The in-depth review is soon to appear at One Man’s Guitar
The CEO-9 is the ninth model designed by Chief Executive Office C. F. Martin IV. Like its predecessors, it showcases alternative materials and design elements outside the traditional Martin box.
It has the same body size and neck as the CEO-7, but different woods, looks, and special construction features.
I have taken some grief lately by internet flamers who feel I am too enthusiastic about my Martin guitar reviews. But I gotta say, the 2019 Martin models are extraordinarily impressive, from the new Modern Deluxe Series to the amazingly toneful D-42 Custom, to the other limited editions. And this CEO-9 right up there with the best of them. I would truly love to own one for my very own.
Seven Grammy Awards and now five Martin Artist Signature Editions
Specs include: 14-fret Dreadnought body size with all solid tonewoods throughout, Guatemalan rosewood back and sides; Engelmann spruce soundboard with Aging Toner; scalloped, forward-shifted 1/4″ Adirondack spruce braces with Golden Era shaping; one-piece mahogany neck with Full Thickness profile; ebony fretboard with 1-11/16” width at the bone nut; ebony bridge with 2-1/8” string spacing at the compensated bone saddle; high-color Style 45 abalone trim, back, sides, and top with full circumference soundhole rosette; large abalone hexagon position markers; grained ivoroid binding; gold open gear butterbean tuners; faux tortoise pickguard; numbered interior label signed by John Mayer
“…a clear and articulate top voice, with cavernous space behind it, good for reflecting reverberating sympathetics but also for allowing the main notes to stand up and out…But even brand new, the D-45 John Mayer already has considerable shimmer and glimmer to its it ring, and power in its bones.”
Torrefied mahogany debuts on the Martin 00-17 Authentic 1931
The most affordable Authentic model yet, and perhaps ever
“This 12-fret 00 generates tone that expands in all directions, filling the room with clearly defined notes and woody sympathetics, while creating a soundscape of inner depth that seems far greater in size than the physical dimensions of the instrument should allow.”