Martin CEO-8.2 and 8.2E Review

A Grand Mahogany Jumbo Indeed is Martin’s CEO-8.2


The CEO-8.2E includes a special Fishman Blackstack sound hole pickup

Specs include: Specs include: All solid wood construction made with Forestry Stewardship Council Certified wood; Grand Jumbo body size; FSC® tropical American Mahogany back and sides, Vintage Tone System torrefied FSC® European spruce top; 5/16″ FSC® European spruce bracing with progressively scalloped tone bars unique to the Grand J size; FSC® select mahogany neck with modified low oval profile and Performing Artist taper, 1-3/4″ at nut, 2-1/18″ at 12th fret; FSC® ebony fingerboard and bridge with liquid metal bridge pins; modern belly bridge with drop-in bone saddle and 2-5/32” string spacing; bone nut; satin finish with unique Bourbon Sunset Burst top shading; unique multi-stripe rosette; mother of pearl skeletal diamond position markers; wide crested headstock with retro nickel tuning machines and large pearloid keystone buttons

“Never woofy nor muddy, there is a firmness from the bottom E string. It is buoyant, yet taught and strong. The fundamentals across the middle register are well balanced in volume and projection, with the note from each string narrowing in timbre as they increase in pitch, but all three have a fullness that extends the general sense of warmth up through midrange. The sound of the unwound trebles is wholly different, yet complimentary, with clear-cut definition and a silvery ring.”

Read the Full Review Here

Martin CEO-8.2 Blackstack fret markers

Gibson USA and C. F. Martin & Co. to Merge

Gibson bid reportedly accepted by Martin CEO C. F. Martin IV

Historic melding of two giants

Gibson USA of Nashville, TN announced a merger with their longtime rival, Martin Guitars of Nazareth, PA.

(According to the Associated Press wire story – 04/01/2017) the two venerable guitar makers started in the nineteenth century and will now combine to create a mega-company with resources that will recapture control of the American acoustic guitar market, which has been increasingly encroached upon by modern companies like Taylor Guitars of El Cajon, CA, and Huss & Dalton of Staunton, Va.

Merger Commemorated in Two Limited Edition Guitars

The new SJ-450 will incorporate Gibson’s iconic SJ-200 with the woods and styling of the Martin D-45, including Indian rosewood back and sides, top grade Sitka spruce, both taken from Martin’s famous acclimation warehouse, and over 900 individual pieces of abalone shell inlay around the enormous top, back, and sides of the Super Jumbo model, including the pre-1939 “snowflake” fingerboard pattern seen on pre-war D-45s. It will retain the equally ginormous J-200 pickguard, with the vines and flowers inlay also done in high-color abalone lament.

The Felix the Cat Les Paul – Stinger electric guitar will be coming out later this year, but details about the actual construction and electronics have yet to be released. But it is rumored to have a “smurf” head stock, and is expected to be the cat’s meow.

Dissent in the Ranks

But while the marketing spin is on a “merger,” insiders of both organizations are expressing concerns that this is in fact a complete takeover by Gibson.

According to recently-dismissed marketing executive at Gibson USA, Lirpa Sloof, Martin CEO Chris Martin has accepted a generous retirement package in exchange for relinquishing all control of and rights to the Martin family brand. He is expected to either move his family into the Moravian monastery at Hecktown, PA, or open a Porsche – Ferrari dealership in Scalp Level, PA, just because he likes the name, and just so he can drive a different car to work every day.

Gibson CEO Henry Juszkiewicz was not available for comment on the merger, claiming the IRS said he cannot release any public statements while he is engaged in current litigation of several lawsuits filed against a number of other entities, expected to last well into the twenty-second century.

Martin CS-CF Martin Outlaw-17

Martin’s Custom Shop Series and Authentic Series meet up in the CS-CF Martin Outlaw-17

Yesteryear mahogany dreadnought with the ultramodern, High Performance neck

Specs include: All-solid wood construction with hot hide glue joinery throughout, Vintage Gloss finish, Big Leaf mahogany back and sides; M1 Vintage Tone System torrefied Adirondack spruce top; torrefied, hand-shaped, forward-shifted Adirondack spruce bracing with Authentic Series scalloping; non-tucked, circa 1937 torrefied maple bridgeplate; fine herringbone top trim; Old Style 18 wood fiber sound hole rosette; Vintage Gloss mahogany High Performance neck, Modified Low Oval profile, 1-3/4″ at nut, 2-1/8″ at 12th fret; ebony fingerboard with bone nut and Old Style 18 dot markers of green Abalone; modern ebony bridge with compensated, drop-in bone saddle; Antique White binding; faux tortoise shell pickguard and bridge pin dots; Brazilian rosewood headstock face plate with Golden Era logo; nickel open-back Waverly 4060N tuning machines; 5-ply Harptone case; optional electronics available

This CS Series model is limited to 100 instruments

Woody to be sure, it has an old dry box resonance that is accentuated by a torrefied spruce soundboard. The undertone remains open and uncluttered, yet with a glowing presence reflecting the hum of each string… At times, that tonewood combination had those singing trebles soaring through the room – and straight to my heart, as uplifting as sunlight streaming through the flawless glass of a spotless, squeaky-clean window.

Use CS-CFMartin Outlaw-17 bridge

Read the Full Review Here

 

Martin 000-42 Conversion from a 1953 000-28 – Review

A 1953 000-28 converted by the Martin factory to 1939 000-42 specs

Old Brazilian rosewood retopped with torrefied Adirondack spruce and solid abalone pearl

*This instrument is currently for sale. Inquire at oneman@onemanz.com*

Specs include: All-solid wood with hide glue construction throughout; Brazilian rosewood back and sides originally constructed as a 1953 000-28; highest grade Adirondack spruce top, torrefied with level M1 of Martin’s proprietary Vintage Tone System; Vintage Style 42 appointments including period correct solid abalone pearl rosette ring, top purfling, and snowflake fret markers; grained ivoroid binding with ebony borders at end pin box; aggressively-scalloped 1/4″ Golden Era style bracing with period correct rear-shifted X brace; genuine Big Leaf mahogany neck with full vintage V profile supported by an internal steel T-bar, 1-11/16” width at nut and 2-1/8” at the 12th fret; ebony fingerboard and Golden Era style bridge; bone nut and glued in saddle with 2-1/8” string spacing; open-back Grover tuning machines; period-correct gold foil headstock logo on Brazilian rosewood face plate grained; ivoroid binding; thin high gloss nitrocellulose finish with faux tortoise shell pickguard under the finish.

“This converted 000-28 has my favorite kind of Brazilian/Adirondack tone, warm and richly colored, with a bass that is plump but not woofy, spawning a rich undertone that at times hugs but never smothers the higher registers, and trebles of fine purity that are precise but solid, yet radiating shimmery harmonic overtones.”

Read the Full Review Here

Martin 000-42 conversion pearl work

Chris Eldridge and Julian Lage – Cool Video

The Bone Collector by Julian Lage and Chris Eldridge

Mahogany Martins with Adirondack red spruce tops, a 1937  D-18 and a 1939 000-18

While the music speaks for itself, you may want to read more about these two excellent artists, who traveled very different routes to reach the pinnacle of critical acclaim, and are now weaving their different styles into the same music, by checking out this article that was published at the New Yorker, on my birthday, which is probably why I didn’t see it until now.

Julian Lage and Chris Eldridge and Their New Record, “Mount Royal”

Martin 000-30 Authentic 1919 Review

Classic pre-war Martin mojo lives again in the historic 000-30 A 1919




Colorful and responsive in looks, feel, and tone

Specs include: All-solid wood with hide glue construction throughout; Madagascar rosewood back and sides; Adirondack spruce top with Vintage Tone System torrefaction, high-color wooden marquetry top trim and back strip, torrefied period-correct scalloped 1/4” bracing and torrefied maple bridge plate; one-piece mahogany neck with shallow vintage V profile, slotted headstock with Martin brand at the back; ebony fingerboard with period correct snowflake fret markers, 1-7/8” width at nut, 2-5/16” at the 12th fret; ebony pyramid bridge with 2-3/8” string spacing; bone nut and saddle; StewMac Golden Age reproduction three-on-a side tuning machines with unique engraved plates and pearloid buttons, grained ivoroid binding, extra-thin Vintage Gloss nitrocellulose finish.

“The 000-30 A 1919 offers the kind of sound many luthiers and guitarists have sought to produce since the invention of steel strings.”

Read the Full Review and see the Video Here

USE Martin 000-30 Authentic 1919 fret markers

2-21-2017 Guitar Comparison

Guitar comparison of two similar instruments

** Note: View the first video if you want to hear the comparison without knowing the IDs of the guitars.

The second video reveals which is which.

Close in construction and materials, but not as nearly identical as the comparison from 2-16-17.

Recorded in the same place on the same day with the same mics, etc.

What are your impressions of the tone, and how they differ or equate?

View in 1080p hi-def for best audio

Please use the comment form below to leave your feedback.

Try not to get caught up in guessing what brand, size, type of woods are involved. Focus on your impressions and interpretation of the tone of each instrument, and now they differ or equate’

The identity of the two guitars will be revealed here after allowing time for various people to respond here, on Youtube, and guitar forums where this is referenced.

Thank you.

HERE is the video showing what guitar is what.

Other comparison videos and audio of similar and divergent guitars will appear in the coming weeks.

Here is page that will list all the comparisons