below.)

We played an L5 from January 1925, which would have been built during 1924. It had maple for the back and sides, instead of a birch back used on earlier examples. And alongside it was played a 1930 L5, with large block inlays on the headstock. Dry and punchy, each guitar had a clear voice with surprising volume.

But it is the mandolins for which Loar is most remembered, like the one played by Bill Monroe, the father of Bluegrass music. Monroe’s was graced with a flower pot inlay on the headstock. But the ones with the fern are much rarer, and will command prices in excess of $200,000. Although Loar is credited with making one A-Style mandolin, with a symmetrical teardrop body, it is the fancier carving on the F-Style mandolins that are admired for the craftsmanship they exhibit, even if both styles can provide the classic ting and ring Bluegrass musicians revel in.

There were two Loar F5 mandolins present, a fern signed by Loar on March 24, 1924, and one without the fern signed on April 12, 1923. Also present was a stunning K-5 Mandocello, one of only six known to exist. This one was signed by Loar on October 13, 1924.  With serial number 76980, this instrument is not listed in the mandolin archives.

1935 Gibson L5 Lloyd Loar Gibsons1925 L5 Guitar

F5 Lloyd Loar Gibson mandolin1923 F5 Fern Mandolin

(click photos to enlarge)

Mandocello Lloyd Loar Gibsons1923 K5 Mandocello

Golden Age Oldies

In addition to the Gibsons, there were two Martin C-3 archtops from 1934, two serial numbers apart from one another. And with Brazilian rosewood backs that undoubtedly came from the same log. Interestingly enough, the grain pattern on the backs are upside down from each other. While it was an archtop kind of day, flattops were well represented by the 1937 D-18, belonging to a guest, which is one of the supreme examples from what is considered the supreme year for pre-war D-18s.

1934 Martin C-3 x21934 Martin C-3 Backs

1934 Martin C-3Martins Most Expensive Model of 1934

(click photos to enlarge)

Old Gibson and Martin archtopsRoom Full of History

And that is one man’s word on…

Lloyd Loar Gibsons, Pre-War Martins: Million Dollar Babies

Gibson L5 1925

Pete Seeger 1919 – 2014 R.I.P.

Pete Seeger died last night, while I and several friends played songs together all night, in a hotel conference room and lounge, not knowing the lion of American folksingers had gone silent.

But then again, he may have passed on, but his music will reverberate down the ages, in step with the muse that was waiting for ol’ Pete the day he was born

Today, I played the Pete Seeger signature model, based on the guitar he is playing in this video. His old guitar was made by a luthier in England in the 1960s. The new one is made by C.F. Martin and Company. A baritone 12-string with sonorous trebles and lows that wallow deep as the Big Muddy.

Loar Mandolin 1924

Yesterday, I picked me up a Gibson Lloyd Loar mandolin made in 1924

And then I put it back down again before its owner got too nervous.

loar

The legendary Lloyd Loar was a master luthier whose mandolins and guitars made for the Gibson musical instrument in the early 1920s are among the most highly coveted ever created. And this one sure had that ring thing goin’ on!

More photos of this and other Loars played that day will follow shortly.

But after a day of playing vintage Gibsons and Martins, today will be spent back at the Martin factory, with another look at the newest Martins just out for NAMM.

Martin Guitar Prototypes – Video NAMM Models

New Martin Guitar Prototypes Revealed In Exclusive Video

In Depth Reviews To Follow

2014 Martin Guitars Winter NAMM Sampler Martin guitar prototypes

At the same moment the doors opened at the NAMM trade show out in sunny Southern California, we were in frozen Nazareth, Pennsylvania having lunch with Tim Teel, Head of Instrument Design at C.F. Martin, discussing the 2014 Martin guitars. Dessert consisted of a sampling of seven Martin prototypes, recorded in 1080p hi-def video, which was later synched to hi-def audio recorded in stereo with one large diaphragm microphone and one small diaphragm microphone.

Vote Now for Which 2014 Martin Guitars You Want Reviewed First!

 

Taylor Guitars at NAMM 2014 – 40 Year Anniversary

Taylor Guitars celebrates their 40th Anniversary in business with a series of special performances, and a whole new bunch of Taylor guitars at NAMM 2014, January 23 -26, in Anaheim, California.

After 40 years making guitars, Taylor has risen to become one of the most popular brands of acoustic guitars in the country. Their fast, sleek necks and on-board electronics are favored by many electric guitarists when the time comes for playing an acoustic guitar on stage. They are also seen in the hands of acoustic-oriented artists like Jewel, Taylor Swift, and Leo Kottke.

For those not able to attend the show, which is not open to the public, Taylor will be streaming live from their showcase area.

The schedule of performances is currently as follows

3:00 p.m.
Alana Springsteen
www.alanaspringsteen.com

4:00 p.m.
Vicci Martinez
http://www.facebook.com/OfficialVicciMartinez

5:00 p.m.
Johnny Swim
www.johnnyswim.com

Friday, January 24

3:00 p.m.
Andy Powers and Jack Tempchin
www.tempchin.com

4:00 p.m.
Tori Kelly
www.torikellymusic.com

5:00 p.m.
Good Old War
www.goodoldwar.com

Saturday, January 25

3:00 p.m.
Ben Rector
www.benrectormusic.com

4:00 p.m.
Cody Lovaas
www.codylovaas.com

5:00 p.m.
Jason Mraz with Raining Jane
www.jasonmraz.com

Read More about Taylor Guitars at NAMM  HERE





 

New Martins for NAMM 2014!!!

New Martins for NAMM SS-000S-14

A few days before show opens, the new Martins for NAMM 2014 have been announced.

The new models include entrants in the Custom Shop Series, the Authentic Series, the Retro Series, the Performing Artist Series, and Martin’s NAMM Show Special. The SS-000S-14 (above) is a 12-fret 000 in stunning high-figured Claro walnut, with ornate aluminum inlay.

We shall be providing detailed reviews, with video, of most of these new Martins, as soon as we can get a hold of them.

For the time being, you can see the new Martins for NAMM 2014 at the Martin Website

Eric Clapton Navy Blues Guitar by C.F. Martin – Preview

Martin Guitars is releasing another in the long line of popular acoustic guitars created in association with legendary guitarist Eric Clapton.

Eric Clapton Martin OM-ECHF Navy Blues

Photo: 6StringMusic

The new OM-ECHF Navy Blues is the third such guitar that was created in collaboration with Hiroshi Fujiwara, the musician and designer credited with founding the Harajuku movement in popular fashion and integrating Hip Hop musical forms into Japanese music.

It will make its public debut at the NAMM show in Anaheim, California, January 23- 26, 2014.

The new blue guitar is a long-scale OM, unlike all previous Clapton models, which were short-scale 000s. The traditional 000 and Orchestra Model have the same body size but 000s typically come with 5/16” bracing, while the Navy Blues model has the thinner 1/4″ bracing used on most OMs.

Fujiwara provided the initial design for a custom black Martin model made for his friend Clapton, and it was later released to the public as the “Bellezza Nera” (Black Beauty.) This was followed up by the “Bellezza Bianca” (White Beauty). The white version was made out of maple with an Engelmann spruce top. The Navy Blues features Indian rosewood for the back and sides and a top designated as European spruce, more like the Nera. That Martin was specified as Italian Alpine, while the recent Madagascar rosewood Clapton models sported Carpathian spruce. I hope to nail down the exact source of the new model’s soundboard by the time we review the model next week. My guess: Swiss Alpine spruce.

 Eric Clapton Martin OM-ECHF Navy Blues front

 OM-ECHF Navy Blues headstock

 OM-ECHF Navy Blues back

 Photos: C.F. Martin & Co

The list price on this model is $6,999. According to the official Martin press release:

“Each OM-ECHF Navy Blues guitar bears an interior label, individually numbered and personally signed by Eric Clapton, Hiroshi Fujiwara, Dick Boak and C. F. Martin IV. Quantities will be limited to 181 guitars.”

 Spec Sheet:

Model: OM-ECHF Navy Blues
Construction: Mahogany Blocks/Dovetail Neck Joint
Body Size: 000-14 Fret
Top: European Spruce
Rosette: Two Ring – Small MOP Squares Set in Black Corian
Top Bracing Pattern: Standard ”X” Scalloped
Top Braces: Solid Sitka Spruce 1/4”
Back Material: Solid East Indian Rosewood
Back Purfling: Fine Herringbone w/ Style 18 Black Fiber Strips
Side Material: Solid East Indian Rosewood
Endpiece: Grained Ivoroid
Endpiece Inlay: Black/White/Black Boltaron
Binding: Grained Ivoroid
Top Inlay Style: Fine Herringbone
Side Inlay: Black/White/Black Boltaron
Back Inlay: Black/White/Black Boltaron
Neck Material: Solid Genuine Mahogany
Neck Shape: Modified V
Nut Material: Bone
Headstock: Solid/Diamond/Square Taper
Headplate: Solid Black Ebony
Heelcap: Grained Ivoroid w/ Black/White/Black Inlay
Fingerboard Material: Solid Black Ebony
Scale Length: 25.4”
Number of Frets Clear: 14
Number of Frets Total: 20
Fingerboard Width at Nut: 1-3/4”
Fingerboard Width at 12th Fret: 2-1/4”
Fingerboard Position Inlays: Style 45 Snowflake – Select Abalone
Fingerboard Binding: Grained Ivoroid
Finish Back & Sides: Polished Gloss – Dark Navy Blue
Finish Top: Polished Gloss – Dark Navy Blue
Finish Neck: Polished Gloss – Dark Navy Blue
Bridge Material: Solid Black Ebony
Bridge Style: Belly
Bridge String Spacing: 2-1/4”
Saddle: 16” Radius/Compensated/Bone
Tuning Machines: Chrome Enclosed w/ Small Buttons
Bridge & End Pins: Black w/ Abalone Pearl Dots
Pickguard: none
Case: 533E Geib Style
Interior Label: Blue label signed by CFM IV, Eric Clapton, Hiroshi Fujiwara & Dick Boak
Electronics: Optional
Other Options: Available left-handed at no additional charge
Other Comments: All prices & specifications are subject to change without notice
~
Read More
Official Martin Press Release
Special Thanks to onemanz reader “6StringMusic” for the great photo of EC in action!

Martin CS-00S-14 Preview

liveatnamm2

Read the Full Review of this model HERE

Well it didn’t take long for C.F. Martin & Co. to go ahead and offer a public notification about the Custom Shop model, the CS-00S-14.

So I can offer more details today than I could last week.

According to Fred Greene, Vice President of Manufacturing, The CS-00S-14 is “a hide glue 00 slothead in Style 42.” Style 42 includes the very highest grade tonewoods, along with abalone pearl inlaid around the top and fingerboard extension, as well as other premium cosmetic appointments.

Honduras Rosewood

This new grand concert size guitar features a back and sides of Honduras rosewood, which has often been considered a close tonal cousin of Brazilian rosewood, that Holy Grail of tonewoods, now a protected and very endangered species. Dick Boak, Head of Artist Relations, used to run the Martin sawmill back in the day. He said they milled lots of Honduras rosewood, but the logs were typically too small to use for guitar backs. Instead, they were milling it for marimba makers, as it is the traditionally preferred wood for that instrument.

This is Martin’s first model offered in Honduras rosewood. There have been more than one species of rosewood given that name. Some have a brighter, crisper tone, along the lines of Madagascar rosewood, while others have a thicker, darker sound that might be considered more Brazilian-esque. I am very curious to hear what this new CS model sounds like.

Torrefied Top

This guitar also features a top of “torrefied (temperature aged) Swiss spruce.”  Torrefication is an ancient process that subjects wood to high heat, which results in a lighter, denser wood. It was originally used to treat firewood so that it would not suffer so much from decay, but it also resulted in a more efficiently burning fuel. Brewers use the same process with grains for various reasons.

All wooden guitar tops take time to break-in and “open up.” The use of torrefied guitar tops is a new fad, as experiments suggest it may result in a top that behaves or possibly sounds like a top that has been played-in for many years. While I remain skeptical to the extent of such claims, I look forward to hearing the results for myself.

New Martin Neck Rod

Another exclusive feature on this guitar is the neck rod of “ultra lightweight non-adjustable carbon fiber.”  This is the first Martin to have this neck reinforcement. It is possible it may allow guitars to sound more resonant, like the pre-war Martins with ebony rods, while having the strength to keep a neck straight like a modern steel rod.

Melding Tradition and Progressive Design

CS Series models often include vintage Martin features with modern aesthetics and engineering.

The neck on this model is solid mahogany, and the neck profile is denoted as a modified V. But that can mean many things. The CS models have typically had a neck hand-carved by Aaron VanWhy of the Custom Shop, with profiles typically shallower and sleeker than other Martins.

Other vintage-esque features include Golden Era style scalloped braces under the Adirondack spruce top, and a short-scale 1-13/16” neck with a pyramid bridge and 2-5/16” string spacing.

Fred Greene designed the new guitar, along with the other models of the CS Series, which first appeared in 2011. He gave it a new fingerboard inlay, reminiscent of the last year’s CS-OM-13, and a truly unique rosette pattern.

Martin CS-00S-14 frontTorrefiled Rosewood

Martin CS-00S-14 rosetteUnique Rosette

Martin CS-00S-14 Honduras rosewoodHonduras rosewood

 photos: C.F. Martin & Co.

Fishman Aura Plus

He was most excited about the on-board pickup system, explaining that it was a “custom Fishman Aura with one sound image and the controls in the sound hole (no holes in the side of the guitar –just an end jack).  Unobtrusive and simple to use, plug and play.”

Fishman’s Aura pickup system is the result of highly complex technology. Basically, they record a guitar with a series of high-end microphones, while also recording the signal from the guitar’s under saddle pickup. They then tweak the wave file of the pickup to mimic that of the microphone. They then put this into what is basically a small computer that resides in the guitar, which has complex algorithms that adjust in real time to how hard the guitarist is playing, etc. and adds in micro-delay to simulate the distance the acoustic sound waves travel from a guitar to a microphone. The player may adjust the EQ as well as the blend between the raw pickup signal and the Aura mic image.  And the results do a pretty great job of making a plugged in guitar sound like an acoustic guitar as heard through a quality microphone.

Amazing Guitar

Fred Greene is a even keel kind of guy and not prone to hyperbole. “The guitar is amazing!!! A great player like you will really enjoy it.” was how he put it in his initial communique about the new CS-00S-14. “It is a little more pricey than past CS models due to the pearl and electronics and we will only make 114.”

The 00-42 of the prewar era has long been considered one of the finest steel string acoustic guitars ever created. Whether this new model will qualify for such accolades remains to be seen and heard. But it has tremendous potential to at least be one heck of a 12-fret 00 and it won’t be too long before this particular website will provide a thorough review to follow up this preview.

The list price is $8,999.

And that is one man’s word on…

Martin CS-00S-14 – Preview

Full Spec Sheet

Model:CS-00S-14
Construction:Mahogany Blocks/Dovetail Neck Joint – Hide Glue Construction
Body Size:00-12 Fret
Top:Torrefied Swiss Spruce
Rosette: 3 Ring
Top Bracing Pattern: Standard ”X” Scalloped (Golden Era Style)
Top Braces: Solid Adirondack Spruce 1/4”
Back Material: Solid Honduras Rosewood
Back Purfling:Style 45 – Golden Era
Side Material:Solid Honduras Rosewood
Endpiece:Solid Cocobolo
Endpiece Inlay: Black/Maple/Black Fiber
Binding:Solid Cocobolo
Top Inlay Style:Style 42
Side Inlay:none
Back Inlay: Black/Maple/Black Fiber
Neck Material:Solid Genuine Mahogany
Neck Shape:Modified V
Nut Material:Bone
Headstock: Slotted/Square Slots/Diamond/Square Taper
Headplate: Solid Black Ebony
Heelcap: Solid Cocobolo
Fingerboard Material: Solid Black Ebony
Scale Length:24.9”
Number of Frets Clear: 12
Number of Frets Total: 19
Fingerboard Width at Nut: 1-13/16”
Fingerboard Width at 12th Fret: 2-5/16”
Fingerboard Inlays: Concave Diamond Design – Orange/Red Spiney Recon Stone/Solid MOP
Fingerboard Binding: Solid Cocobolo
Finish Back & Sides: Polished Gloss
Finish Top: Polished Gloss
Finish Neck: Satin
Bridge Material: Solid Black Ebony
Bridge Style: Pyramid w/ Drop-In Saddle
Bridge String Spacing:2-5/16”
Saddle: 16” Radius/Compensated/White Tusq
Tuning Machines: Nickel Grand Tuners w/ Butterbean Buttons
Bridge & End Pins: Bone w/ Paua Pearl Dots
Pickguard: none
Case: Geib Style – Custom Shop
Interior Label:none
Electronics: Fishman Aura VT
Other Options: Available left-handed at no additional charge
Other Comments: All prices & specifications are subject to change without notice
~
Read More
Official Martin Press Release

CS-00S-14 and Martin Guitars ready for NAMM 2014 Debut

[UPDATED PREVIEW of the CS-00S-14 HERE]

[UPDATED PREVIEW of the OM-ECHF Navy Blues HERE

Among the new and very cool NAMM items, I am most looking forward to the latest edition the CS Series, the Martin CS-00S-14, which will be unveiled at the NAMM show, January 23, in Anaheim, California.

Martin CS 2014 NAMM

Just as I was about to post a news item with some details of this and other new and exciting guitars, I received a gag order from one of my sources on my revealing any details. Sigh.

This latest model continues the new tradition of luthiery offered within this series of unique guitars, each made by the Martin Custom Shop, combining vintage vibe with cutting edge features as designed by Fred Greene, Vice President of Manufacturing at C.F. Martin & Co.

The new model has features that appear on previous CS models, like the CS-OM-13, and the CS-D18-12, among others, but also significant features never seen on a Martin before now. Chairman of the Board C.F. Martin IV has been quoted publicly mentioning the fact his company was on the verge of introducing one such feature, so it will not be too big a surprise for some people.

An anonymous source within Martin’s highest executives went on record to say “…it is very different from anything we have done before.” And since those with a keen eye for detail may already have some knowledge of this model, I am prepared to come clean with more details, should other media sources or Martin Guitars publish such details first.

But for now, I shall simply remind people that some CS models were limited to specific build totals the moment they were announced, while others were not. So someone interested may not want to wait too long before deciding upon a purchase in the near future.

Martin Guitar String Height Specs

A Reader Asks about Martin Guitar String Height Specs

I’m making a decision to buy a D28 authentic 1941 but some question happen in my mind since this guitar has no adjustable truss rod. What about the action (guitar string height) of this guitar and playability?

How about the action at fret 12th of the sixth and first strings?

Thank you.

– Kanarat, Thailand

Spoon Writes:

Thank you Kanarat for this very good question. The D-28 Authentic 1941 is by all accounts very comfortable to play. And that includes my own opinion. Guitar string height can vary within Martin factory specs.

Martin dreadnoughts with “factory action” tend to have slightly higher action than some other modern guitars. This is particularly true with vintage-style Martins.

The Martin guitar factory considers a low ‘E’ bass string to be within specification if the distance from the 12th fret to the bottom of the low E string is between 2.38 mm (3/32″) minimum, to 2.78 mm (7/64″) maximum.

The high ‘e’ treble string should measure between 1.59 mm (1/16″) and 1.98 mm (5/64″) at the maximum.

I have not measured one myself, but I would expect these guitars to come in the middle range, near 2.45 for the low E bass string and 1.86 or so for the high e treble string. That would be with medium gauges strings. Light gauge strings may make the action a little lower, if one replaced mediums without doing any other other adjustments.

Personally, I rarely notice action unless it is abnormally low and buzzy, or abnormally high so intonation and degree of difficulty in the highest frets becomes apparent.

But since you would be acquiring a Martin from overseas, with a glued in saddle and a non-adjustable truss rod, I would recommend you ask the dealer you are buying it from to get an accurate measurement for you, or even ask them to adjust the saddle height to meet your specifications.

And that is one man’s world on…

Martin String Height Specs

Find more Reader’s Questions in Spoon’s Mailbag