{"id":2699,"date":"2013-11-21T15:27:15","date_gmt":"2013-11-21T20:27:15","guid":{"rendered":"https:\/\/onemanz.com\/guitar\/?p=2699"},"modified":"2013-11-21T15:33:38","modified_gmt":"2013-11-21T20:33:38","slug":"g7th-performance-capo-review","status":"publish","type":"post","link":"https:\/\/onemanz.com\/guitar\/g7th-performance-capo-review\/","title":{"rendered":"G7th Performance Capo – a review"},"content":{"rendered":"

Some years ago I wrote a product review for Maury’s Music, on the G7th Performance Capo.<\/strong><\/h1>\n

I have greatly revised my original review, as I have come to appreciate this capo more and more overtime. Basically, I learned how to attach it to the guitar neck better over time.<\/h2>\n

Unlike many capos, the G7th Performance Capo was the brainchild of a guitarist, Englishman Nick Campling, who is also a professional product designer. After 30 years of capo dissatisfaction, he fixed his eye upon the challenge of making a better mousetrap, err, capo. To do so, he looked at those produced in recent decades and how they may have fallen short in his demanding estimation.<\/p>\n

His primary concerns were the effect of the capo on a guitar’s intonation, the ease of use in terms of applying and removing it, making sure the capo did not damage the guitar’s neck or get in the way of the guitarist’s fretting hand, and finally, a capo that was attractive to the eye. The G7th Performance capo does a good job in all these respects.<\/p>\n

This is no easy order, given the long and not always pretty history of this little piece of guitar gadgetry…<\/p>\n

Read the Full G7th Capo Review<\/strong><\/a><\/h3>\n

\"G7th<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Some years ago I wrote a product review for Maury’s Music, on the G7th Performance Capo. 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