Live from Brooklyn – June 14, 2020
June 7, 2020
And May 31, 2020
Every Wednesday, 8 PM Eastern Daylight Time on YouTube Live onemanzguitar channel.
With a run through at 3:30 PM for those across the sea (8:30 British Summer Time, 9:30 Central Europe Summer Time)
Specs Include: Auditorium body size, 4-5/8” deep; solid wood construction including Madagascar rosewood back and sides; Adirondack spruce top; 1/4″ scalloped braces; one-piece, 14-fret, low profile South American mahogany neck with slotted headstock, bound in grained ivoroid, 1-3/4” width at nut, 2-1/4″ at the 12th fret; ebony pyramid bridge, 2-5/16” string spacing; Style 30 colored wood back strip; Style 42 high-color abalone top trim, rosette, fingerboard markers; 1920s Style 45 torch headstock inlay; high-gloss nitrocellulose finish including neck; Fishman Matrix Infinity pickup system with discrete volume and tone controls inside the sound hole
The serial number was stamped into the neck block in mid May, 2010. So, this guitar is turning nine years old and has provided its owner with considerable joy and satisfaction since he first received it from the Martin Guitar factory in Nazareth, Pennsylvania, four months later.
Specs include: All solid wood construction; Indian rosewood back and sides; torrefied Sitka spruce top with scalloped, forward-shifted, torrefied Adirondack spruce bracing attached with natural protein glue, carbon fiber/torrefied Adirondack spruce bridge plate; Genuine South American mahogany neck with Vintage Deluxe profile, satin finish, two-way adjustable titanium support rod, hand-fitted dovetail neck joint and solid mahogany neck block; ebony fretboard with High Performance Taper, 1-3/4” width at nut, 2-1/8” at 12th fret, abalone Diamonds and Squares position markers, EVO Gold frets, solid bone nut; ebony bridge with Liquidmetal bridge pins, compensated solid bone saddle and 2-5/32” string spacing; European flamed maple binding; bold herringbone purfling; high gloss nitrocellulose lacquer finish; high gloss Indian rosewood headstock faceplate with abalone script logo and golden Waverly open back tuners with butter bean knobs.
“It is the futuristic features of the D-28 Modern Deluxe that are responsible for how it weighs and plays more like a very old D-28 than a very new one, with a bell-like tone that is truly original, yet with qualities that should thrill Martin fans, all for a price significantly less than the D-28 Authentic 1937.”
Watch in HD 1080p for best sound
“From the first strum there is a stark ring to the fundamental voice, each note pure but with pronounced substance, clear yet dense, like diamonds. And with each steely note ringing off a string an expanding sonic reaction blooms, from an echo beneath the top voice and a woody hum deeper down, to a shining choir of lofty overtones. This guitar shows off the most sophisticated type of Madi-Adi tone.” This Deep Body Martin OM-42 rings and sings…
The Schoenberg Quartet Stephen Bruton model combines the expanded tonal range of a large guitar with the response and dynamics of a small guitar, thanks to its 12-fret 0000 design.
“A mightily successful combination of traditional and contemporary design and construction, the Schoenberg Quartet wide-top, 12-fret cutaway guitar is light of weight but large in voice. With impressive projection and effortless volume, it has the woody, full-bodied lows of a cello, trebles that sustain like of a well-played violin and some of the most richly complex chords this side of a baby grand piano.”
Guitarist Eric Schoenberg designed the guitar based on the concept originally suggested by his friend, the late Austin session man and touring sideman, Stephen Bruton. The guitar is named the Stephen Bruton model in his honor. It is available exclusively through Schoenberg’s shop in Tiburon, California, north of San Francisco.
California luthier Randall Kramer was engaged to built the entire line of Quartets. This particular example is made with Brazilian rosewood back and sides and an Adirondack spruce top. It also includes several custom-ordered features. It is the result of pre-war guitar traditions, cutting edge luthiery technology, and the scientific method of Chladni plate resonant frequency tuning, which inspired Benjamin Franklin to invent the harmonium, and was used by nineteenth-century violin makers.
The Schoenberg Standard and Schoenberg Soloist now have a big brother for those seeking a bigger, fuller voice with all the comfort of a classic fingerstyle lap-piano.
“This guitar is so finely tuned in terms of dynamics and response that it is basically effortless to play, in any tuning. There is a gorgeous complexity to the harmonics, but an unperturbed clarity to the fundamentals, and an organic sensibility to the sustain and decay of each, which makes it a delight to play.”
No ordinary guitar…this OMC-44K LJ has an Orchestra Model body size, with a Cutaway and it is made in a modern version of Martin’s Style 44, with back and sides of Hawaiian Koa wood, known for its unique combination of clear trebles, warm harmonics, but with a more open mid-range compared to other rich tonewoods like rosewood. Just the way Laurence Juber likes it.
We present our latest featured review, of an exquisite Lowden O50C, our first taste of African Blackwood.
“From the beautiful, master grade woods, the obvious expert craftsmanship, the sensual display of light and line, of arch and symmetry, of plane and undulation that make up the understated, woody aesthetic, everything suggests the best of the very best. And it has a voice every bit as good as its looks.”
Read Full Review (with video)