Tag Archive | Robbie Robertson

The Last Waltz – 40 years later, remembered in a guitar

Robbie Robertson’s bronzed guitar from the historic Last Waltz concert recreated

This $14,500 limited edition Fender Stratocaster is a meticulous replica of the hot-rodded 1954 Strat Robertson had dipped in bronze to signify the final show of the Band, on Thanksgiving Day, 1976.

Although the other members of The Band reunited and played together for many years, Robbie Robertson never played with them again.

Influential Axeman

Perhaps more than any other guitarist, Robbie Robertson influenced my own sense of how to play fills as a lead guitarist.

But I am in good company there, Eric Clapton was so enamored of Robertson and the Band’s first album, Music from Big Pink, he said he was seriously considering quitting Cream and moving to Woodstock, NY to commune with the roots music rock band sometimes seen backing Bob Dylan.

Here is one of my all-time favorite performances played on the original article, you can see the gleam of the bronze in the stage lights, even on this lo-res archival footage.

Unfortunately and inexplicably, a pretty big chunk of the guitar solo was cut out of this song in Scorsese’ motion picture The Last Waltz. So here is the version from Winterland’s house archive camera, released after Bill Graham’s death, with the mix the audience actually heard.

 

I tried to synch up the mixed audio from the record album, with all its fancy EQ that combined the stage mix and house mix, but the actual timing on the CD version, the video on Youtube from the film, and this archival footage here, are all at different speeds so it was a no-go.

Also, you will notice the camera man stopped paying attention and pretty much misses Robertson’s playing on the solo – something that seems to happen VERY often when people are filming or video taping classic performances and end up shooting other people instead of showing iconic guitar solos I will only wish I could see in detail – or like in the Last Waltz film in general, where the editor keeps showing Robbie’s face contortions rather than what his hands are playing.