Us & Them – America’s cultural divide explored – Review

Investigative commentator Trey Kay explores controversial issues in Us & Them.

A new series on iTunes, Us & Them podcasts delve into America’s cultural divide to find common ground that may help bridge the gaps perceived by Americans along both sides of even the most impassioned ideological argument.

Also available at National Public Radio

A Peabody Award winning radio journalist, Trey Kay has many years of experience interviewing people of all walks of life for various programs on NPR and New York Public Radio. For his own podcasts produced for West Virginia Public Radio, he has focused his keen ear upon the opinions and experiences of those whose core beliefs have been affected by encounters with other people different from themselves.

In some cases they began in a hostile stance against members of their own communities, because of contrary points of view regarding issues such as gay marriage and progressive trends in public school curriculums and textbooks. But these same individuals came to be more tolerant and even friendly with others they first encountered as dogmatic enemies, once they came to know them as people.

“…Trey Kay’s pleasant manner and affable speaking voice has a calming effect, but his concern for his topic comes through clearly, as does his enthusiastic curiosity about the lives and outlook of other people, so that his monologs and interviews never acquire that typical NPR sedated talking head tone. And never does he seem to ask a question and be moving on the next while his recorder takes in their response. He listens and reacts, remaining very much in the moment, which is engaging for his audience, and those he is questioning….”

Read the Full Review

Alan Lomax Music Archive Going On Line

For half a century, musicologist Alan Lomax recorded and preserved priceless cultural treasure.

Thousands of recordings have been digitized for posterity, discovered in the coal country of Kentucky to the cane fields of Haiti, including many legendary voices who would have toiled in obscurity and been forgotten.

With 2015 marking the Alan Lomax centennial, the Association for Cultural Equity is making these recordings available for free.

Read more about that and HERE

Working alongside his folklorist father, John Lomax, the young Alan traveled through the South and West, shining a light on local musicians, allowing the wider world to discover the blues of a prison inmate known as Leadbelly and the ballads of an itinerant laborer named Woody Guthrie.

Those are just two of the voices first recorded by Alan Lomax, out of thousands, and tens of thousands of songs and tunes now preserved for and us and future generations.

The 2002 New York Times Obituary of Alan Lomax is found HERE

Association of Cultural Equity’s website is HERE

The Lomax Family Collection at the American Folklife Center is HERE

 

Don Carlo Expects the Spanish Inquisition

An unlooked for side effect at the dress rehearsal of Don Carlo

ghosts of tech weeks past

As I entered the empty house at the Metropolitan Opera and walked down the aisle, I was hit with sudden pangs of tense anxiety and adrenaline when I saw them. There was the lighting board and stage manager’s station set up in the middle of the orchestra. Only now it is, of course, a lighting computer.

I haven’t directed a play for almost 20 years, but in an instant I was reflexively steeling myself for the exhaustion of techs and dress.

Without realizing why, I was compelled to walk back out and get a cup of coffee from the hoity concession stand for $5. But really, it was very good coffee.

I quipped that I would probably start having the dreams again too. And sure enough, I had the endless tech rehearsal disaster dream last night.

Times Change and So Do Sets

I must wonder how many of the old opera buffs there were ruffled by the modern sets of the Met’s Don Carlo, the tale that answers the musical question, ‘Will sacrificing all chance of personal happiness for the sake of duty and honor save you from the Spanish Inquisition?’

They’ve used these sets for some years now, but it takes a long time for hardliners to except change at the Met as anything but heretical.

I thought Bob Crowley’s designs were effective and quite clever, with a touch of Max Reinhardt about some of them, even if I also wonder what the Met’s grand old ultra-realistic sets might have been like.

I must confess, some relief came from knowing I had not the responsibility of making sure none those many performers bumped into the furniture.

DonCarlo at the Metropolitan Opera onemanz.com

photo: Metropolitan Opera

Tickets for Verdi’s Don Carlo start at $27, with 8 performances beginning March 30, through April 25.

Yannick Nézet-Séguin conductor, Nicholas Hytner production.

Starring Carlo Yonghoon Lee and Barbara Frittoli, with Ekaterina Gubanova, James Morris, and Ferruccio Furlanetto reprising his portrayal of King Philip, and a One Man’s World special mention for the charismatic baritone Dmitri Hvorostovsky singing the role of the Marquis de Posa.

 

Best $20 ticket in NYC – this Sunday, 2 PM, Carnegie Hall

All of yous.

Yes every single one of you in the tri-state area.

Yous needs to do yousself the favor and go to Carnegie Hall this Sunday at 2pm for the New York Youth Symphony Orchestra’s concert.

Bring the kids.

They are so spectacular you will not believe they are all 20 or younger.

AND the program includes Rimsky-Korsakov’s Scheherazade, Op.35!!!

If you have never seen a live orchestra concert, or not in a long time, or your kids haven’t, go see it. Every seat is $20, at Carnegie Hall!  It is the best $20 ticket in NYC.

Get Tickets

Joshua Gersen, conductor
Elena Urioste, violinBeethoven: Violin Concerto, op. 61
Rimsky-Korsakov: Scheherazade, op. 35

Guest Artist

Elena Urioste

Recently selected as a BBC New Generation Artist, Elena Urioste has been hailed by critics and audiences for her rich tone, nuanced lyricism, and commanding stage presence. Since making her debut with the Philadelphia Orchestra at age thirteen, she has appeared with major orchestras in the U.S. and abroad, including the London and New York Philharmonics, the Cleveland Orchestra, the Boston Pops, and the Chicago, Atlanta, Detroit, Pittsburgh, and National symphony orchestras. Elena has collaborated with acclaimed conductors Sir Mark Elder, Keith Lockhart and Robert Spano; pianists Mitsuko Uchida, Christopher O’Riley, and Michael Brown; cellists Carter Brey and Zuill Bailey; and violinists Shlomo Mintz and Cho-Liang Lin. She has been a featured artist at the Marlboro, Ravinia, and La Jolla music festivals, among others.

Conductor

Joshua Gersen

The New York Philharmonic has announced that Joshua Gersen has been appointed the orchestra’s new Assistant Conductor, commencing with the 2015/16 season.

Gersen will continue to serve as music director and principal conductor for the New York Youth Symphony concurrently with his newly appointed position at the Philharmonic.

Congratulations JD!

Carnegie Hall

Chimes of Freedom

The mad mystic hammering of the wild ripping hail

Ever wonder what it must have been like to have heard these words before they had even been released on a record?

Far between the finished sundown (sic) and midnight’s broken toll
We ducked inside the doorway as thunder went crashing
As majestic bells of bolts struck shadows in the sounds
Seeming to be the chimes of freedom flashin’
Flashin’ for the warriors whose strength is not to fight
Flashin’ for the refugees on the unarmed road of flight
An’ for each an’ ev’ry underdog soldier in the night
An’ we gazed upon the chimes of freedom flashing

Well, it would have been a lot like this.

 

http://www.eyeneer.com/video/rock/bob-dylan/chimes-of-freedom

 

The verses of that young man shall be studied by scholars and read by nightlight centuries after the rest of our time have faded from away from the pages of history.

Read more: http://www.bobdylan.com/us/songs/chimes-freedom#ixzz3PwRMAKHh

American Rivers – Monday Map

Can you find your hometown river on this map of  Untied States, made up entirely by American rivers?

American rivers map Blanchard s
click to enlarge

I was able to identify the Continental Divide easily enough. That is where rivers change from flowing toward the Atlantic and Caribbean to rivers that empty into the Pacific. And some of the major waterways are immediately recognizable, as are some state borders created by American rivers. But it is amazing to see just how many individual rivers there are in this one nation on the planet Earth.

It took some scouring of satellite maps, but I was able to find mine own hometown river – the Blanchard, in northwest Ohio. It is highlighted in red, although you may need to click on the map to enlarge it enough to make that out.

Queghtuwa was one aboriginal name for this tributary of the Auglaize, which feeds the Maumee on its way from Ft. Wayne, Indiana to Toledo, Ohio, where it empties into Lake Erie. I must confess, until I saw this map of the continental U.S. made up entirely of rivers, I had no idea exactly where the Blanchard started and where it ended. I just watched it roll by throughout my formative years, when I wasn’t swimming in it.

Rivers are taken for granted these days, but they have been at the heart of human civilization since prehistoric times. Where there’s water there is life. And where there is a river, there was fish, game, irrigation, and arteries to transport goods and people with relative ease for millennia before airliners and motorways, railroads and stage coaches, or even oxcarts and chariots.

Their earlier importance remains with us today, in all the territorial boundaries that include rivers, as well as all the many names of places and things named after rivers, from the Rhineland, to Thames Television, to the Ebola virus.

Where I come from, Blanchard Valley was used as a title for everything from recreational areas to the hospital where I was born. But one would be hard pressed to find any sign of a valley there. After a glacier sat its keister on the area for several centuries, the highest peak in the county is the man made reservoir. But meandering there through the pancake flat landscape was the most interesting geographic feature, the lazy, brown Blanchard River.

Named after a Frenchman who settled among the Shawnee Indians sometime after the American Revolution, the Blanchard once fed the Black Swamp, which was drained long ago and tamed into fertile flat fields of corn, soy beans, and sugar beets.

In recent years the Blanchard River made the front page of the New York Times, where a photo of my cousin appeared. He was in a small boat traversing his neighborhood, which had been flooded by the Blanchard. His home was flooded twice in three years, when the Blanchard was known for flooding once every thirty-five years. It is suspected that development of outlying areas has filled in or altered the natural watershed of streams and creeks, resulting in undue pressure put upon rivers like the Blanchard.

And at a cost of over $100 million in Findlay, Ohio alone, in just one flood, it is clear that muddy rivers rise up to smite us, when we take them too much for granted.

A massive version of this map can be found at http://bost.ocks.org/mike/us-rivers.png

Large Mosaic Uncovered at Amphipolis Tomb

The god Hermes leads the chariot of a bearded man wearing laurels toward the underworld, in a stunning mosaic revealed by the Greek Ministry of Culture, recently discovered at the massive 4th Century BC tomb at Amphipolis in Northeast Greece.

Amphipolis mosaic floor Amfipoli
source: Greek Ministry of Culture

The moasic floor was made with pebbles of six different colors, and were enough found in the chamber that archeologists hope to reconstruct the damaged portions before the tomb is opened to public sometime in the future. Almost 15 x 10 feet in size, the mosaic covers the entire floor of the tomb’s second chamber.

Known as the Kasta tomb (Τύμβος Καστάv,) the site has been under careful excavation since its discovery in 2012. It is the largest tomb ever found in Greece at 1,935ft (590m) in width.

Amphipolis was a major navel port during the reign of Alexander the Great. Three of the tomb’s four known chambers have been entered thus far, and it is assumed to have been built for one of Alexander’s close relatives, and possibly his wife.

Alexander died in Babylon in 323 BC, a month before his 33rd birthday. His tomb is said to be in Egypt, but it has never been found. It is possible the site in Amphipolis is actually a cenotaph, a monument to someone buried elsewhere. The many features revealed by archeologists thus far suggest the work of Alexander’s chief architect Dinocrates of Rhodes.

So, it is possible the site is actually an unoccupied monument to Alexander himself, or his father, Philip II, who conquered the region a generation earlier. Before then Amphipolis had been an independent city state, famous for defeating an Athenian invasion some 80 years before it fell before King Philip.

While a recently discovered hole in an inner wall implies it may have been looted in antiquity, it is still hoped they may know for certain just who it was built for, once they enter the fourth chamber. But the site dwarfs Philip’s own tomb in ancient Aigai some 100 kilometers west of Amphipolis. That is but one reason this site is of so much interest.

Other important discoveries at the site include two large sphinxes and even larger caryatids, and recent photos of both can be seen at various websites.

Related Reading on the Kasta tomb in Amphipolis:

Website dedicated to the tomb at Amphipolis

The Greek Reporter – List of Related Stories

McSorley’s Mysterious Wishbones – Around the Web

What became of the soldiers from the Great War who left behind the mysterious wishbones of McSorley’s Ale House?

According to the story on Atlas Obscura, there remain to this day, hanging over the bar at McSorley’s, wishbones placed there by servicemen as good luck charms prior to their being shipped overseas in 1917. Just one example of the amazing bits of history to be found at 15 East 7th Street in New York’s East Village, where McSorley’s Ale House opened in 1857.

The last American veteran  of the First World War was named Frank Buckles, who passed away in 2011 at the age of 110. He had been a 16 year old motorcycle driver “over there,” and in the 1940s he survived a Japanese internment camp in the Philippines during the Second World War, where he contracted the beriberi that continued to trouble him the rest of his life.

As we have now crossed the 100th anniversary of the start of the Great War, more attention has been brought to those who took part in what sadly failed to end all wars, as was predicted. They are all gone now, like the veterans of the American Civil War before them.

But what of the wishbone hangers? Some of the men came back to remove a wishbone and celebrate their safe return to McSolrey’s bar. What became of the others, whose wishbones remain there to this day, a silent reminder from the Lost Generation?

Did they not make it back to New York, or to McSorley’s? Or did they not make it back at all?

When next at the bar and ordering your mugs of light or dark, be sure and look for the wishbones and toast those warriors whose fate is now shrouded in history as well as mystery.

For more reading:

Atlas Obscura’s  The Wish Bones of McSorley’s Old Ale House

The Smithsonian Institute’s profile of Frank Buckles

McSorley’s Old Ale House official site

McSorley's Old Ale House

Thanks to River E. for the link!

Around the Web is a new feature where we will provide links to interesting and worthwhile items from around cyberspace.

 

Secunda etas Mundi – Monday Map

An early world map, known as the Secunda etas Mundi, shows how the mythos and fantastical thinking of the medieval mind dominated still, a year after Columbus.

Secunda etas Mundi

As our Monday Maps series gets back up to speed, I thought it would be nice to visit an old timer.

This is a color rendition of the “Secunda etas Mundi” that appeared in the World Chronicle (Liber Chronicarum) by Hartmann Schedel. Published in 1493, this was the first major book published since the invention of the printing press to get the same kind of ornate illustrations that had previously been reserved for the Bible and related texts.

Clearly based on Ptolemy‘s view of the world that had been lost during the Middle Ages and very much became a centerpiece of classical influence upon the Renaissance thinkers. So this map omits the new world and the southern tip of Africa, which were both reached before the map was made, and it shows terra incognita all along the southern portion of the Indian Ocean.

To the left are the sort of mythical beings expected to be found in the exotic locales represented. And around the map are seen the prevailing winds and the sons of Noah, believed to have populated the world after the great flood.

No wonder it took so long to get anywhere with this kind of GPS to go by!

 

Nickel Creek Reunion Tour in Brooklyn

It says a lot about Chris Thile as an artist and a man that he is awarded a MacArthur Fellowship “genius grant” in 2012 with the handsome cash prize, and a year later he chooses to get back together with his old band, Nickel Creek, who he first hooked up when he was 8 years old, back in the early 90s, and who provide him more of a team-player ensemble role than any other collaboration he has been involved since.

But there was plenty of brilliance flashing from Thile’s mandolins, even if he was content to lace things together more than cover the various tunes in ribbons and bows.

Nickel Creek last toured some 7 years ago, but I guess Thile got the 7 Year Itch in reverse, and from the talk on stage tonight at Brooklyn’s Prospect Park Band Shell, this is less of a reunion tour than a new beginning.

Sara Watkins’ angelic voice filled the darkened band shell with pure radiance, and her brother Sean’s fluid guitar runs with their in the moment crescendos, and the lilt of his high lonesome singing melded with Thile’s righteous tenor rafters, so that the trio brought tears to eyes and goosebumps to napes over and over.

But good golly those kids can PICK!

Nickle Creek Brooklyn July 2014

Kids? The Sean Watkins is old enough to run for president and Thile and Sara Watkins will be in a couple of years. And yet, they were fresh as daisies in their sheer joy of lighting up an audience and each other, even if their chops were far beyond their years.

And with Mark Scatz providing a full bodied bottom end on the basement fiddle, they tore it up. But just as often they would hang out in the air, or cast a line out into the audience and slowly pull it in, only to yank it home with a sudden surge or breathtaking downhill slues of three-part, hearts-in-synch daring do.

They have a new album, but they also played plenty of songs from their five Grammy-nominated albums from back in the day.

This lady had a much better seat in Boston than I did in Brooklyn tonight. So check this OUT.


and then