Video Review: Martin 00-16E (2019)

Specifications include: Grand Concert body size; solid Sitka spruce top with gloss finish; solid East Indian  back and sides with satin finish; scalloped 1/4″ braces; Short-scale High Performance Neck with Modified Low Oval profile and High Performance taper (1-3/4″ at the nut, 2-18″ at the 12th fret) on the solid ebony fingerboard; 2-5/32″ string spacing at the solid ebony bridge; Antique White body binding; faux tortoise shell pickguard; Fishman Matrix VT Enhance electronics with onboard volume and tone control, and Enhance blender for undersaddle pickup and bridge plate sensor. 

The 14-fret 00 body size is very comfortable and portable while still putting out the sound of a full-size acoustic guitar, especially when plugged in.

2019 Martin Models: The New 16 Series in Review – ALL of them

Video Review: Martin 000-16E (2019)

000-16E pecifications include: Auditorium body size; solid Sitka spruce top with gloss finish; solid East Indian  back and sides with satin finish; scalloped 1/4″ braces; Short-scale High Performance Neck with Modified Low Oval profile and High Performance taper (1-3/4″ at the nut, 2-18″ at the 12th fret) on the solid ebony fingerboard; 2-5/32″ string spacing at the solid ebony bridge; Antique White body binding; faux tortoise shell pickguard; Fishman Matrix VT Enhance electronics with onboard volume and tone control, and Enhance blender for undersaddle pickup and bridge plate sensor. 

The short-scale neck makes for a comfortable and fun playing experience with plenty of power to handle big strumming and fingerstyle blues.

2019 Martin Models: The New 16 Series in Review – ALL of them




Video Review: Martin GPC-16E (2019)

Specifications include: Grand Performance with Cutaway body shape with 000 side depth; solid Sitka spruce top with gloss finish; solid East Indian  back and sides with satin finish; scalloped 1/4″ braces; long-scale High Performance Neck with Modified Low Oval profile and High Performance taper (1-3/4″ at the nut, 2-18″ at the 12th fret) on the solid ebony fingerboard; 2-5/32″ string spacing at the solid ebony bridge; Antique White body binding; faux tortoise shell pickguard; Fishman Matrix VT Enhance electronics with onboard volume and tone control, and Enhance blender for undersaddle pickup and bridge plate sensor. 

The shallow body greatly increases resistance to feedback when plugged in, while creating an acoustic voice more like an OM, only louder and with a little more power from the lowest bass string.

Video Review: Martin D-16E (2019)

D-16E specifications include: Dreadnought body shape with 000 side depth; solid Sitka spruce top with gloss finish; solid East Indian  back and sides with satin finish; scalloped 1/4″ braces; long-scale High Performance Neck with Modified Low Oval profile and High Performance taper (1-3/4″ at the nut, 2-18″ at the 12th fret) on the solid ebony fingerboard; 2-5/32″ string spacing at the solid ebony bridge; Antique White body binding; faux tortoise shell pickguard; Fishman Matrix VT Enhance electronics with onboard volume and tone control, and Enhance blender for undersaddle pickup and bridge plate sensor. 

The shallow body greatly increases resistance to feedback when plugged-in, while maintaining the look of a classic Martin Dreadnought.

2019 Martin Models: The New 16 Series in Review – ALL of them

Summer NAMM Martins 2019

Nashville Gets a Guitar Shop’s Worth of Summer NAMM Martins

A New 16 Series Makeover, American Chopper Limited Edition Among the Summer Crop

Martin Guitar 16 Series strip Summer NAMM

Sweet Sixteen

Following the successful redesign of Martin’s Standard Series instruments, the more-affordable 16 Series has received seven new acoustic-electric models with similar updated specifications and Fishman Matrix VT Enhance electronics, a duel-source system with discrete volume and tone controls inside the sound hole to adjust the signal from the undersaddle pickup, and a third discrete control to blend in the signal from Fishman’s Enhance bridge plate sensor.

The new core models are the long-scale D-16E, GPC-16E, (both with 000 side depth) and the short-scale 000-16E, and 00-16E. Each has a solid Sitka spruce top with a high gloss finish, fronting a satin finished back and sides of either solid East Indian Rosewood, in the case of the large bodies, or solid Granadillo in the case of the 000 and 00.

While these new models retain the bold herringbone sound hole rosette and top trim of the previous 16RGT models, they differ in several significant ways, including having the scalloped bracing on the dreadnought and grand performance models forward-shifted, as well as having no binding on the necks. The Dreadnought is also made with the side depth of a 000.

These new 16s have been further modernized with the addition of the High Performance neck, which matches a Modified Low Oval profile with the High Performance Taper to the fingerboard that measures 1-3/4” at the nut and 2-1/8” at the 12th fret. They also have solid ebony fingerboards and bridges, a welcome replacement for the non-wood Richlite material that has been used on previous 16 Series instruments.

The fretboard position markers retain the mother-of-pearl dot pattern of the Standard D-28, while the plain white binding from the 16RGT models has been replaced by the Antique White binding used in the today’s Standard Series, with a tint similar to the binding on vintage Martins from the 1950s and ‘60s.

Also for Summer NAMM are the D-16E Burst and OMC-16E Burst, made with ovangkol used for the back, sides, and top. And that top also gets the Mahogany Burst shading similar to the Style 15 Streetmaster models, but with attractive faux tortoise binding that gives these new ovangkol Martins a distinctive look.

All the new 16s join the long-lived mahogany 16s, and the surviving members of the “Americana Series” 16s released over the past two years with similar construction specifications, but made with silver binding, orange and black purfling, and American tonewoods that include an OMC made with cherry back and sides, and a dreadnought made with sycamore back and sides and the same body depth of the OM.

List Prices Between $2,199 and 2,399

Martin Guitar Limited Editions Summer NAMM

The seventh 16 is the special edition D-16E Brexit model, a 14-fret dreadnought “art guitar” made with satin-finished sycamore back and sides, silvery binding, diamond fret markers, and a Sitka spruce gloss top printed with custom Brexit-themed artwork by Robert F. Goetzl, and likewise fitted with Fishman Matrix VT Enhance electronics.

List Price: $2,799

One-Hundred Twenty-Five Black Walnuts to Go

Another limited edition, 125 000E Black Walnut Ambertone acoustic-electric guitars will be made. The short-scale version of the High Performance neck, scalloped 5/16” top braces under the solid Sitka spruce top, and Black Walnut back and sides should all add up to a guitar with easy playability and voice of defined top notes, colorful undertone and ample overtones. The Fishman Matrix VT Enhance has discrete controls inside the sound hole.

List Price: $2,399

Seven of a Kind

A Guatemalan rosewood/Engelmann Spruce limited edition that will have a rich, complex tone to be sure, even under all that hardware, the American Chopper Custom came to be thanks to the American Chopper TV show, which collaborated with Martin to design this special guitar, connected to a two-episode program where Paul Jr. Designs created an unusual three-wheeler. It has motorcycle-themed inlays of copper and wood, and even actual aluminum rivets. Quite a collaboration indeed, between master designers and the master craftspeople capable of pulling it off.

Is there any wonder they are making only seven instruments for this very limited edition?

List Price: $39,999

An Angler’s Angle

A limited edition of 100 guitars, the 00L Fly Fishing model has glossy goncolo alves for the back and sides, an attractive wood from South America that often resembles Hawaiian koa. It was also a tonewood used at C. F. Martin & Co. as early as the 1840s.

The top is Sitka spruce, with a special sunburst finish decorated with custom imagery by artist William Mathews. The fly fishing theme continues in the pearl inlays gracing the ebony fingerboard and headstock face plate.

I expect this 00L sound to fall somewhere between the CEO-7, which introduced the 14-fret slope-shoulder 00 body size, and the 00L-17 models. But it certainly looks unique.

Dealers may order this with on-board electronics.

List Price: $4,399

Martin Guitar L and Jr strip1 Summer NAMM

Two New Juniors

The popular Junior Series has added the 000Jr-10 and 000CJr-10E. These are smaller than normal 000s, with an even shorter neck scale (24”) but with the same sort of feminine shape to the body that many people find more comfortable than the wider, square-ish dreadnought shape. Sapele and Sitka in both cases. But the 000CJr-10E has a cutaway and Fishman electronics.

List Prices: $699 and $799

A Couple of Little Martins, Last But Not Least

The first Little Martins to get pickguards, they also get a new herringbone rosette etched into the solid Sitka spruce soundboard. The High Pressure Laminate back and sides are printed to look like rosewood and E model has a plug and play Fishman pickup.

List Prices: $499 and $599

Many More Summer NAMM Martin Photos Coming SOON!

Martin 000E Black Walnut Ambertone Summer NAMM glam cut

Martin 000-28 Modern Deluxe Review




The Upscale, Short-scale Martin 000-28 Modern Deluxe

Fundamentally Easy on the Ears, and the Hands

Specs include: All solid wood construction; Indian rosewood back and sides; torrefied Sitka spruce top with scalloped, 1/4″ torrefied Adirondack spruce bracing attached with natural protein glue, carbon fiber/torrefied Adirondack spruce bridge plate; short-scale Genuine South American mahogany neck with Vintage Deluxe profile, satin finish, two-way adjustable titanium support rod, hand-fitted dovetail neck joint and solid mahogany neck block; ebony fretboard with High Performance Taper, 1-3/4” width at nut, 2-1/8” at 12th fret, abalone Diamonds and Squares position markers, EVO Gold frets, solid bone nut; ebony bridge with Liquidmetal® bridge pins, compensated solid bone saddle and 2-5/32” string spacing; European flamed maple binding; bold herringbone purfling; high gloss nitrocellulose lacquer finish; high gloss Indian rosewood headstock faceplate with abalone script logo and golden Waverly open back tuners with butter bean knobs.

“Played lightly, and the 000-28 Modern Deluxe lights up like a Christmas tree, with a three-dimensional aura that is dominated by solid individual notes of fundamental color and remarkable sustain, with a lot of open inner-space behind them. Play the strings with vigor, and the notes bark and bite, blinking on and off, spanky and bluesy up top and with a quick reflection in the undertone that is dry and woody. It is a more open and airy voice than any rosewood Martin from the Standard Series, which tend to be dark and dense by comparison.”

Martin 000-28 Modern Deluxe vidcap 1

Full Review with Video Here

Martin OM-28 Modern Deluxe Review

The Light and Lovely Martin OM-28 Modern Deluxe

A lap piano for the discerning fingerstylist

Specs include: All solid wood construction; Indian rosewood back and sides; torrefied Sitka spruce top with scalloped, torrefied Adirondack spruce bracing attached with natural protein glue, carbon fiber/torrefied Adirondack spruce bridge plate; Genuine South American mahogany neck with Vintage Deluxe profile, satin finish, two-way adjustable titanium support rod, hand-fitted dovetail neck joint and solid mahogany neck block; ebony fretboard with Standard Taper, 1-3/4” width at nut, 2-1/4” at 12th fret, abalone Diamonds and Squares position markers, EVO Gold frets, solid bone nut; ebony bridge with Liquidmetal® bridge pins, compensated solid bone saddle and 2-1/4” string spacing; European flamed maple binding; bold herringbone purfling; high gloss nitrocellulose lacquer finish; high gloss Indian rosewood headstock faceplate with abalone script logo and golden Waverly open back tuners with butter bean knobs.

“The OM-28 Modern Deluxe loves to be lightly caressed and nimbly cajoled, so its steadfast notes and lighter-than-air harmonics launch and waft like the sumptuous aromas of intoxicating spirits. As with an elite sports car or a vintage OM of old, when it’s driven in the zone where the gears change friction-free, boy does it soar!”

OM-28-Modern-Deluxe_vidcap1

Full Review with Video Here

Martin CEO-9 Review

Chris Martin’s Introduces a New Tonewood on the CEO-9

Magnificent Mango Martin Makes Marvelous Mellow Music

Specs include: 14-fret Slope-Shoulder Grand Concert 00L size; all-solid wood construction, including curly mango back, sides, and top, 1/4″ scalloped Adirondack spruce braces, Genuine Mahogany neck with Modified V profile and traditional hand-fitted dovetail neck joint; ebony fretboard with Standard Taper, 1-3/4″ width at the solid bone nut, 2-1/4″ at 12th fret, Corian Style 42 position markers; ebony pyramid bridge with 2-5/16″ string spacing at the compensated solid bone saddle; Liquidmetal® bridge pins; composite carbon fiber/VTS Adirondack spruce bridge plate; Antique white binding on body and neck; faux tortoise pickguard and headstock face plate; Mango Sunset Sunburst top shading; full gloss body finish and satin neck finish; copper-color vintage-style open back tuners with butter bean knobs.

“For having the warm, full-bodied undertone provided by a solid mango wood soundboard, the CEO-9 shows off clear and glistening trebles, mid-range notes that punch with distinctly defined edges, and a plump bass that can get quite throaty and as round as a bullfrog. But they never get lost in the depths of the rich, bulbous bottom end.”

Martin CEO-9 vid cap

Full Review with Video

Martin DSS-17 Review

DSS-17 Whiskey Sunset / Black Smoke

First long-scale large body Martin in the affordable 17 Series impresses mightily

Specs include: Slope-Shoulder Dreadnought size; all-sold wood construction; mahogany back and sides; Sitka spruce top with scalloped-braces; mahogany neck with Modified Low Oval Profile, Simple Dovetail neck joint; rosewood fretboard with High Performance taper, 1-3/4″ at the bone nut, 2-18″ at 12th fret; straight rosewood bridge with compensated bone saddle and 2-5/32″ string spacing; Antique White binding; ebony headstock faceplate with Authentic 1933 script logo; satin finish throughout; open-back Golden Age relic tuners with cream buttons.

Available in Whiskey Sunset burst finish with tortoise pickguard or Black Smoke motif with Antique White pickguard.

Light in the hand yet large in the ears, the DSS-17 Whiskey Sunset I played at the Martin factory was very impressive indeed, with distinctly defined fundamental notes that have an expansive depth behind them, reflecting the dry, woody mahogany tone, and amplifying the well-rounded bass notes that are weighty enough to reach down into the generous body cavity and inject some richness beneath the entire voice.”

Full Review with Video Here

Martin DSS-17 Whiskey Sunset review with video pic