While practicing in Prospect Park, a young mother left her spot on the Long Meadow and wheeled the pram containing her sleeping baby toward home.
I almost moved to another location when they arrived, and I had tried to play quietly, assuming they seemed a good ways off.
When she reached the paved walkway, she stopped at my bench and set what looked like a playing card next to me, saying it was just a note she wanted to leave with me. On the reverse were spaced lines, filled with handwriting that said:
“Thank you for playing the guitar so beautifully. It was an honor to listen to & I’m so happy I ended up in this very spot in the park so that your music could fill my ears.”
And she signed it with a first name and a little heart. Ah Spring….!
Same spot, a few days earlier. This is my office, whenever weather permits.
Our review of the Martin Grand J12-16GTE as Martin Month Continues
A Grand Jumbo 12-string in Martin’s Style 16 with a Gloss Top and on-board Electronic amplification.
Made from solid mahogany and Sitka spruce, using the largest ever made by Martin. At this price point, the new Grand J12-16GTE offers more tone per dollar than any other 12-string currently available from Martin. Read about all the Martin Month reviews at One Man’s guitar.
“There are all the bright and clear chimes one could desire coming off the trebles and harmony strings. And there is a nice definition in the bass, without all the smoke clouds that can gather under the low end of a rosewood guitar with a large bottom end.”
This new OM-18 A 1933 is the first OM made with Martin’s Authentic Series specs and hide glue. And boy, is it a doozy!
I played the prototype at the factory in January, when it was about as new as new can be. With mahogany for the back and sides, the OM-18 Authentic 1933 sounded clear and full at the same time.
This weekend I played an example of the production run and it was even better. It is like taking a time machine back to 1933 and getting your hands on a brand new OM-18, made the year C.F. Martin and Co. were celebrating their 100th anniversary and were busy setting the gold standard that all acoustic guitars have been compared to ever since.
Over at One Man’s Guitar, a break from the norm – George Barnes
Our profile of the first electric guitarist, and an influence on just about every American guitarist who came after
… Then, I heard the duets of George Barnes and Bucky Pizzarelli. I was enthralled with the musicality of the tunes, the breathtaking licks, the slower passages of glistening, liquid tone. For some reason I assumed the suave, James Bond looking guy with the colorful name must have been doing all the exquisite lead playing. Only later did I realize it was the squat, cigar-chomping George Barnes who was tripping the light fandango in such a transcendent manner.
He had a lot of practice, as it turned out…
Read the Full Article
We present our latest featured review, of an exquisite Lowden O50C, our first taste of African Blackwood. (at One Man’s Guitar)
“From the beautiful, master grade woods, the obvious expert craftsmanship, the sensual display of light and line, of arch and symmetry, of plane and undulation that make up the understated, woody aesthetic, everything suggests the best of the very best. And it has a voice every bit as good as its looks.”
Read Full Review (with video)