November 21, 2024

Tag: D-18

Acoustic Guitars

Martin Cherry Hill Customs

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For sale only in walking distance from Cherry Hill

Modest in appearance but right at home among their flashier siblings, the Cherry Hill Customs at the Martin factory might be overlooked by some visitors. But they will be much admired by those who appreciate the natural beauty of wood on guitars with simple cosmetic appointments and pure, pretty tone.

The Martin Cherry Hill Customs Uncloaked

Martin Cherry Hill Customs at onemanz.com

The Martin Cherry Hill Customs – two Factory Special models – are intriguing for many reasons. The guitars do not appear on the Martin price list. They received no official launch or lead-up announcement in the Media, so not many people have heard of them, yet. Perhaps the most interesting fact is how these under-the-radar guitars can only be purchased in person at the Martin factory.

The Cherry Hill Customs are offered as a Dreadnought and 000 and may be summarily described as a custom D-18 and custom 000-18 built with backs and sides of cherry wood and with some extra-woody upgrades. They get flamed maple for the bindings and endpiece instead of plastic, and the Old Style 18 sound hole rosette and other body trim are made from wood fiber.

The soundboards follow Martin’s current specification which says standard-grade spruce tops can be made of Sitka spruce or its natural hybrid cousin Lutz spruce, depending upon current availability. The vintage toner used on the spruce top works very well with the unstained cherry.

Not just any cherry is used, but nicely figured cherry that’s grown right there in Pennsylvania. It is fitting that local tonewood is featured on these subtly beautiful musical instruments because they can only be purchased in Pennsylvania, and only at the Martin Guitar factory.

If a visiting dealer & distributor sees a Cherry Hill Custom instrument that appeals to their design sensibilities, they may purchase it for sale to their customers. But they can only request one of each model while they’re at the factory.  No phone in follow-up’s or replenishments are permitted.

These guitars are chiefly meant for those who make the pilgrimage to Nazareth for the factory tour or to see the rich history on display at the Martin Museum in the visitors’ center, and to offer them unique instruments a little different from typical Martins sold elsewhere and provide, as Martin’s Scott Sasser puts it,”… an engaging surprise for those enthusiasts that come to the factory.  Hopefully they see something nice and think to themselves. . . ‘hey that’s neat – I’ve never heard of that before. What’s that all about?’”

What the Cherry Hill Customs guitars are all about is Martin’s legacy and future. Named for the gently sloping rise that starts just a stone’s throw from the parking lot of C. F. Martin & Co., Cherry Hill is a place of special, romantic significance to the Martin family, their employees, and fans of Martin history.

Along the road that traverses Cherry Hill, there once stood the first humble home and workshop of luthier C. F. Martin Sr. when he moved to Pennsylvania in 1838. It is now a five-minute walk from the current home of the world-famous guitar manufacturing company and museum that bears his name.

The choice of Pennsylvania cherry evokes all of that history but also acknowledges Martin’s continuing commitment to responsible sourcing and utilization of sustainable natural materials, and their longstanding commitment to environmental conservation. In that respect, it shares similar goals with the American maple back and sides on the adventurous new GPC Inception model. But the Cherry Hill Custom design elements and aesthetics are more in line with the venerable Standard Series Martins.

While Martin has made some lovely models out of cherry, the Cherry Hill Customs are the first cherry models offered for sale with a full-size dovetail neck joint and high gloss finish. Other Standard Series specs include scalloped bracing (forward-shifted on the Dreadnought) and a select hardwood High Performance neck with a dovetail neck joint, Modified Low Oval profile, black ebony fingerboard, and the select abalone fret position markers of the classic D-18 and 000-18. These new Cherry Hill models also have some very attractive figuring in the undyed ebony bridges.

The inspiration for the models comes from Martin’s desire to enhance the Nazareth visitor experience with an exclusive opportunity to own an upscale yet approachable Martin model with some rarity baked in due to its limited availability. A few points of inspiration for these specific Cherry Hill Custom models comes from a collaboration with a close friend of Scott Sasser during his time as manager for the Custom Shop, and Scott’s longstanding realization that cherry remained an under-appreciated domestically sourced material. . . both aesthetically and tonally.

Pleased with these results along with other occasional customs delivered through Martins Custom Shop program, he kept a few design cues in his mind for future use. Fast forward to these woody Style 18-inspired cherry guitars, made from sustainable materials that will remain available to musical instrument makers, hopefully ever after.

These new Martins are not meant to be part of their ongoing catalog. They are designed to offer a local complement to the Martins available globally without being in direct competition with them. They are also not meant to be available for long. The models will be periodically evaluated and replaced as appropriate to keep the “Factory Special” offerings fresh.

Whether they keep the name Cherry Hill Customs for future models, or decide to keep it exclusive to these two models, there will be others. New Factory Special models that take advantage of the beauty and tonality of domestic American woods and sustainable woods from other parts of the world will be forthcoming from Martin Guitars, in the new Inception Series that has been heralded with much fanfare, and in the Cherry Hill Customs after their modest, almost shy debut at the picking parlor, in Martin’s welcome center lobby.

The Factory Special concept – where these Cherry Hill Customs reside – will be present in one form or another going forward at the Martin factory. Enhancing a guitarist’s trip to the visitor’s center without distracting from its other treasures, they will for some provide the ultimate souvenir from a trip within the walls at C. F. Martin & Co., est. 1833.

And that is one man’s word on…

Martin Cherry Hill Customs

(click photos to enlarge)

 

Acoustic Guitars / NAMM

Martin Satin Finish Standard Series Models Announced!

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More affordable Martin D-28 and D-18 models arrive

D-28 Satin, D-18 Satin, D-28 Satin Amberburst, D-18 Satin Amberburst, D-28 Street Legend, D-18 Street Legend take to the streets

C. F. Martin & Company breaks with the tradition and offers six new models in the venerable Standard Series made with a matte satin finish. The D-28 Satin and D-18 Satin replicate the classic D-28 and D-18 but with a satiny matte finish instead of the high-gloss finish used on previous Standard Series models.

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Martin _D-28_Satin Martin _D-28_Satin

These new dreadnoughts provide the design platform for their sibling models, the D-28 Amberburst, D-18 Amberburst, with the latest burst finish to come from the minds of Martin’s Instrument Design Department, and the visually impressive D-28 Street Legend and D-18 Street Legend, with spruce soundboards that have the appearance of some serious playing wear that is an optical illusion of sorts.
Like the darker and well-loved Ambertone finish used on various Martin models, this new Amberburst is inspired by 1930s Martins made with a shaded top similar to Martin’s 1935 Sunburst that has faded over time. More of the grain of the spruce shows through this new burst and the center of the burst has is basically the same color as an unshaded spruce top.

Martin_D-18_Satin_Amberburst Martin _D-18_Street_Legend Martin_D-28_Street_Legend

The new Street Legend models have the same satin finish but the spruce soundboards have received a realistic-looking digital painting replicating the playing wear on vintage Martins found in the collection of the Martin Museum. It looks similar to Martin’s Aged models in the Authentic Series, but is actually under the finish and a 2D painting rather than being achieved by someone physically distressing the lacquer and wood.
The D-18 Street Legend’s top features the wear actually received by the famous 1953 D-18 nicknamed “Grandpa” and formally owned by the late Kurt Cobain of the grunge band Nirvana. The D-28 Street Legend replicates the wear from a vintage D-28 with no particular celebrity association and not nearly a as much wear and tear. Both tops look amazingly like the finish has been worn way from decades of hard strumming, but when I ran my hand across the satin finish it was smooth “as a baby’s cheek.”
Pewter-colored nickel tuners add to the impression that these Street Legend models are old Martin guitars. They are otherwise in pristine condition, with no further “aging,” painted or otherwise.




These new dreadnoughts have a lacquer finish on the back, sides, and top that it is not polished and buffed out to the full gloss we are used to seeing on a rosewood D-28 and mahogany D-18. To the touch the body finish is identical to the satin finish that Martin has used for Standard Series necks since the late twentieth century. This may mean fewer layers of lacquer have been applied.
At $400 less than the high-gloss versions, it is wondered just how identical these new models are with the old, other than the finish. When I stopped by the Martin factory on Friday, I was given the impression they are indeed the same in terms of bracing, neck joint, and overall joinery. I expect to get some quotable quotes later today, as I will return to Martin at 9:00 AM to meet up with key designers and sample more of the 2023 Martin models.
Whatever differences may exist between these Satin models and their full-gloss counterparts, the effect on tone is noticeable immediately. Each Satin model has an expressive openness highlighted by clean top notes and a more ethereal undertone.

In direct sound comparisons at Maury’s Music, I found the traditional high-gloss versions to have a thicker, throatier voice. Not only do the new Satin models offer more-affordable Standard Series options, they offer a new kind of tone that will appeal to many players, perhaps more than the traditional full-gloss models.
Martin has used a satin finish on many models outside of the Standard Series and it is used with great success by other builders, most notably Lowden guitars from Northern Ireland, as well as many builders of high-end classical guitars.

NEW! Martin CEO-10 Review

More 2023 Martins to be announced soon!

Acoustic Guitars / NAMM / Review

Martin D-18 Authentic 1937

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James Taylor’s 1937 D-18 recreated

New for 2022, with a true 1937 body shape

D-18 Authentic 1937 specs include: All-solid tonewoods with hot hide glue construction; tropical American mahogany back and sides; Vintage Tone System torrefied Adirondack spruce top with scalloped, forward-shifted VTS Adirondack spruce bracing, pre-war style tucked tone bars and tucked maple bridge plate; one-piece mahogany neck with 1937 V shaping unique to this model, T-bar neck reinforcement; 1-3/4″ width at the bone nut and 2-1/4″ string spacing at the long, glued-in bone saddle; ebony fingerboard and 1930s-style belly bridge; ebony bridge pins; faux tortoise body binding and pickguard; open-back Waverly tuning machines; Martin’s Authentic Series thin finish in Vintage Gloss sheen.

Read the Full Review HERE

Acoustic Guitars / NAMM

Martin Guitars of Summer NAMM 2022

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D-18 Authentic 1937 and D-28 Authentic 1937

Read our original preview of these awesome additions to the Authentic Series HERE

CS-SC-22

onemanz.com

The CS-SC-2022 is made in Martin’s Custom Shop in Nazareth, PA out of all-solid tonewoods, using the innovative S body size, Martin’s first 13-fret guitar. It has an asymmetrical shape along with an ergonomic neck thanks to the  Low Profile Velocity profile and the Sure Align neck joint that removes the heel at the back of the neck. Everything about this limited edition acoustic-electric hybrid is a major upgrade from the other SC models,  of the Martin’s Road Series, made at the Martin plant in Navojoa, Mexico, (the groundbreaking SC-13E, SC-13E Special models and the affordable SC-10E.) This newest SC model is the deluxe version of these hybrid acoustic-electric guitars, and it is packed full of special features.

The East Indian rosewood back and sides are topped with torrefied Sitka spruce with torrefied Adirondack spruce bracing. The top has a patented shaping on the inside that Martin calls a “recurve” to accentuate bass response, something lacking in the aforementioned Road Series SC models. The onboard electronics are the latest version of Fishman’s Aura system with special anti-feedback technology designed expressly for this model. Other deluxe features include flamed European maple bindings on the body, neck, and head stock, and abalone pearl inlay all over the place, especially the swirling vine motif on the fingerboard.

See our Video Review HERE

Our in-depth written review will appear soon.

More photos HERE

D-28 Rich Robinson Signature Model

The latest Artist Custom edition is a close replication of the 1954 D-28 owned by the Black Crowes’ founding member Rich Robinson. This is the first time Martin has used their exclusive aging techniques to replicate the cosmetic appearance of a specific vintage guitar.

Like Robinson’s well-played 1954, this instrument has non-scalloped, rearward-shifted bracing, hot hide glue construction, a 1-11/16” width at the bone nut and 2-1/8” fingerboard width at the 12th fret, to go along with the 2-1/8” string spacing at the bone saddle. The heel, barrel, and profile of the neck was copied directly from the artist’s personal Martin, which he used to compose most of the band’s songs.

The East Indian back and sides have the Vintage Gloss finish previous reserved for the Authentic Series, with some “aging” applied, including the replication of specific dings seen on Robinson’s rosewood. There are nicks and scrapes and scuffs all over the guitar, copied directly from the original, and each a souvenir from a long and fruitful career. I particularly like the wear on the neck, including the shiny patch along the bass side of the fingerboard up near the nut, where Robinson’s thumb has made its presence for many years, in addition to whoever owned the guitar before him.

A full  review of the Martin D-28 Rich Robinson is coming soon

More photos HERE

Custom Major Kealakai

This limited edition is a replica of the first steel string guitar Martin made in a large body size, which predates the Dreadnought size dominating the world’s guitar markets today. But this revolutionary instrument had been utterly forgotten until a series of letters were recently discovered in the company archives, between Martin and Major Kealakai, who ordered the instrument.

Major was a major star in 1916 when he became only fourth artist granted the privilege of having Martin make him what we now would call a special order with customized features. Hawaiian guitar music was played with a steel slide over steel strings, at a time when Martin guitars were still made with gut strings used for classical and folk music. He needed steel strings and an extra-large body for increased volume. The Mr. Martin of the day accommodated his requests. Afterwards, Martin redesigned the body shape and invented the size D we all know and love today.

The Custom Major Kealakai instrument looks very much like Kealakai’s guitar, but is actually made with modern Martin construction techniques and specifications, thankfully. The body resembles a 12-fret 00, that’s been supersized until it has the same side depth and top width of a dreadnought. The back and sides are made with rare Sinker Mahogany, old-growth Big Leaf mahogany from logs that were salvaged from the bottom of a logging river in Belize. The top is made from torrefied Adirondack spruce, as are the braces.

Otherwise, it has construction similar to an Authentic Series Martin, like hide glue construction and the bracing and neck of the D-28 Authentic 1931, along with the simple fretboard dots of a 1931 D-18. That and having it set up for normal guitar playing makes it a much more viable instrument. Had they made a true recreation of Kealakai’s guitar, it would have been too lightly braced, have no internal neck support, and not conducive to the rigors of modern music.

More photos HERE

DSS Hops and Barley Limited Edition

This new limited edition was inspired by some artwork featuring a large image of barley still on the stalk, which reminded head Martin instrument designer Tim Teel of the Arts and Crafts movement he has always admired, and the Martin models created with similar styling. That led to this new guitar made with figured black walnut back and sides and a top made from sinker redwood that had be salvaged from waters in California, similar to the mahogany Martin sourced from a river in Belize.

It has the large, slop shoulder dreadnought body shape and comes with multiple upscale appointments like hot hide glue construction, Style 42 abalone inlay around the top, and gorgeous inlays of abalone, mother-of-pearl, and colorful woods for the back strip, headstock, fingerboard, bridge, and the pickguard that is made from Guatemalan rosewood!

More photos HERE



D-42 Special

For over 30 years, Dick Boak was the face of Martin guitar, when it came to being a general, genial good will ambassador. He started out as a draftsman, before wearing many hats at Martin. Dick eventually became Head of Artist Relations and co-designed of many celebrity signature models. He was later put in charge of the Martin Museum and the company archives. Now retired, Dick has been honored with this limited edition inspired by drawings he did years ago. He had sketched out an intricate botanical design, hoping to use the company’s new laser etching machine to reproduce the imagery on a faux tortoise shell pickguard. But the technology wasn’t quite there yet, as the pickguard caught on fire!

The original drawings were recently rediscovered and Chairman of the Board Chris Martin decided to use Dick’s design to create the new D-42 Special. Boak teamed up with world-class inlay artists from Pearlworks to expand the design to the fingerboard, headstock and bridge, and the artisans at Pearlworks inlaid them all with high-color abalone shell. Otherwise the guitar has the same construction and features as the lofty D-42 from atop the Standard Series. The East Indian back and sides and Sitka spruce top are of the highest grade, and Style 42 pearl lines the top, including the fingerboard extension. Elegant and opulent, it is a classic high-end Martin all the way around.

More photos HERE

000-16 StreetMaster

This short-scale 000 is the first 16 Series guitar with Adirondack spruce for the top and bracing. Not only that, it is a torrefied Adirondack spruce top, matched with Indian rosewood back and sides via Martin’s proprietary Vintage Tone System. And over all is the StreetMaster distressed finishing, previously used only on the all-mahogany 15 Series. The combinations of features came about because the sap in Adirondack spruce has higher sugar content than other spruces. When it is torrefied in the oxygen-free kilns to crystalize the cellular interiors, the baked sugars create dark streaks and patches visible on the outside. This limits the amount of VTS Adi Martin is willing to put on their high-end guitars. A solution was found in dressing up such wood with the StreetMaster finishing techniques. This is a win win for people who want a Martin below the price of the Standard Series but still get Adirondack spruce and solid East Indian rosewood.

More photos Here

GPC-13E burst

The new offering in the Road Series is the return of the GPC-13E, now made with gorgeous ziricote fine veneer for the back and sides, and an attractive burst finish on the solid Sitka spruce top. Like other Road Series models, this Grand Performance size Martin has onboard electronics with a build in turner, inside the sound hole, and the low and comfortable Performing Artist neck profile.

More photos HERE

D-17 Squadron

Artist Robert F. Goetzl was commissioned to do a painting celebrating classic aircraft nose art. He chose the iconic toothy grin of the legendary Flying Tigers from World War II. Martin chose recreate this painting on a 14-fret dreadnought made with 17 Series construction, for an open airy resonating voice. It has solid mahogany back and sides (either sipo or sapele) and a solid Sitka spruce top. The satin finish is thin enough that you can feel the wood grain with your hand. The guitar is so responsive that the vibrating solid wood body can be easily felt during playing. As for the artwork, it is remarkably realistic, with the illusion of being three-dimensional, especially the exhaust ports when seen in person! To achieve the look of the steel skin of a Curtiss P-40 fighter plane, Goetzl chose not to use typical canvas. He screwed together slats of wood and then painted over them. It all really looks exactly like the front fuselage of an Army Air Corps P-40 Warhak with Flying Tiger insignia circa 1942.

More photos HERE



 

Acoustic Guitars / NAMM

Martin D-18 Authentic 1937, Revised D-28 Authentic 1937

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New Dreadnoughts Join Martin’s Authentic Series – D-28A 1937 and D-18A 1937

My tongue hurts from countless times I had to ignore or deflect queries asking if we would ever see Martin adding new models to the Authentic Series. Martin removed many Authentics from the catalog without any to replace them, until now. At long last, we have two new Authentic Series models released to the public – the revised D-28 Authentic 1937 and the long-desired companion, the D-18 Authentic 1937.

These new Authentics are but two of many new models that Martin Guitars will be debuting later this week at Hall D, Booth 5602, at the NAMM show in Anaheim, California. They saw fit to put out a press release today mentioning a few of these instruments. But the real news is found in the latest editions to the fabulous Authentic Series.

Each of these new Authentics is made with a new dreadnought body shape. Or rather, I should say an old body shape. The silhouette of each model is quite close to the shape of an actual 1937 D-28 and D-18. This should satisfy critics of the Authentic Series that have claimed it was inaccurate to refer to Authentic Series models as vintage Martin recreations if they are made with the modern-day Martin body shapes.



D-28 Authentic 1937 (2022)

onemanz.com
(click to enlarge)

The instrument often cited as the best sounding acoustic guitar ever made is a particular Martin D-28 from 1937. It was taken to the Smithsonian Institute in 2013 for magnetic resonance imaging and X-rays to reveal as much as possible about the inner workings of that “Stradivarius of guitars” so that Martin could recreate the bracing and bridge plate down to the smallest detail. The resulting D-28 Authentic 1937 has gone through some changes since it debuted at Winter NAMM in 2014.

Until now, the most significant improvements were the addition of Martins exclusive Vintage Tone System and the Vintage Gloss version of the traditional nitrocellulose finish. Today, I am finally allowed to tell you about two new significant changes, the revised body shape and the tonewood used for the back and sides – Guatemalan rosewood.

Although the differences are subtle between last year’s D-28 Authentic 1937 and the one appearing at NAMM 2022, the silhouette of the soundboard and back, which determine the exact shaping of the sides, and therefore the specific shape of the sound chamber, are truly different. This is a tracing Tim Teel, Martin’s Head of Instrument Design, created to show the differences between a dreadnought made in the 1930s and one found in the Standard Series today.
(click to enlarge.)

onemanz.com

How much this might affect tone production will be debated for at least as long as how much difference it makes to the tone of actual pre-war D-28s compared to modern guitars. But one thing that will certainly affect tone production of this new D-28A 1937 is the replacement of Madagascar rosewood for Guatemalan rosewood.

Both rosewoods have been equated with the Brazilian rosewood used on actual 1930 Martins. To my ear, Madagascar rosewood sounds more like the brightest, least-warm Brazilian rosewood Martins, chimey, expressive and colorful, with a quick reflection of soundwaves. Guatemalan rosewood sounds typically warmer and throatier, with a darker undertone more like Cocobolo and East Indian rosewood, but with quicker reflection than either of them. It also offers the endless depth to the bottom end that is very much like the bassier example of Brazilian rosewood Martins, complimented by high-end overtones with a colorful richness likewise similar to that holy grail of endangered species that once grew in the costal lowlands of Brazil.

onemanz.com
(click to enlarge)

Martin’s supply of Madagascar rosewood is dwindling, and they will not be getting more any time soon. Retired CEO Chris Martin is passionate about environmental stewardship He has spent decades educating and assisting nations of the world in the responsible management of-their precious natural resources. When the legal government of Madagascar was overthrown in a coup d’état in 2009, by a faction intent on exploiting the rare resources of that tropical island for short-term gain, Martin Guitars was the first American manufacturer to cease the acquisition of Madagascar rosewood. When I first got wind of Chris Martin investigating the inevitable replacement of Madagascar rosewood in the Authentic Series, Guatemalan rosewood was the first thing out of my mouth. It is the most logical choice. I believe future owners of this new D-28A 1937 will be most pleased with the rich and powerful tone these battleships throw out.

D-28 Authentic 1937 (2022) Spec Sheet Here

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D-18 Authentic 1937

onemanz.com
(click to enlarge)

Hooray for C. F. Martin & Co. for making dreams come true! Countless people have been wishing they would release an Authentic Series D-18 with 1937 specs, as good as if not better the original D-18 Authentic 1937 created in small batches from 2006 until the advent of the Modern Authentic Series. At long last, the wish is granted with the debut of the 2022 D-18 Authentic 1937.

Like the revised D-28 Authentic 1937, this latest Authentic model has the new body shape, notably closer to Martin dreadnoughts made before the Second World War. Unlike the current D-18 Authentic 1939 and D-18 Authentic 1939 Aged, this new 18 has forward-shifted bracing rather than rearward-shifted bracing. This physical shifting brings about a tonal shift with a fuller, rounder bass and increased natural reverb.

It also has a 1-3/4” V neck with shaping like the D-28 Authentic 1937. But it is unique, having been copied from a 1937 D-18 once owned by James Taylor. Originally, it was reported this guitar was based on the old D-18As made in 2005, which were not based on a specific prewar Martin, but rather the original four-person team took their inspiration from multiple vintage Martins. But it is indeed the faithful reproduction of a specific 1937 D-18, with a little extra star power thanks to JT.

onemanz.com

D-18 Authentic 1937 (2022) Here

Acoustic Guitars / video

Martin D-28 vs. HD-28

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Symposium Compares and Contrasts the Iconic Martin Dreadnoughts

To scallop or not to scallop, that is the bracing question

Aaron Short Music, February 8, 2021, featuring Aaron Short, NYC, Maury Rutch of Maury’s Music, in Coaldale, PA and T Spoon Phillips of Brooklyn, NY

Here are better examples of the difference physical differences between scalloped bracing used on the HD-28 and most other modern Martins, and non-scalloped bracing used on the D-28 and D-35.

Scalloped vs Non Scalloped Braces onemanz.com

Martin scalloped bracing diagram onemanz.com

Exaggerated relief showing the “suspension bridge shaping of scalloped braces and tone bars used on a 14-fret Martin Dreadnought

Acoustic Guitars / NAMM

Winter NAMM Martins Revealed

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New Martins for a New Decade

Limited Edition D-18E 2020 and the latest, greatest Aura Blend electronics highlight Martin’s Winter NAMM 2020 Offerings

Winter Martins

A year ago Martin debuted their Modern Deluxe Series with four new models that employ cutting-edge technologies to create light-weight acoustic guitars that feel and play a lot like vintage Martins, with unique and impressive tone all their own. Today they unveiled the acoustic-electric versions of those same models, the D-28E Modern Deluxe, D-18E Modern Deluxe, OM-28E Modern Deluxe, and 000-28E Modern Deluxe.

 

I’ve had to keep my trap shut for half a year about the new Hi-Def generation of Fishman’s Aura electronics, ever since the power that is C. F. Martin IV decided to not to release the acoustic-electric versions of the Martin’s Modern Deluxe Series until Winter NAMM 2020.

 

But now they are out of the bag and I can tell you this is one of the most exciting upgrades in a long while when it comes to live acoustic tone via a plugged-in guitar.

 

At the heart of the new Aura VT Blend system is the amazing and highly-complex algorithm that is the adjusts in real time to whatever  and however a guitarist is playing the instrument, and the proprietary tone-sculpting effects that work together to make the plugged-in tone sound much more like the actual acoustic instrument as heard through a world-class microphone.

 

Their are two parts to why this new version of the Aura technology is an improvement over the one that is currently in use on other Martin models. First, there is the greater detail and definition to the overall amplified voice. But perhaps best of all, the new Aura Blend system includes the ability to control how much of the Aura filters are applied to the direct signal from the Fishman undersaddle pickup. So, in addition to the VT volume and general tone control, the player blends in the amount of the onboard Aura microphone image they like best, depending upon the sound system, room, or purpose.

 

It has been a while, so I went looking for my notes from last year and can’t find them. So, I returned to the source, and asked Tim Teel, Instrument Design Manager at C. F. Martin & Co., what is his current take on the new Modern Deluxe models with the latest, greatest Fishman Aura VT Blend system.

 

“I thought it was very important to marry this new incredible sounding Aura VT Blend system to what I consider is our best sounding series; Modern Deluxe.

 

The new Aura VT Blend starting in 2020 on the Modern Deluxe series is the next evolution regrading pro-level sound reinforcement for the acoustic guitar. Full blend control between under-saddle piezo pickup and Aura microphone image has been given back to the player!

 

In a live setting, 40-60% Aura Image is more than enough, and when plugged directly into a computer for recording, up to 100% of Aura image can be utilized. Also, new for this release is Aura HD Imaging, giving stunning realism to the sound of the guitar when played through an amplifier or direct recording. A volume and multi-effect EQ scoop round out the user controls located conveniently in the sound hole of the guitar.

 

 I encourage folks to give it a test play at their local dealer.

 

And I shall be testing them out in the now public version next Thursday, on the very day they are released at Winter NAMM.

 

Here is a quick overview of many of the new Martins debuting next week.

 

​​C. F. Martin & Co.® (Martin®) will introduce a suite of upgraded X Series guitars, a new 12-fret nylon string guitar, a new acoustic bass guitar, new 16 Series models, new Modern Deluxe Series models with electronics, a limited edition D-18E 2020, and the fourth in a series of exquisite Purple Martin models at Winter NAMM in Anaheim, California, January 16-19, 2020.

 

​​​​LIMITED EDITIONS

​​D-18E 2020

Winter Martins D-18E Modern DeluxeThe D-18E 2020 is a limited edition version of the historic 14-fret D-18, which officially joined Martin’s lineup in 1934. Like its namesake, the D-18E 2020 is constructed with a Sitka spruce top and genuine mahogany back and sides plus all of the Standard Series elements that, combined, offer supreme playability and legendary Martin tone. What sets it apart is the use of exquisite East Indian rosewood for the headplate, fingerboard, binding, bridge, and heelcap. The D-18E 2020 comes stage-ready with LR Baggs Anthem electronics. The guitar is strung with Martin Authentic Acoustic Lifespan® 2.0 strings, and it is limited to 2,020 instruments.

​​List price $3,649

​​

D-42 Purple Martin Flamed Myrtle

Winter Martins NAMM Purple Martin​​The D-42 Purple Martin Flamed Myrtle is the fourth instrument in the Purple Martin Series. The “Purple Martin” theme is inspired by a native bird of Pennsylvania, where Martin Guitar’s headquarters and factory are located. Limited to 100 instruments, this head-turning model includes 42-style pearl inlay throughout and highly decorative inlay on the fingerboard and pickguard of the purple martin bird and mountain laurel flowers, the state flower of Pennsylvania. It is a full-gloss guitar with a heavy bearclaw Engelmann spruce top with a deep purple burst and stunning flamed myrtle back and sides. Each model includes a label signed by C. F. Martin & Company Chairman and CEO Chris Martin. The D-42 Purple Martin is strung with Martin Authentic Acoustic Lifespan® 2.0 strings.

​​List price $14,999

 

​​MODERN DELUXE WITH ELECTRONICS

Winter NAMM Martins Modern Deluxe Aura D-28 D-18 000-28 OM-28

​​The award-winning Modern Deluxe Series was introduced at Winter NAMM 2019, and Martin has received universal praise for marrying vintage appointments, like a VTS top, and modern upgrades, like a titanium truss rod. This year, Martin has added all-new Fishman® Aura® VT Blend electronics to offer players more control over the voice of the guitar than ever before. It utilizes Aura HD Imaging to provide stunning realism and delivers a new level of performance for direct recording in live situations. The stage-ready Modern Deluxe Series with electronics is offered in four models—the D-28E, 000-28E, OM-28E, and D-18E—and all are strung with Martin Authentic Acoustic Lifespan® 2.0 strings.

 

​​List prices range from $4,999 – $5,799

 

​​16 SERIES

​​Winter NAMM Martins 16 Series

D-16E Mahogany

​​The Martin D-16E Dreadnought is crafted with satin-finished mahogany back and sides for a big sound, punchy midrange, and bright treble response. It include a Sitka spruce gloss top for balanced tone and projection and a 000 body depth and high-performance neck taper for comfort and ease of playability. It comes equipped with Fishman® Matrix VT Enhance™ electronics and Martin Authentic Acoustic Lifespan® 2.0 strings.

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List price $2,049

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GPC-16E

 

​​The Martin GPC-16E Grand Performance Cutaway is crafted with satin-finished mahogany back and sides for a big sound, punchy midrange, and bright treble response. It includes a Sitka spruce gloss top for balanced tone and projection and a 000 body depth and high-performance neck taper for comfort and ease of playability. It comes equipped with Fishman® Matrix VT Enhance™ electronics and Martin Authentic Acoustic Lifespan® 2.0 strings.

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List price $2,049

​​000C12-16E NYLON

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The Martin 000C12-16E Nylon 12-fret guitar is ideal for any classical guitarist looking to take their playing to the next level. This Auditorium-style, six-string guitar features a Sitka spruce gloss top and satin-finished mahogany back and sides for bright treble response and plenty of volume. It comes equipped with Fishman® Matrix VT Enhance™ electronics and is strung with Martin Magnifico® premium classical strings.

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List price $2,499

BC-16E

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The Martin BC-16E is the ideal tool for the modern bassist’s acoustic or electric needs. The BC-16E includes a solid Sitka spruce top, East Indian rosewood back and sides, and forward-shifted scalloped bracing to deliver deep, thumping Martin tone, whether you’re unplugged or using the built-in Fishman® electronics. It also includes a fast, comfortable neck so you can keep the rhythm section tight. The BC-16E is strung with Martin Authentic Acoustic SP® Bass strings.

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List price $2,399

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X SERIES

Winter NAMM Martins X Series

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​​Two decades ago, Martin broke into the world of alternative, sustainable materials and created a whole new class of high-quality guitars called the X Series. Today, with new HPL patterns, scalloped bracing, and a solid wood neck, fingerboard, and bridge, the new X Series guitars look and sound better than ever. Plus, every X Series guitar now comes with a padded, water-resistant gig bag. The new and improved Martin X Series guitars are built to go anywhere, offering beginners and active musicians a carefree playing experience.

 

Learn more about the MANY new X Series instruments via the links below.

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X2 Series 

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Made with Solid Wood Tops with High Pressure Laminate Backs and Sides

 

​​List prices from $799 – $899.

​​X1 Series

 

Made with High Pressure Laminate Top, Back, and Sides.

 

 

Acoustic Guitars / NAMM / Review

Martin D-18 Modern Deluxe Review

one manby one man0

A Genuine Mahogany and Torrefied Sitka Spruce D-18 with Modern Acoustic Engineering

The D-18 Modern Deluxe Offers Awesome Upgrades to a Classic Martin

Specs include: All solid wood construction; Genuine South American mahogany back and sides; torrefied Sitka spruce top with scalloped, forward-shifted, torrefied Adirondack spruce bracing attached with natural protein glue, carbon fiber/torrefied Adirondack spruce bridge plate; Genuine South American mahogany neck with Vintage Deluxe profile, satin finish, two-way adjustable titanium support rod, hand-fitted dovetail neck joint and solid mahogany neck block; ebony fretboard with High Performance Taper, 1-3/4” width at nut, 2-1/8” at 12th fret, abalone vintage Style 18 position markers, EVO Gold frets, solid bone nut; ebony bridge with Liquidmetal® bridge pins, compensated solid bone saddle and 2-5/32” string spacing; Indian rosewood binding, end piece, heal cap; multi-stripe top trim; high gloss nitrocellulose lacquer finish; high gloss Indian rosewood headstock faceplate with abalone script logo and golden Waverly open back tuners with butter bean knobs.

“It is just so vibrant and alive. The energy streaming through the wood of the D-18 Modern Deluxe is palpable each and every place it comes into contact with the player’s body – very much like a pre-war Martin. And the futuristic elements of torrefaction, neck rod, bridge plate, and bridge pins combine to convert as much of that energy into audible tone as possible, while creating a voice and personality that is unique among Martins.”

Martin_D-18_Modern_Deluxe_logo

Given how successful this mahogany dreadnought is, I know I am not alone in hoping the OM-18 and 000-18 versions get released sooner than later!

Read the Full Review Here!