{"id":8564,"date":"2017-04-21T18:32:09","date_gmt":"2017-04-21T22:32:09","guid":{"rendered":"https:\/\/onemanz.com\/guitar\/?page_id=8564"},"modified":"2017-07-10T19:51:25","modified_gmt":"2017-07-10T23:51:25","slug":"ceo-8-2-and-ceo-8-2e","status":"publish","type":"page","link":"https:\/\/onemanz.com\/guitar\/reviews\/acoustic-guitars\/martin\/ceo-8-2-and-ceo-8-2e\/","title":{"rendered":"CEO-8.2 and CEO-8.2E"},"content":{"rendered":"<h1>A Grand Mahogany Jumbo Indeed is Martin\u2019s CEO-8.2<\/h1>\n<p><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js\"><\/script><br \/>\n<!-- Leader Board --><br \/>\n<ins class=\"adsbygoogle\" style=\"display: inline-block; width: 728px; height: 90px;\" data-ad-client=\"ca-pub-1390874476445023\" data-ad-slot=\"5995692994\"><\/ins><br \/>\n<script>\n(adsbygoogle = window.adsbygoogle || []).push({});\n<\/script><\/p>\n<h2>The CEO-8.2E includes a special Fishman Blackstack sound hole pickup<\/h2>\n<p>Specs include: All solid wood construction made with Forestry Stewardship Council Certified wood; Grand Jumbo body size; FSC\u00ae tropical American Mahogany back and sides, Vintage Tone System torrefied FSC\u00ae European spruce top; 5\/16&#8243; FSC\u00ae European spruce bracing with progressively scalloped tone bars unique to the Grand J size; FSC\u00ae select mahogany neck with modified low oval profile and Performing Artist taper, 1-3\/4&#8243; at nut, 2-1\/18&#8243; at 12th fret; FSC\u00ae ebony fingerboard and bridge with liquid metal bridge pins; modern belly bridge with drop-in bone saddle and 2-5\/32\u201d string spacing; bone nut; satin finish with unique Bourbon Sunset Burst top shading; unique multi-stripe rosette; mother of pearl skeletal diamond position markers; wide crested headstock with retro nickel tuning machines and large pearloid keystone buttons<\/p>\n<p><em>&#8220;Never woofy nor muddy, there is a firmness from the bottom E string. It is buoyant, yet taught and strong. The fundamentals across the middle register are well balanced in volume and projection, with the note from each string narrowing in timbre as they increase in pitch, but all three have a fullness that extends the general sense of warmth up through midrange. The sound of the unwound trebles is wholly different, yet complimentary, with clear-cut definition and a silvery ring.&#8221;<\/em><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/cNr12N6y-7E\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3>From the Chairman of the Board<\/h3>\n<p>The Martin CEO-8.2 is the ninth guitar in the CEO Series, designed by Chief Executive Officer, C.F. Martin IV. But since it is basically a \u201creboot\u201d of the CEO-8 from 2015, he chose to give it the designation of 8.2, rather than call it the CEO-9.<\/p>\n<p><a href=\"https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-narrow.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-8575 size-medium\" src=\"https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-narrow-140x300.jpg\" alt=\"Martin CEO-8.2 narrow\" width=\"140\" height=\"300\" srcset=\"https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-narrow-140x300.jpg 140w, https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-narrow.jpg 490w\" sizes=\"auto, (max-width: 140px) 100vw, 140px\" \/><\/a>Whereas the CEO-6 had different versions with different colored finishes, each was called \u201cCEO-6\u201d since they were otherwise identical in terms of tonewood and construction. The CEO-8.2 has more differences than just the color scheme in its finish. The CEO-8 has a back and sides and neck made from domestic American sycamore, a wood rarely seen on acoustic guitars. This year\u2019s offering is made from traditional Big Leaf mahogany from South America, the exotic tonewood the Martin Company has used across the past century. In fact, 2017 marks the 100th anniversary of the introduction of mahogany back and sides to the main line, on the guitars built in Style 18.<\/p>\n<p>And this new model likewise exhibits Chris Martin\u2019s earnest avocation of environmental conservation and the conscientious management of the world\u2019s natural resources. All of the tonewoods on the CEO-8.2 have been certified by the Forestry Stewardship Council, an independent, non-governmental, not for profit organization promoting and ensuring responsible management of the world&#8217;s forests. This includes the ebony used for the fingerboard and bridge, and the European spruce used for the top and bracing. But it is particularly poignant where Big Leaf mahogany is concerned, as it is vanishing from the wild rain forests at an alarming rate, and safeguarding efforts cannot be happening too soon. Any sort of wood can be used to make an office desk, not so when it comes to exquisite musical instruments that rely on certain woods for their sonic beauty. C.F. Martin IV devotes considerable time and effort to lobby and educate the natural timbers industry in this regard.<\/p>\n<p>Otherwise the 8.2 continues Chris Martin\u2019s personal tradition of using his CEO Series to create instruments that feature progressive technologies and contemporary design that combine with and advance the venerable guitar making innovations of the previous century, to create Martin models of the twenty-first century.<\/p>\n<p>In this case, Martin\u2019s modern High Performance neck is attached via their recently-invented Simple Dovetail neck joint to their Grand Jumbo body size, which was first introduced in 2009. The Grand J took its shape from the short-lived electric archtop jazz models, the CF-1 and CF-2, which appeared five years earlier.<\/p>\n<p>The immense mahogany sound chamber of the Grand J design has a round lower bout fully 17\u201d across, and it\u2019s topped by a wide soundboard of European Alpine spruce treated to Martin\u2019s Vintage Tone System, their perfected and propriety method of wood torrefaction. And all of it is encased in a smooth satin finish, with the top decorated by the new Bourbon Sunset Burst, glowing with warmth from its darkest recesses to the golden center that allows the detail in the grain of the spruce to show through clearly, seemingly depicting the unique tone heard from this CEO-8.2.<\/p>\n<h3>Sounding Grand<\/h3>\n<p>Befitting its impressive amount of cubic inches, bottom bass notes report with substantial body and yet with very nice definition. Never woofy nor muddy, there is a firmness from the bottom E string. It is buoyant, yet taught and strong. The fundamentals across the middle register are well balanced in volume and projection, with the note from each string narrowing in timbre as they increase in pitch, but all three have a fullness that extends the general sense of warmth up through midrange. The sound of the unwound trebles is wholly different yet complimentary, with clear-cut definition and a silvery ring. Digging into them makes them condense and pop, as they bark and bite in a bluesy, old-timey way. But when played with less attack, they are unfettered and sing out atop the voice with undistorted purity, and yet resound with a fluttering resonance, as if the guitar had a built in reverb effect, which I guess it does. But it occurs naturally, and not from electronic special effects or recording studio wizardry.<\/p>\n<p>It is a spacious voice, with a bottom end of inherently woody character, as one might expect from mahogany back and sides reflecting and enlarging the expressive sound of European spruce, while keeping things warm yet uncluttered as only mahogany can.<\/p>\n<p>I like to use the term \u201cpresence\u201d when speaking of mahogany tone, because of how the sympathetic undertone glowing out from the sound chamber has palpable color and substance, but it is unified and understated, and not nearly as thick or complicated as rosewood sounds. It supports the fundamental notes rather than welling up through or beyond them. Guitars of this size made from rosewood can sound quite lush to the point of being swamped with overtones. The CEO-8.2 has simpler overtones that extend the fundamental register, and a sympathetic undertone that remains unobtrusive while helping define and enrich that expansive 3D soundscape where that clear fundamental tone is so beautifully displayed.<\/p>\n<p>European Alpine spruce provides a very quick response, often preferred by makers of traditional flamenco guitars, because of how a note fires off with speed and clarity, and then gets out of the way for the next note. And that quick metallic \u201cping\u201d stands out at the top of the voice, which some people associate with Adirondack red spruce. But Alpine spruce sounds with its own subtle presence permeating across the fundamentals, which my ear hears as a glow, or almost a pastel wash of pale hue, soft and creamy in contrast to those precise sonic peaks off the unwound strings, which softens their edges a bit. This is even more noticeable since the wound strings are less brassy than on a rosewood guitar topped with Alpine spruce.<\/p>\n<p>There are many Martins made with European spruce tops, including several models made with mahogany back and sides. None of them sound all that much like this one. And a lot of that has to do with the Grand Jumbo design.<\/p>\n<p>Click on Photos to Enlarge<\/p>\n<table>\n<tbody>\n<tr>\n<td width=\"213\"><a href=\"https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-mahogany.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-8574 size-medium\" src=\"https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-mahogany-300x232.jpg\" alt=\"Martin CEO-8.2 mahogany\" width=\"300\" height=\"232\" srcset=\"https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-mahogany-300x232.jpg 300w, https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-mahogany-768x595.jpg 768w, https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-mahogany.jpg 1100w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<td width=\"213\"><a href=\"https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-skeletal-diamond-fret-markers.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-8576\" src=\"https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-skeletal-diamond-fret-markers-267x300.jpg\" alt=\"Martin CEO-8.2 skeletal diamond fret markers\" width=\"209\" height=\"234\" srcset=\"https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-skeletal-diamond-fret-markers-267x300.jpg 267w, https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-skeletal-diamond-fret-markers-768x862.jpg 768w, https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-skeletal-diamond-fret-markers.jpg 980w\" sizes=\"auto, (max-width: 209px) 100vw, 209px\" \/><\/a><\/td>\n<td width=\"213\"><a href=\"https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-lower-bout.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-8573 size-medium\" src=\"https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-lower-bout-300x248.jpg\" alt=\"Martin CEO-8.2 lower bout\" width=\"300\" height=\"248\" srcset=\"https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-lower-bout-300x248.jpg 300w, https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-lower-bout-768x635.jpg 768w, https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-lower-bout.jpg 1100w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3>Big and Beautiful<\/h3>\n<p>The top on a Grand J is supported by bracing with unique shaping engineered for the wide soundboard. There are three main tone bars supporting the lower bout, one more than on other Martins. The tallest and thickest is closest to the bridge and has the least amount of mass removed though scalloping, and the second bar is shorter and less massive, and the third one is shorter still with the most extensive scalloping. The main X brace is not scalloped at all. This combination of firm support at the center and flexible secondary support has something to do with the distinctive fundamentals and ethereal resonance heard from this guitar. As too does the fact the top and bracing are made of European spruce, which is a bit softer and less ridged than Sitka or Adirondack spruce from North America.<\/p>\n<p>And that European spruce top was torrefied by Martin\u2019s Vintage Tone System, which opens up the sound of a brand new spruce soundboard so it takes on properties similar to a top that has been played in for many years. It is why those clear trebles light up such a wide open cavern of tonal space that seems larger than actual room one sits in while playing the guitar, and why that bottom bass note sounds so deep and so projecting at the same time. You can read more about Martin\u2019s VTS and the use of torrefaction in modern guitarmaking <a href=\"http:\/\/wp.me\/P3p2sf-15f\" target=\"_blank\" rel=\"noopener noreferrer\">HERE<\/a>.<\/p>\n<p>As mentioned, the response is quite impressive, as the guitar sounds differently depending on how hard it is played. Fingerpicking is notably pretty, when the strings are picked lightly in a relaxed manner. The notes from the wound strings have that fatter roundness reflected by the mahogany beneath, while the trebles ring out with their chrome-plated clarity, glassy and refined, extending out over and illuminating that airy cavern beneath.<\/p>\n<p>But when the thumb and fingers inject the strings with some extra tension, as mine often do, the top voice leaves that undertone behind, and everything condenses at the fundamental, with the mids barking out succinct notes of authority while the cutting high end pops and sizzles.<\/p>\n<p>When it comes to a flat pick, the three registers all hold their own, which makes the CEO-8.2 very good for strumming and picking, with that \u201cPoppa sang bass\u201d low E string throbbing at the bottom. And then it sounds even less like typical Martins, including those that also came with liquid metal bridge pins, known to increase volume and sustain &#8211; and this big fella has loads of both.<\/p>\n<p>This is not a dreadnought voice, as it comes off wider and more spacious. It is not like the sound of the Martin Jumbo, which has a grand auditorium size top and dreadnought depth, and has a focused, punchy voice, like a super-sized 000. And it is devoid of the usual fudgy thickness of previous Grand Jumbo models. While the CEO-8 comes closest, even that does not sound quite like the 8.2.<\/p>\n<p>And yet it is a familiar sound, or so I thought. It brought to my mind the Gibson SJ-200 because of how the undertone decreases in presence and color from the bass to the treble, and in the way the midrange and high harmonics dominate the sustain. But once I sought out an example of that model to refresh my senses with its tonal qualities, the illusion fell away. The CEO-8.2 does not sound much like an SJ-200, or for that matter a mahogany SJ-100. It is truly unique, even if was made to look somewhat like a Gibson SJ on purpose.<\/p>\n<h3>Inspiration More Than Imitation<\/h3>\n<p><a href=\"https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-head-2.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-8570 size-medium\" src=\"https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-head-2-165x300.jpg\" alt=\"Martin CEO-8.2 head 2\" width=\"165\" height=\"300\" srcset=\"https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-head-2-165x300.jpg 165w, https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-head-2.jpg 487w\" sizes=\"auto, (max-width: 165px) 100vw, 165px\" \/><\/a>Chris Martin has always admired the visual styling used on certain Gibson models and he incorporated similar aesthetics in his CEO models meant to pay homage to the classic Gibson guitars from the pre-war era. None of them as directly so as the CEO-8, inspired by Gibson\u2019s iconic SJ-200. The CEO-8.2 retains some of that same visual flavor, while pulling things back toward a more Martin-like restraint. Gone is the audacious inlay on the CEO-8\u2019s pickguard, while the large irregular shape remains. And the wide flamboyant blocks of mother of pearl filling in the fretboard have been replaced by elegant diamonds with centers made from slender lines of that same lustrous shell. And where the wide, crested headstock taken from the Martin archtop models has a pearl \u201cThe Martin\u201d logo, similar to \u201cThe Gibson\u201d that appeared on certain guitars from the 1920s, it also has a larger version of the same skeletal diamond inlay used for the fret markers. Even the 8.2\u2019s Bourbon Sunset shading on the top is subtler than the reddish Teardrop Sunburst on the CEO-8, and where the latter has the burst effect extended to the back, sides, and behind the neck, the CEO-8.2 lets the natural beauty of the mahogany show through unadorned, much more like a classic Style 18 Martin.<\/p>\n<p>And keeping with Mr. Martin\u2019s ecologically friendly theme, the acoustic-electric version, the CEO-8.2E, is fitted with the new Fishman Blackstack magnetic sound hole pickup, which does not require the use of batteries. And despite its name, it isn\u2019t black. It has a grained cream-colored face plate made exclusively for this new CEO model, which matches the keystone tuner buttons and the overall aesthetics very nicely.<\/p>\n<p>The CEO-8.2 is yet another individualistic Martin model from the CEO Series, which combines the familiar with the new, the progressive with the traditional, and matches and marries elements found on other guitars, but never in quite the same configuration. Whether someone is a lover of mahogany, European spruce, large, round guitars, or sunburst tops, this guitar offers something they already love but with a new look or sound, while offering other things that may be unfamiliar but will prove a new love waiting to be discovered.<\/p>\n<p>And that is one man\u2019s word on\u2026<\/p>\n<h3>The Martin CEO-8.2<\/h3>\n<p><a href=\"http:\/\/wp.me\/P3p2sf-2eq\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-8568\" src=\"https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-Blackstack-NAMM-label-300x235.jpg\" alt=\"Martin CEO-8.2 NAMM label\" width=\"246\" height=\"193\" srcset=\"https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-Blackstack-NAMM-label-300x235.jpg 300w, https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-Blackstack-NAMM-label-768x600.jpg 768w, https:\/\/onemanz.com\/guitar\/wp-content\/uploads\/sites\/2\/2017\/04\/Martin-CEO-82-Blackstack-NAMM-label.jpg 1100w\" sizes=\"auto, (max-width: 246px) 100vw, 246px\" \/><\/a><\/p>\n<h3>More Photos <a href=\"http:\/\/wp.me\/P3p2sf-2eq\" target=\"_blank\" rel=\"noopener noreferrer\">HERE<\/a><\/h3>\n<p>Related Reading:<\/p>\n<p><a href=\"http:\/\/wp.me\/P3p2sf-15f\" target=\"_blank\" rel=\"noopener noreferrer\">Torrefaction and its use in Modern Luthiery<\/a><\/p>\n<p><a href=\"https:\/\/onemanz.com\/guitar\/wp-admin\/post.php?post=5274&amp;action=edit\" target=\"_blank\" rel=\"noopener noreferrer\">Martin CEO-8 Review<\/a><\/p>\n<p><a href=\"http:\/\/wp.me\/P3p2sf-sQ\" target=\"_blank\" rel=\"noopener noreferrer\">Martin CEO-7 Review<\/a><\/p>\n<p><a href=\"http:\/\/wp.me\/P3p2sf-2hm\" target=\"_blank\" rel=\"noopener\">Gibson SJ-200 Ebony Limited Review<\/a><\/p>\n<p><a href=\"http:\/\/wp.me\/P3p2sf-2ko\" target=\"_blank\" rel=\"noopener\">The Dick Boak Interviews Part 1<\/a> &#8211; the Inside Out Guitar<\/p>\n<p><a href=\"https:\/\/onemanz.com\/guitar\/latest-acoustic-guitar-reviews-news\/\" target=\"_blank\" rel=\"noopener noreferrer\">More News and Reviews<\/a><\/p>\n<p>~<\/p>\n<p><a href=\"http:\/\/wp.me\/P3p2sf-2ex\" target=\"_blank\" rel=\"noopener noreferrer\">Official Spec Sheet<\/a><\/p>\n<p>~<\/p>\n<p><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js\"><\/script><br \/>\n<!-- Leader Board --><br \/>\n<ins class=\"adsbygoogle\" style=\"display: inline-block; width: 728px; height: 90px;\" data-ad-client=\"ca-pub-1390874476445023\" data-ad-slot=\"5995692994\"><\/ins><br \/>\n<script>\n(adsbygoogle = window.adsbygoogle || []).push({});\n<\/script><\/p>\n<p>~<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Grand Mahogany Jumbo Indeed is Martin\u2019s CEO-8.2 The CEO-8.2E includes a special Fishman Blackstack sound hole pickup Specs include: All solid wood construction made &hellip; <\/p>\n","protected":false},"author":1,"featured_media":0,"parent":166,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full-width-page.php","meta":{"footnotes":""},"class_list":["post-8564","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>CEO-8.2 and CEO-8.2E | One Man&#039;s Guitar<\/title>\n<meta name=\"description\" content=\"A Grand Mahogany Jumbo Indeed is Martin\u2019s CEO-8.2\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/onemanz.com\/guitar\/reviews\/acoustic-guitars\/martin\/ceo-8-2-and-ceo-8-2e\/\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"11 minutes\" \/>\n<script type=\"application\/ld+json\" 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